Céditos de la película El sentido de la vida (1983)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película El sentido de la vida del año 1983. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Casting
Michelle Guish y Debbie McWilliams
Fotografia
Peter Hannan y Roger Pratt ((segment "The Crimson Permanent Assurance"))
Ayudante de dirección
Jonathan Benson (first assistant director (segment "The Crimson Permanent Assurance")), Matthew Binns (second assistant director (segment "The Crimson Permanent Assurance")), Ray Corbett (Asistente de dirección), Derek Harrington (third assistant director (segment "The Crimson Permanent Assurance")), Callum McDougall (Tercer asistente de produccón), Kieron Phipps (Jefe de asistentes de dirección), Paul Taylor (third assistant director (segment "The Crimson Permanent Assurance")), Gary White (first assistant director (segment "The Crimson Permanent Assurance")) y Bob Wright (second assistant director (segment "The Crimson Permanent Assurance") (as Bobby Wright))
Dirección artística
John Beard ((segment "The Crimson Permanent Assurance")) y Richard Dawking
Departamento de arte
Peter Browne (construction department), Roger Cain (art department), Alan Chesters (construction department), John Cole (properties), Mel Coleman (construction department (as Melvin Coleman)), Steve Cooper (art department), Peter Cull (construction department), Dennis Griffin (art department), Richard Hornsby (art department), Brian Humphrey (properties), Tommy Kavanagh (construction department), Reginald Keywood (construction department (as Reg Keywood)), Mick Law (construction department), Colin Lovering (construction department), Dave Newton (properties), Brian Payne (properties), Ken Powell (construction department), Bill Sansom (construction department), Dick Savery (construction department), Vic Simpson (Gerente de construcción), John Skinner (construction department), Bob Walker (art department), Andrew Ackland-Snow (draughtsman (u)), Gari Bacon (props (u)), Gerry Bourke (props (u)), Dennis Murray (plasterer (u)) y Martin Smeaton (model sculptor (u))
Diseño de vestuario
James Acheson ((as Jim Acheson))
Efectos visuales
Michael Beard (model maker (segment "The Crimson Permanent Assurance")), Valerie Charlton (model maker (as Val Charlton)), Carol De Jong (model maker (as Carole De Yong)), Nick Dunlop (optical effects), Roy Field (optical effects), Kent Houston (optical effects), Tim Ollive (animation & backgrounds), Peter Pullen (model maker (segment "The Crimson Permanent Assurance")), Tim Spence (optical effects), Paul Whitbread (optical effects), Janice Body (visual effects assistant (u)) y Martin Body (rotoscope artist (u))
Departamento de animación
Jill Brooks (Animador), Kate Hepburn (Animador), Richard Ollive (Animador), Tim Ollive (Animador) y Mike Stuart (Animador)
Diseño de producción
Departamento de maquillaje
Elaine Carew (makeup artist (segment "The Crimson Permanent Assurance")), Sallie Evans (hairdresser (segment "The Crimson Permanent Assurance")), Mary Hillman (Supervisor de maquillaje), Mike Jones (hairdresser / makeup artist), Pamela Rayson (hairdresser / makeup artist), Hilary Steinberg (hairdresser / makeup artist), Maureen Stephenson (hairdresser (segment "The Crimson Permanent Assurance")), Christopher Tucker (makeup artist: Mr. Creosote (as Chris Tucker)) y Maggie Weston (Diseñador del pelo/Diseñador de maquillaje)
Departamento de vestuario
William Baboo (Realizador de vestuario), Vin Burnham (Realizador de vestuario), Shirley Denny (Realizador de vestuario), Linda Eke (wardrobe department), Gilly Hebden (Asistente de vestuario), Janet Lucas (wardrobe department), Stephen Miles (costume assistant (as T. Stephen Miles)), David Murch (wardrobe department), Ray Scott (Realizador de vestuario), Joyce Stoneman (wardrobe (segment "The Crimson Permanent Assurance")), Jill Thraves (Realizador de vestuario), James Wakely (wardrobe department (as James Wakley)) y Lizzie Willey (Realizador de vestuario)
Departamento de editorial
Roy Baker (editing department), Margarita Doyle (editing department), Keith Lowes (editing department), Simon Milton (editing department) y Diane Ryder (editing department)
Cámaras y departamento de electricidad
David Appleby (Fotógrafo ), Fred Ashby (electrical department), Kenneth Atherfold (grip (as Ken Atherfold)), Barry Brown (focus puller), John Clark (electrician (segment "The Crimson Permanent Assurance")), Clive Coote (still photographer (segment "The Crimson Permanent Assurance")), Mark Cridlin (clapper loader (segment "The Crimson Permanent Assurance")), Tony Cridlin (grip (segment "The Crimson Permanent Assurance")), Chuck Finch (Capataz), Dewi Humphreys (Camarógrafo), John Ignatius (focus puller (segment "The Crimson Permanent Assurance")), Sue Knight (clapper loader (segment "The Crimson Permanent Assurance")), Alan McPherson (electrical department), Stewart Monteith (electrical department), Reg Parsons (best boy (segment "The Crimson Permanent Assurance")), Larry Randall (electrical department), Roy Rodhouse (gaffer (segment "The Crimson Permanent Assurance")), Richard Seal (electrical department), Malcolm Smith (grip (segment "The Crimson Permanent Assurance")), Stefan Stankowski (clapper loader), Toby Tyler (electrician (segment "The Crimson Permanent Assurance")), George White (electrician (segment "The Crimson Permanent Assurance") (as Geo. J. White)) y Kevin Brookner (video operator (u))
Montaje
Decoración de escenario
Sharon Cartwright y Simon Wakefield
Gestión de producción
David Wimbury (Jefe de producción)
Otras personas que participaron
Steve Abbott (not the production accountant), Patricia Carr (production assistant (segment "The Crimson Permanent Assurance")), Valerie Craig (Asistente de producción), Penny Eyles (continuity), William Hobbs (fight arranger (segment "The Crimson Permanent Assurance")), Barbara Holloway (Asistente de producción), Anne James (python manager), Maggie Jones (continuity (segment "The Crimson Permanent Assurance")), Nancy Lewis (director of python US relations), Arlene Phillips (Coreógrafo), Heather Seymour (assistant choreographer), Mike Smith (Contador de producción), Paul Taylor (production department), Tim Vaughan-Hughes (Asistente de producción), Robin Demetriou (catering supervisor (u)) y Adam Samuelson (louma crane technician (u))