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PosterEncuentros cercanos del tercer tipo

Céditos de la película Encuentros cercanos del tercer tipo (1978)

Película > Encuentros cercanos del tercer tipo (1978) > Créditos

Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película Encuentros cercanos del tercer tipo del año 1978. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.

Dirección

Guión

Reparto

Roy Neary
Claude Lacombe
Ronnie Neary
Jillian Guiler
David Laughlin
Project Leader
Wild Bill
Agricultor
Jean Claude
Barry Guiler
Brad Neary
Silvia Neary
Toby Neary
Robert
Team Leader
Major Benchley
Implantee
Implantee
Ike
Mrs. Harris
Ohio Tolls
Larry Butler
Himself (as Rev. Michael J. Dyer)
El patrullero de la carretera
Policía militar
ARP Project Member (as F. J. O'Neil)
ARP Musician
Returnee #1 Flt. 19
Returnee #2 Flt. 19
Returnee #3 Flt. 19
Controlador de tráfico aéreo
Controlador de tráfico aéreo
Air Traffic
Air Traffic
Air East Pilot
Hawker
Federale
Federale (as Daniel Nunez)
Federale
Federale
Radio Telescope Team
Radio Telescope Team
Radio Telescope Team
Radio Telescope Team
Truck Dispatcher
Load Dispatcher
Support Leader
Special Forces
Special Forces
Dirty Tricks #1
Dirty Tricks #2
Dirty Tricks #3
Dirty Tricks #4
Scientist (u)
Longly (u)
Himself - Smoking Pipe at Landing Site (u)
Special Forces Commander /Helicopter Pilot (u)
Speaking Child Extra (u)
Agent (u)
Extra (u)
Agent (u)
Agent (u)
UN Observer (u)
Howard K. Smith (u)

Música

Producción

associate producer (as Clark Paylow)
Productor
Productor

Casting

Shari Rhodes y Juliet Taylor ((as Juliette Taylor))

Fotografia

Vilmos Zsigmond (Director de fotografía)

Ayudante de dirección

Jim Bloom (Asistente de dirección), Charles Myers (assistant director (as Chuck Myers)), Matthew Robbins (second unit director: additional scenes (1980 special version) (u)), Eric Stacey (key second assistant director (u)) y Jerry Ziesmer (assistant director: additional scenes (u))

Dirección artística

Daniel A. Lomino ((as Dan Lomino))

Departamento de arte

Sam Gordon (Jefe de utilería), George Jenson (production illustrator (as George Jensen)), Bill Parks (Gerente de construcción), Stan Cockerell (set dresser (u)), David Coleman (assistant property master (u)) y Ralph McQuarrie (conceptual artwork (u))

Dobles

Buddy Joe Hooker (stunt coordinator / stunts (u)), Denny Arnold (stunts (u)), Bobby Bass (stunts (u)), Craig R. Baxley (stunt driver (u)), Jerry Brutsche (stunt driver (u)), Steven Burnett (stunts (u)), Jeannie Epper (stunts (u)), Monty Jordan (utility stunts (u)) y Stephen Powers (stunts (u))

Efectos visuales

Larry Albright (special consultant / mothership neonlight effects designer (u)), Peter Anderson (special consultant (credited) / additional model photography (u) / model and minature electronics (u)), Mona Thal Benefiel (project coordinator), Richard L. Bennett (special consultant (as Richard Bennett)), David Berry (camera operator (as Dave Berry)), Carol Boardman (animation staff), Eleanor Dahlen (animation staff), Cy Didjurgis (animation staff), Don Dow (laboratory technician), Jim Dow (model shop coordinator (as J. Richard Dow)), Ken Ebert (special consultant), Glenn Erickson (project assistant), Eugene Eyerly (Camarógrafo), Rocco Gioffre (assistant matte artist), David Gold (effects electrician), Joyce Goldberg (Secretaria de producción), Robert Hall (optical photography), David R. Hardberger (assistant cameraman (as David Hardberger)), Alan Harding (assistant cameraman), Jack Hinkle (laboratory expeditor (as Charles Hinkle)), Robert Hollister (Técnico), Thomas Hollister (laboratory technician (as Tom Hollister)), Paul Huston (special consultant), Joseph A. Ippolito (editorial assistant (as Joseph Ippolito)), Don Jarel (matte photography), Jerry Jeffress (electronics design (as Jerry L. Jeffress)), Gregory Jein (chief model maker), David Jones (special consultant (as David M. Jones)), Kevin Kelly (special consultant), Tom Koester (animation staff), Jim Lutes (special consultant), Michael McMillen (Constructor de modelos), Bill Millar (animation staff), Alvah J. Miller (electronics design), Harry Moreau (Animador), Conne Morgan (animation staff), Max Morgan (camera operator (as Maxwell Morgan)), Barbara Morrison (effects negative cutter), Dennis Muren (mothership photography), Bruce Nicholson (assistant cameraman), Ron Peterson (Camarógrafo), George Polkinghorne (mechanical special effects), George Randle (special consultant), Marcia Reed (still photography (as Marcia Reid)), Peter Regla (electronics design), Ray Rich (Encargado de equipamiento de cámara), Eldon Rickman (Camarógrafo), Richard Rippel (assistant cameraman), Larry Robinson (special visual effects coordinator), Peggy Rosson (Contador de producción), John Russell (camera and mechanical design), Jeff Shapiro (special consultant), Robert Shepherd (project manager: effects unit), Dan Slater (electronics design), Steven Spielberg (visual effects concepts), Scott Squires (assistant cameraman / developer: cloud tank (u)), David K. Stewart (UFO photography (as Dave Stewart)), Robert Swarthe (animation supervisor / visual effects supervisor (1980 special edition: inside mother ship) (u)), Ken Swenson (model maker (as Kenneth Swenson)), Don Trumbull (camera and mechanical design), Douglas Trumbull (special photographic effects), Jor Van Kline (Constructor de modelos), Robert E. Worthington (model maker (as Robert Worthington)), Hoyt Yeatman (project assistant), Matthew Yuricich (matte artist), Richard Yuricich (director of photography: photographic effects), Don Baker (additional effects photography (1980 special version) (u)), Thane Berti (visual effects (u)), Kathryn Campbell (visual effects editor (1980 special version) (u)), Leslie Ekker (animator (1980 special version) (u)), Gregory L. McMurry (visual effects technician (1980 special version) (u)), Mike Peed (animation photography (1980 special version) (u)), Christopher S. Ross (model maker (1980 special edition: mothership interior) (u)), Jonathan Seay (visual effects camera (1980 special version) (u)) y Mitch Suskin (model maker (1980 special version) (u))

Diseño de producción

Joe Alves

Departamento de maquillaje

Edie Panda (Estilista), Bob Westmoreland (Supervisor de maquillaje), Dave Ayres (creature crew (u)), Ellis Burman Jr. (extraterrestrial mask fabrication (u)), Thomas R. Burman (extraterrestrial mask fabrication (u)), Frank Griffin (extraterrestrial mask designer (u)) y Sharleen Rassi (hair stylist (u))

Departamento de musica

John Neal (Mezclador musical), Kenneth Wannberg (Editor de música), Sandy DeCrescent (orchestra contractor (u)), Tommy Johnson (musician: tuba soloist (u)), Tom Raney (musician: percussion (u)), Paul Salamunovich (vocalist: harmonic chanting (u)), Steve Schaeffer (musician: percussion (u)), Jim Self (musician: tuba, voice of the mother ship (u)), Herbert W. Spencer (orchestrator (u)) y Jerry Williams (musician: percussion (u))

Departamento de vestuario

James Linn (wardrobe supervisor (as Jim Linn))

Departamento de reparto

Sally Dennison (Casting adicional)

Departamento de editorial

Charles Bornstein (Asistente de editor de película), Bob McMillian (color consultant (as Robert M. McMillian)) y Geoffrey Rowland (Asistente de editor de película)

Departamento de transporte

Bill Bethea (Transporte) y Chris Haynes (production driver (u))

Cámaras y departamento de electricidad

John A. Alonzo (additional director of photography (as John Alonzo)), Jim Coe (Fotógrafo ), William A. Fraker (director of photography: additional American scenes), Earl Gilbert (Capataz), László Kovács (additional director of photography (as Laszlo Kovacs)), 'Fast' Eddie Mahler (Técnico de vídeo ), Nick McLean (Camarógrafo), Steven Poster (director of photography: second unit (as Steve Poster)), Douglas Slocombe (director of photography: India sequence), Peter Sorel (still photographer (as Pete Sorel)), Pete Turner (Fotógrafo ), Michael C. Butler (additional photography (1980 special edition: inside mother ship) (u)), Richard E. Cunha (additional photography (u)), Allen Daviau (additional photography (1980 special edition: Gobi Desert sequence) (u)), Jim Dickson (additional photography (u)), Norman Lang (electrician (u)), Mike Laurance (camera operator: additional photography (u)), Rexford L. Metz (additional photography: second unit (u)), Tim Ryan (dolly grip (u)), Frank Stanley (additional director of photography (u)), Robin Vidgeon (focus puller: India (u)), Ronald Vidor (first assistant camera (u)), Chic Waterson (camera operator: India (u)) y Joseph Freyer Westheimer (additional photography (u))

Montaje

Michael Kahn (Editor de películas)

Decoración de escenario

Phil Abramson

Gestión de producción

Clark L. Paylow (unit production manager (as Clark Paylow)), Ronald L. Schwary (unit production manager: additional scenes (1980 special version) (u)), Baba Shaik (production manager: India (u)) y John Veitch (executive in charge of production (u))

Otras personas que participaron

Judy Bornstein (second assistant to producers), Charlsie Bryant (Guionista supervisor), Patrick Burns (production staff (as Pat Burns)), Colin Cantwell (technical dialogue), Kendall Cooper (Asistente de producción), Al Ebner (Publicista), H.L. Edwards (during the filming of all animal sequences, Veterinarian of Gillette, Wyoming was in attendance at a), Rick Fields (assistant: Mr. Spielberg), Janet Healy (Staff de producción), J. Allen Hynek (technical advisor (as Dr. J. Allen Hynek)), Dan Perri (Diseñador de títulos), Gail Siemers (Secretaria de producción), Steve Warner (location auditor), Murray Weissman (Publicista), Seth Winston (intern: AFI), Noreen Beasley (dialogue translator: French for F. Truffaut (u)), Norman Brokaw (production counsel (u)), Norman Garey (production counsel (u)), Steve Hinton (pilot (u)), Pat Kingsley (publicist (u)) y Kevin Von Feldt (assistant: Clark Paylow (u))

Agradecimientos

Johnny Mathis (Agradecimiento especial)

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