Céditos de la película El Padrino (1972)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película El Padrino del año 1972. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Casting
Louis DiGiaimo ((casting)), Andrea Eastman ((casting)) y Fred Roos ((casting))
Fotografia
Gordon Willis (Director de fotografía)
Ayudante de dirección
Tony Brandt (assistant director: sicilian unit), Fred T. Gallo (assistant director: Oaktree Productions (as Fred Gallo)), Stephen F. Kesten (Asistente de dirección (sin acreditar)), Steven P. Skloot (Asistente de dirección (sin acreditar)), Paul Baxley (second unit director (u)) y Michael Rauch (d.g.a. trainee (u))
Dirección artística
Departamento de arte
Samuel Verts (assistant art director: sicilian unit), William Canfield (Vestuario de set (sin acreditar)), Robert Hart (Carpintero (sin acreditar)) y Robert Scaife (construction coordinator (u))
Dobles
Paul Baxley (stunt coordinator (uncredited)), Joe Bucaro III (stunt double: young Vincenzo (u)), Steven Burnett (Escenas peligrosas (sin acreditar)), Harry Daley (Escenas peligrosas (sin acreditar)) y Anthony Caso (stunt double: for Al Pacino (u))
Diseño de vestuario
Efectos visuales
Kevin Chaja (data management (2007 restoration)), Chris Clausing (MTI operator: digital image clean up (2007 restoration)), Padraic Culham (compositor (2007 restoration)), Daphne Dentz (senior digital intermediate producer (2007 restoration)), Karina Desin (data management (2007 restoration)), Joe Dubs (MTI operator: digital image clean up (2007 restoration)), Lloyd Kaplowitz (MTI operator: digital image clean up (2007 restoration)), Valerie McMahon (MTI operator: digital image clean up (2007 restoration)), Mike Moreno (MTI operator: digital image clean up (2007 restoration)), Edgar Orlino (MTI operator: digital image clean up (2007 restoration)), Cathy Quiroz (MTI operator: digital image clean up (2007 restoration)), Bill Roper (film recordist (2007 restoration)), Steve Sanchez (MTI operator: digital image clean up) y Andrea Avila (Pristine digital restoration, Lowry Digital Images (u))
Diseño de producción
Departamento de maquillaje
Philip Leto (hair stylist (as Phil Leto)), Phil Rhodes (makeup (as Philip Rhodes)), Dick Smith (makeup) y Enrico Cortese (additional make-up artist (u))
Departamento de musica
Carlo Savina (Director de orquesta), Carl Fortina (musician: accordion soloist (u)), John C. Hammell (Editor de música (sin acreditar)), Tommy Johnson (musician: tuba (u)), Jimmy Maxwell (musician: trumpet solo (u)), Paul Salamunovich (choir conductor: boys choir (u)), Stephen Salamunovich (boy soprano, soundtrack (u)), Albert T. Viola (soloist: mandolin (u)), Carmine Coppola (additional music: mall wedding sequence), Neil S. Bulk (soundtrack co-producer (u)), Dan Goldwasser (soundtrack co-producer (u)), Sidney Lazar (musician: trumpet solo (u)), Tommy Tedesco (musician: guitar (u)) y Louise Di Tullio (musician: flute (u))
Departamento de sonido
Charles Grenzbach (re-recordist (as Bud Grenzbach)), Christopher Newman (production recordist), Richard Portman (Re-grabador), Howard Beals (sound effects editor (u)), Steve Cook (adr mixer (u)), Pierre Jalbert (assistant sound editor (u)), Les Lazarowitz (boom operator (u)), Don MacDougall (re-recording mixer (u)) y Kitty Malone (foley artist (u))
Departamento de vestuario
George Newman (Supervisor de vestuario), Marilyn Putnam (wardrobe: women) y Joan Joseff (costume jeweller (u))
Departamento de reparto
Riccardo Bertoni (Casting de extras (sin acreditar))
Departamento de editorial
Christopher Gillaspie (scan manager (as Chris Gillaspie) (2007 restoration)), Kathleen Largay (digital conform (2007 restoration) / digital conform: 2007 restoration), Walter Murch (post production consultant), Jan Yarbrough (senior digital intermediate colorist (2007 restoration) / senior digital intermediate colorist: 2007 restoration), Pierre Jalbert ( Asistente de editor (sin acreditar)), Marc Laub (editor: New York (u)), Barbara Marks ( Asistente de editor (sin acreditar)), Maurice Schell ( Asistente de editor (sin acreditar)), Murray Solomon (editor: New York (u)) y Jack Wheeler ( Asistente de editor (sin acreditar))
Departamento de transporte
Raymond Hartwick (Conductor (sin acreditar)), Charles Lazzarro (Conductor (sin acreditar)), Edward Venn (Conductor (sin acreditar)), Louis Volpe (Conductor (sin acreditar)), John Whelan (Conductor (sin acreditar)), Ed Wilson (Conductor (sin acreditar)) y Frank Khoury (transportation (u))
Cámaras y departamento de electricidad
Michael Chapman (Camarógrafo), Howard Block (additional camera operator (u)), Bill Butler (director of photography: second unit (u)), Russell Engels (rigging gaffer (u)), Ed Kammerer (Encargado de equipamientos (sin acreditar)), Edward Knott (Iluminador (sin acreditar)), Jim Meyerhoff (generator operator (u)), Anthony R. Palmieri (camera loader (u)), Ed Quinn (best boy grip (u)), Robert Royal (rigging key grip (u)), Joe Rutledge (Electricista (sin acreditar)), Peter Salim (second assistant camera (u)), Tibor Sands (first assistant camera (u)), Jack Stager (still photographer (u)), Edward Tonkin (best boy electric (u)), Robert M. Volpe (dolly grip (u)), Dusty Wallace (gaffer (u)), Robert Ward (key grip (u)), Ray Williams (rigging best boy grip (u)), Steven Juda (Asistente de cámara), Caleb Deschanel (camera: newspaper sequence (u) / newspaper sequence (u)), Anthony Dalvieri (camera loader (u)) y Gordon Parks Jr. (photographer: still sequence (u))
Montaje
William Reynolds (Editado por) y Peter Zinner (Editado por)
Decoración de escenario
Gestión de producción
Fred C. Caruso (unit production manager: Oaktree Productions (as Fred Caruso)), Valerio De Paolis (production manager: sicilian unit) y Ned Kopp (production manager: second unit (u))
Otras personas que participaron
Robert Barth (unit coordinator: Oaktree Productions), Gary Chazan (Asistente de producción), Nancy Hopton (script continuity (as Nancy Tonery)), Robert S. Mendelsohn (Asistente Ejecutivo), Peter Zinner (foreign post production), Rocco Derasmo (teamster (u)), James Giblin (teamster captain (u)), Sonny Grosso (technical advisor (u)), Johnny E. Jensen (cinemobile technician (u)), Randy Jurgensen (technical advisor (u)), Shari Leibowitz (production coordinator (u)), George Lynch Jr. (teamster (u)), Richard Nelson (car coordinator (u)), Howard Newman (unit publicist (u)), Jasmine Sabu (animal trainer: horses (u)) y Maurice Schell (adr loop group (u))
Agradecimientos
Joe Caracappa (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), Jeff Cava (thanks: for Paramount Pictures (2007 restoration)), Martin Cohen (thanks: for Paramount Pictures (2007 restoration)), Francis Ford Coppola (special thanks (2007 restoration)), Allen Daviau (thanks (2007 restoration)), Brian Drischell (thanks: The Academy Film Archive (2007 restoration)), Jessi Jones (thanks: The Academy Film Archive (2007 restoration)), Liana Kroll (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), Joanne Lawson (thanks: for the Film Preserve (2007 restoration)), Scott MacQueen (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), James T. Mockoski (thanks: for American Zoetrope (as James Mockoski archivist) (2007 restoration)), Heather Olson (thanks: The Academy Film Archive (2007 restoration)), Michael Pogorzelski (thanks: The Academy Film Archive (2007 restoration)), Robert Raring (thanks: Technicolor liaison (as Bob Raring) (2007 restoration)), Ben Rosenblatt (thanks: for Paramount Pictures (2007 restoration)), Gordon Willis (special thanks (2007 restoration)), Jeffrey Cava (thanks: for Paramount Pictures (2007 restoration)) y Ma Prem Hasya (executive/financier)