Céditos de la película El pirata y la dama (1944)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película El pirata y la dama del año 1944. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Fotografia
George Barnes y Charles Lang ((u))
Ayudante de dirección
Richard McWhorter (assistant director (as Dick McWhorter)), Herbert Coleman (first assistant director (u)), Harry F. Hogan (second assistant director (u)), Clem Jones (first assistant director: third unit (u)), John Mari (second assistant director (u)) y A. White (second assistant director (u))
Dirección artística
Departamento de arte
Fred Alles (propmaker (u)), Fred Bergamo (propmaker (u)), Richard Brandow (props (u)), Jack Colconda (props (u)), Maurice Goodman (props (u)), Robert Goodstein (props (u)), Steven Green (propmaker (u)), Andrew Jack (propmaker (u)), Cline Jones (propmaker (u)), Louis Madsen (propmaker (u)), John Meehan (assistant art director (u)), Jim Moore (draperyman (u)), Olaf Oleson (propmaker (u)), Ken Swartz (assistant set dresser (u)), Fred Turk (props (u)) y James M. Walters Sr. (props (u))
Dobles
George Dockstader (stunt double (u)), Lila Finn (stunt double (u)), Otto Metzetti (stunt double (u)), Jack Semple (stunt double (u)), Paul Stader (stunt double (u)) y Richard Talmadge (stunt double (u))
Diseño de vestuario
Raoul Pene Du Bois y Mitchell Leisen ((u))
Efectos visuales
Farciot Edouart (process photography) y Gordon Jennings (special photographic effects)
Departamento de maquillaje
Don Donaldson (Maquilladora), Wally Westmore (Maquilladora), C. Brenner (makeup department (u)), Hazel Croft (hair stylist (u)), H. Detter (makeup department (u)), Carmen Dirigo (hair stylist (u)), Charles Gemora (makeup artist (u)), H. Kraft (makeup department (u)), Hal Lierley (makeup artist (u)), Nellie Manley (hair stylist: women (u)), Web Overlander (makeup artist (u)) y Leonora Sabine (hair supervisor (u))
Departamento de musica
George Parrish (Orquestador) y Leo Shuken (Orquestador)
Departamento de vestuario
Barbara Karinska (costume executor), Pat Williams (Guardarropa), Julio Alonso (wardrobe man (u)), Grace Harris (wardrobe woman (u)), Hazel Hegarty (wardrobe woman (u)), B. Hijbal (seamstress (u)), F. Hijbal (tailor (u)), Eugene Joseff (costume jeweller (u)) y Bill Rabb (wardrobe man (u))
Departamento de transporte
B. Ambler (transportation (u)), F. Busselles (transportation (u)), C. Dowhen (transportation (u)), E. Farmer (transportation (u)), Ray Herrick (driver (u)), D. Norton (transportation (u)), James Ratsonas (driver (u)), Charles W. Robbins (transportation (u)), Ralph Shenk (driver (u)), W. Sherman (transportation (u)), Paul Stuart (driver (u)), T. Tedford (transportation (u)), Russ Welch (transportation (u)) y J. Willharber (transportation (u))
Cámaras y departamento de electricidad
Martin Baumeister (grip (u)), Vincent Bratton (grip (u)), Thad Brooks Jr. (camera technician: Technicolor (u)), Frank Carroll (grip (u)), William Collins (grip (u)), Adolph Crautsch (camera mechanic: Technicolor (u)), Bud Fraker (still photographer (u)), Jack Fuqua (assistant camera: Technicolor (u)), W. Gaisford (electrician (u)), Cecil Gardiner (grip (u)), M. Gardner (electrician (u)), J. Grindstaff (electrician (u)), Wesley Haight (generator operator (u)), J. Helman (electrician (u)), Warren Hoag (electrician (u)), Frank Kauffman (grip (u)), Charles Kelly (grip (u)), Howard Kelly (gaffer (u)), Robert King (assistant camera: Technicolor (u)), F. Kral (grip (u)), Roy Larson (grip (u)), Jack Lefferman (grip (u)), G. Mahoney (electrician (u)), Harry Merland (camera operator (u)), Cecil Myers (camera loader: Technicolor (u)), Walter Newman (grip (u)), John Nostri (grip (u)), A. Reid (electrician (u)), Irmin Roberts (camera department (u)), Joe Schuster (best boy (u)), J. Sherman (electrician (u)), Kenneth Smith (grip (u)), B. Snodgrass (electrician (u)), Grant Spicer (electrician (u)), F. Steiner (electrician (u)), Karl Struss (first camera operator: third unit (u)), Walter Sullivan (generator operator (u)), H. Thompson (grip (u)), Fred True (first grip (u)), T. Vash (electrician (u)), John F. Warren (camera operator (u)), Paul Way (grip (u)), Paul Weddell (camera department (u) / camera technician: Technicolor (u)), Lothrop B. Worth (camera operator (u)) y Cecil Wright (camera assistant (u))
Montaje
Decoración de escenario
Gestión de producción
Lonnie D'Orsa (assistant production manager (u)) y Sidney Street (unit manager (u))
Otras personas que participaron
Robert Brower (associate technicolor color director), Natalie Kalmus (technicolor color director), Marion Bach (script clerk: third unit (u)), Nick Borgani (stand-in (u)), Harold Clemens (projectionist (u)), Irving Cooper (script clerk (u)), Fred F. Ellis (technical advisor: sailing ships (u)), Dwight Franklin (technical advisor: pirates (u)), Hilda Grenier (technical advisor: fashion (u)), Al Grosser (operations (u)), Charles Heard (fencing double (u)), George Hill (stand-in (u)), Walter Huber (bird man (u)), Bill Hurley (livestock supervisor (u)), J.H. Kerr (bird man (u)), Phyllis Loughton (dialogue coach (u)), T. McIrvin (wrangler (u)), Aldo Nadi (fencing double: Arturo de Cordova and Ralph Forbes (u) / instructor: fencing scenes (uncred), Allen Pinson (double (u)), Bud Pope (wrangler (u)), Rennie Renfro (dog trainer (u)), Victor Romito (double: Leslie Denison (u)), Venetia Severn (english coach (u)), Capt. Somers (double: Nigel Bruce (u)), Eleanor Stewart (double: Joan Fontaine (u)), Henry Trigg (wrangler (u)), Ben Wallace (dog man (u)), Bill Wallace (operations (u)), William White (in charge of movement (u)) y John R. Woolfenden (publicist (u))