Céditos de la película Reckless (1995)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película Reckless del año 1995. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Casting
Kerry Barden, Billy Hopkins y Suzanne Smith
Fotografia
Frederick Elmes (Director de fotografía)
Ayudante de dirección
Steve Apicella (first assistant director (as Stephen Apicella)), Mary-Jane April (Asistente de dirección), Brian A. York (dga trainee (as Brian Andrews York)) y Nicholas Wolfert (second second assistant director (u))
Dirección artística
Departamento de arte
Sarah Annabella Altman (additional scenic (as Sarah Mink)), William Beaumont (construction production assistant), Judson Bell (carpenter (as Judson B. Bell V)), Shirley Belwood (assistant prop master (as Shirley J. Belwood)), Paula Bird (Artista escénico), David Henry Buck (lead carpenter), Blake Burba (draftsman), Sophie Carlhian (lead scenic artist), Brad Casey (construction production assistant), Edward Darby (Artista escénico), Derek Decelles (additional dresser), Anthony DeFrancesco (additional dresser), Cheryl Dewardener (scenic artist (as Cheryl DeWardener)), Ruth Ann Donovan (additional props), Daniel Finn (construction rigger (as Dan Finn)), Ray Fisher (Hombre a cargo), Rafael Fraguada (additional carpenter), Kyra Friedman Curcio (assistant set decorator (as Kyra Friedman)), Gayle Gilberto (dresser), Terry Goodhue (dresser), Buzz Gray (greensman: Cinescape), Greg Hagler (carpenter (as Greg Vaughn Hagler)), Donna J. Hattin (scenic foreman (as Donna Hattin)), Mary Hopkins (Artista escénico), Heather S. Jenkins (Coordinador del departamento artístico), John R. Johnston (Coordinador de construcción), Barbara A. Kastner (prop master), Lori A. Lopes (construction buyer (as Lori Lopes)), Eric Matheson (Capataz general), Karen Menze (Artista escénico), Kristen Toscano Messina (on set dresser (as Kristin Messina)), Joe Miko (dresser), John Moran (Vestidor en el set), Ken Nelson (construction coordinator: Keystone Scenery), Adam Novich (Maquinista de construcción), Richard Oeser (additional carpenter), Rich Pashayan (Carpintero), Rebecca Pease (Artista escénico), Erika Petersson (dresser), Buster Pile (carpenter (as Eugene Pile)), Robert Schleinig (dresser), Kevin Sciotto (Artista escénico), Nancy Sepe (paint assistant), David Stein (Asistente de director artístico), Eric Stepper (additional props), Theodore Suchecki (Carpintero), Barbara J. Taylor (charge scenic artist), Kenneth Weinberg (dresser) y Arthur A. Wood III (dresser (as Arthur Wood))
Dobles
Peter Bucossi (Coordinador de dobles), Don Hewitt (male stunt driver), Janet Paparazzo (female stunt driver) y Deborah Watkins (stunt double: Rachel (as Debbie Watkins))
Diseño de vestuario
Efectos visuales
David Baskin (model construction / model maker), David Cerulli (model assistant (as David 'Treeman' Cerulli)), Bill Hansard (projection scenes (as Billy Hansard)), Jamey Pryde (process photography coordinator) y Mark Stein (miniature effects supervisor)
Diseño de producción
Departamento de maquillaje
Bobby H. Grayson (key hair/designer) y Patricia Regan (key make-up artist (as Patricia Schenkel Regan))
Departamento de musica
Suzana Peric (Editor de música) y Randall Poster (music supervisor (as Randy Poster))
Departamento de vestuario
Alyson Hui (Asistente de diseñador de vestuario), Jennifer Ingram (Supervisor de vestuario), Carolyn Lassek (Asistente de producción del vestuario), MaryAnn D. Smith (wardrobe department coordinator (as Maryann D. Smith)) y Marsha Spencer (Costurera)
Departamento de reparto
Jane Barrer (Casting de extras) y Kathy Compton (Casting de extras)
Departamento de editorial
Vida Fitzgerald (Aprendiz de editor) y Gary Levy (Editor asistente)
Departamento de transporte
Francis Connolly Jr. (Capitán de transporte), Peter Connors (utility driver: New York), Joseph Paprota (utility driver: New York), Tom Romano (Chófer: elenco) y Ray Sullivan (utility driver: New York (as Raymond Sullivvan))
Cámaras y departamento de electricidad
Alison Barton (additional electric), Bob Becchio (Segundo asistente de cámara), Tony Campenni (Camarógrafo), Joe Collins (additional second assistant camera), Mike DeCristofaro (additional grip (as Michael DeCristofaro)), James W. Finnerty (key grip (as Jimmy Finnerty Jr.)), Brad Goss (additional grip), Andy Harris (Primer asistente de cámara), Timothy Healy (electric (as Timoth Healy)), David Larue (Iluminador), Jonathan Lumley (Capataz), John Mazzola (Ayudante del encargado de equipamientos de cámara), Jon Montgomery (electric), Phil Oetiker (Camarógrafo), Rocco Palmieri (electric), Linda Phillips (additional electric), Brian A. Pitts (additional electric (as Brian Pitts)), John Seakwood (Fotógrafo ), Peter Walts (Asistente de electricidad), William M. Weberg (grip (as William Weberg)) y Tom Houghton (director of photography: second unit (u))
Montaje
Michael Berenbaum (Editor de películas)
Decoración de escenario
Gestión de producción
Jane Barrer (Gerente de unidad), Kathy Compton (Asistente de gerente de la unidad) y Amy J. Kaufman (Jefe de producción)
Otras personas que participaron
Scott Ambrozy (Jefe de asistentes de producción), Carl Bernzweig (assistant: to Ms. Tross), Beth Boyd (production coordinator (as Beth A. Boyd)), Timothy W. Brennan (for: Playhouse International Pictures), Christine Cafasso (assistant: to Mia Farrow), Lynn Colatrella (stand-in: Rachel), Cindy Craig (Jefe de asistentes de producción), Clare Dacey (Asistente de producción), Doriane Elliott (stand-in: Pooty), Adiel J. Eshkenazi (film runner (as Adiel Eshkenazi)), Matthew T. Gannon (for: Playhouse International Pictures), Senqua Hernandez (Pasante), Lynn Holst (for: Playhouse International Pictures), Sarah Hopkins (for: Playhouse International Pictures), M.A. Howard (rehearsal manager), Julie Hymen (for: Playhouse International Pictures), Debra Kletter (assistant to the director), Lindsay Law (for: Playhouse International Pictures), Amy Leigh Johnson (Publicista de unidad), Barbara Lucey (Contador de producción), Barbara Ludlum (for: Playhouse International Pictures), Marybeth Marchand (set production assistant), Gretchen McGowan (Asistente de contabilidad), Len Murach (film runner), Alex Nunez (set production assistant), Reina Platt (assistant production coordinator (as Reina L. Platt)), Regina M. Porter (for: Playhouse International Pictures (as Regina Porter)), Jamey Pryde (assistant to the producer), Wendy Lee Roberts (script supervisor (as Wendy Roberts)), Jeanette Salfeety (set production assistant), Deidre Schrowang (Asistente de producción), Sandra Schulberg (for: Playhouse International Pictures), Keith Siglinger (stand-in: Tom), J. Michael Stremel (for: Playhouse International Pictures), Don Striano (stand-in: Lloyd), Wally Sudik (Pasante), Roberta Lynn Tross (legal counsel), Keith Vinci (sign language assistant), Michael Wallace (Departamento técnico) y Leslie Warren (consultant: sign language)
Agradecimientos
Robert Boyd (the production would like to thank), Steve Castellano (the production would like to thank: Todd-AO Studios), Louis D'Agostino (the production would like to thank: Local 644 (as Lou D'Agostino)), Richard Gibbons (special appreciation), Jerome Kauff (the production would like to thank: Kauff, McCalin, McGuire), Kenneth Jay Lane (the production would like to thank), Matt Loeb (the production would like to thank: IA East Coast Council), Kevin McKenna (the production would like to thank), Bill Nisselson (the production would like to thank: Sound One), Tom O'Donnell Jr. (the production would like to thank: Local 817 (as Thomas O'Donnell Jr.)), Rich Oriente (special appreciation), Keith Overland (the production would like to thank), Lori Overland (the production would like to thank), Nic Ratner (the production would like to thank), Willie Reale (the production would like to thank), Brian Redmond (special appreciation), Al Sherman (the production would like to thank: Laidlaw Transit), Eric Shonz (the production would like to thank), Robin Urdang (the production would like to thank) y Grethe Zbinden (special appreciation)