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El hombre sin sombra

El hombre sin sombra (2000)

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El hombre sin sombraVideo de la película El hombre sin sombra2000-09-07Trailer
El hombre sin sombraVideo de la película El hombre sin sombra2000-09-07Trailer
El hombre sin sombraVideo de la película El hombre sin sombra2000-09-07Trailer

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Fotograma de la película El hombre sin sombra

La películas El hombre sin sombra del año 2000, conocida originalmente como "Hollow Man", está dirigida por Paul Verhoeven y protagonizada por Elisabeth Shue quien interpreta a Linda McKay, Kevin Bacon en el papel de Sebastian Caine, Josh Brolin como Matthew Kensington, Kim Dickens personificando a Sarah Kennedy y Greg Grunberg desempeñando el papel de Carter Abbey (ver créditos completos).

Es una obra de género Terror, Thriller, Acción y Ciencia ficción producida en EE.UU. y Alemania. Con una duración de 01 hr 52 min (112 minutos), esta película tiene diálogos originales en Inglés. La banda sonora para esta producción ha sido compuesta por Jerry Goldsmith.

Los créditos de la trama de esta historia están divididos entre Gary Scott Thompson ((story)) y Andrew W. Marlowe ((story) / (screenplay)).

A nivel internacional, este largometraje tuvo diversas denominaciones, incluyendo "El hombre sin sombra" en Argentina, Spain, Mexico y Peru, "Човек без Сянка" en Bulgaria (Bulgarian title), "O Homem Sem Sombra" en Brazil. La diversidad de títulos para una misma película suele ser fascinante. Nos encantaría saber cómo se titula esta obra en tu país. ¡Cuéntanos en los comentarios y enriquece nuestra experiencia cinematográfica!

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          Información técnica y general

          Duración: 01 hr 52 min (112 minutos) .

          Color: Color

          Paises productores: La película Hollow Man fué producida en EE.UU. y Alemania

          Lenguaje original: Inglés.

          Títulos en cada país:

          Clasificación

          Taquilla:

          Créditos completos de la película El hombre sin sombra

          Dirección

          Guión

          Reparto

          Linda McKay
          Sebastian Caine
          Matthew Kensington
          Sarah Kennedy
          Carter Abbey
          Frank Chase
          Janice Walton
          Dr. Kramer
          Sebastian's Neighbor
          Warehouse Guard
          Mrs. Kramer
          Wino
          Boy in Car (as Jeffrey George Scaperotta)
          Girl in Car
          Mom
          Dad
          General Caster
          Gate Guard
          Isabelle the Gorilla
          Helicopter Pilot
          Gorilla Vocals
          Old Ebbit Grill Patron (u)

          Música

          Producción

          co-producer
          producer
          executive producer
          associate producer
          producer

          Casting

          Howard Feuer

          Fotografia

          Jost Vacano (director of photography)

          Ayudante de dirección

          Scott E. Anderson (second unit director), Louis D'Esposito (first assistant director), Juanma Fernández-Paris (second assistant director), Tommy Harper (second assistant director: second unit (as Thomy Harper)), Steve Lonano (second second assistant director), Shari Nicotero (second second assistant director) y Michael Viglietta (second assistant director)

          Dirección artística

          Dale Allen Pelton

          Departamento de arte

          Fred Apolito (prop shop), Sue Chan (assistant art director), Shannon Curfman (assistant prop master), Craig T. Currie (propmaker), Joshua Geisler-Amhowitz (illustrator: visual effects concepts), Anthony Ray Herrera (metal construction), Jim Husbands (set dresser), Daniel R. Jennings (set designer), Jeff Khachadoorian (prop shop), Teri Anne Kopp (property master), Katherine Lambert (art department coordinator), George Lee (assistant art director), Richard A. McCarthy (plaster foreman), Simon Murton (concept illustrator), Bruce Richter (art special effects), Jordu Schell (character designer), Mark Schouten (carpenter), Jason Soles (plaster foreman), Jim Wardell (greens foreman), Jason Ivey (props: DC Unit (u)), Victor M. Shannon (plasterer (u)) y Mike Sunga (leadman (u))

          Dobles

          Matt Byrne (utility stunts), Gary Combs (stunt coordinator), Gilbert B. Combs (stunt coordinator (as Gil Combs)), Lane Combs (stunts), Laura Lee Connery (stunt double: Elizabeth Shue), Phil Culotta (stunts), Scott Hubbell (stunts / water safety (u)), Bill McAdams Jr. (stunts), Adam Neuwirth (stunt performer), Sharon Schaffer (stunts), Lincoln Simonds (stunts), April Weeden (stunts), Steve Altes (precision driver (u)), Richard Dorton (precision driver coordinator (u)) y Lester Speight (stunt driver (u))

          Diseño de vestuario

          Ellen Mirojnick

          Efectos visuales

          Nathan Abbot (digital camera operator: Tippett Studio), Amit Agrawal (software supervisor), Blondel Aidoo (associate visual effects producer), Chris Allen (software engineer), Alfonso Alpuerto (technical assistant), Ana Maria Alvarado (CG character animator (as Ana Alvarado)), Greg Anderson (look development lead), Jason Anderson (interactive compositing coordinator), Scott E. Anderson (senior visual effects supervisor), Etienne Andlau (rotoscope artist (as Etienne Terblanche)), Cynthia Aragon (rotoscope artist), Eric Armstrong (CGI character animation supervisor), Chris Arreola (lead scanning operator), Carol Ashley (3D artist, lighter & compositor: SPI / technical director lighting/compositing: SPI), Kenneth Au (digital compositor), Tony Aylett (machinist), Lance Baetkey (paint/roto artist), Nick Bali (systems research and development), Bill Houston Ball (match move artist), Alfredo R. Barcia (senior production services technician: SPI), Damon Bard (sculptor), Lloyd Lee Barnett (digital artist), Cory Bedwell (digital compositor), Susana Bentsen (digital artist), Lloyd Bernberg (technical director: Tippett Studio), Jim Berney (CG supervisor), Theodore Bialek (shot set-up), Renee Binkowski (rotoscope/paint artist: Tippett Studio), Mary Biondo (video editor), Tim Bird (inferno artist), David Bleich (digital artist), Alan Boucek (digital compositor: Tippett Studio), Dawn Bowery (Inferno artist), Virginia Bowman (technical director), Todd Boyce (effects animator: SPI), Kandece Brown (visual effects coordinator), Bela Brozsek (color & lighting), Max Bruce (digital artist), Eric Bruneau (senior color/lighting and compositing: SPI), Markus Burki (software developer: Tippett Studio / visual effects), Bonjin Byun (digital compositor), Aaron Campbell (CGI animation support), Colin Campbell (digital compositor), Casey Cannon (visual effects producer: BFTRE), Glenn Cannon (computer graphic artist / computer graphics playback operator), Jeremy Cantor (character set up supervisor), Derek Carlson (technical assistant), Rusty Case (systems research and development lead), Alessandra Cave (visual effects coordinator (as Alessandra de Souza)), Anthony Ceccomancini (systems research and development), Dominick Cecere (CG character animator), Laurent Charbonnel (shader writer), Minhee Choe (CG character animator), Kate Choi (color & lighting), Charlie Clavadetscher (on-set match move supervisor), John Clinton (sequence producer: SPI), Patrick Cohen (shot set-up), Clint Colver (digital compositor), Spencer Cook (lead character animator), Shellaine Corwel (digital artist), Carol Corwin (visual effects production supervisor), Paolo Costabel (senior technical director), Alan Davidson (color & lighting), Heather Davis Baker (CG supervisor (as Heather Baker)), Brian C. Davis (lead artist: BFTRE), Francisco De Jesus (shot set up lead), Gerardo De La Cruz (systems administrator), Greg Derochie (compositing lead), Mark DeSousa (digital artist), Jeff Deyoe (mechanical designer), Thomas R. Dickens (CG character animator), John Dietz (digital artist), Danny Dimian (shader writer), Axel Dirkson (programming technical director), Bruce Dobrin (systems research and development), Brennan Doyle (compositing supervisor: Tippett Studios), Kirsten Drummond (roto painter), Nika Dunne (digital paint & rotoscope artist: Tippet), Mel Dunson (stage manager), Rome Duval (lead high rigger), Daniel Eaton (compositing lead), Jody Echegaray (digital production manager), Michael Edland (effects animator), Curtis Edwards (effects animation lead), Leif Einarsson (creature setup technical director), Whit Eldridge (digital compositor), Peter S. Elliot (visual effects editor), Colin Epstein (sequence lead compositor), Nathan Eriksen (technical assistant), Bill Eyler (digital compositor: Tippett Studio), Dan Feinstein (rotoscope artist), Gustavo R. Ferreyra (miniature/breakaway effects supervisor), Shine Fitzner (color & lighting), Aaron Florez (digital artist), Doug Forrest (interactive compositing), Page Frakes (digital color correction: Tippett Studio), Adam Francis (motion control technician), Kiki Francoise (color & lighting (as Kiki Candela)), Quentin Frost (digital artist: SPI), Jenny Fulle (visual effects executive producer), Dawn Gates (digital roto/paint artist: Tippett Studio), Gloria Geary (digital artist), Joshua Geisler-Amhowitz (texture painter: SPI), Mike Gentile (second assistant camera: visual effects unit), Jennifer German (interactive compositing lead), Tom Gibbons (animation supervisor: Tippett Studios), Swen Gillberg (matchmove artist: Sony Pictures Imageworks), Bart Giovanetti (compositing lead), Andrew Goldstein (digital painter), Nathalie Gonthier (digital artist: SPI), Keith B.C. Gordon (shader technical director), Antony Graf (digital artist: Rhythm & Hues), Justin Graham (digital artist), Jeff Grebe (technical assistant: SPI), Colin Green (previsualization designer), Jim Green (digital compositor), Dawn Guinta (interactive compositing manager), Harry Gundersen (digital compositor), Tom K. Gurney (CG character animator (as Tom Gurney)), Kee-Suk 'Ken' Hahn (CG animation technology supervisor (as Ken Hahn)), Kevin T. Hahn (color & lighting), Mark Hall (shader writer), Lindsay Hallett (visual effects coordinator (as Lindsay Burnett)), Craig Halperin (technical director), Joseph Hamdorf (lead modeler: Tippett Studio), Mark Hamilton (digital artist), Taigne Hammock (technical assistant), Clint Hanson (senior technical director), Eric Hanson (lighting and color technical director: SPI), Anthony Harris (assistant color timer), Ben Hayden (color & lighting), Craig Hayes (visual effects supervisor), Katie Hecker (digital compositor), Christian Hejnal (visual effects assistant coordinator), Michael Hemschoot (digital compositor), Todd Hemsley (interactive compositing), Tulio Hernandez (visual effects: Tippett Studio), Nicole Herr (senior digital artist: SPI), Tom Hershey (senior staff), Jep Hill (match move lead), Elizabeth Hitt (animation coordinator), Michael Hobbs (character modeler), Phil Holland (scanning & recording operator), Thomas Hollier (computer graphics supervisor), Aaron Holly (lead animation setup: Tippet Studio), Marty Holthaus (visual effects coordinator: Tippett Studio), Garrett Honn (digital artist: Tippett Studio), Uel Hormann (2D supervisor: Rhythm & Hues), Rob House (senior technical director), Kevin Hudson (CG character animator), Rod Ibanez (match move artist), Shô Igarashi (technical director), Adrian Iler (color & lighting), Eric Ingerson (animator), Matt Jacobs (compositor), Arthur Jeppe (digital artist: Rhythm & Hues), Paul Jessel (CG character animator), George H. Joblove (senior staff), Jeff A. Johnson (compositor: Tippett Studio), David Jones (senior CG supervisor: SPI), Marvin Jones (rotoscope artist), Chris Juen (digital production manager), Jennifer Juen (production assistant), Kirk Jung (lead production assistant: Tippett Studio (as Kirk Larkins)), Michael Kabella (software engineer), Michael Kaelin (paint/rotoscope artist: Sony), Lisa Kahatriya (rotoscope artist), Joanie Karnowski (matchmover), Patrick Kavanaugh (digital artist: SPI), Brian Keeney (digital effects producer), Rachel Kelley (texture painter), Shane D. Kelly (gaffer: visual effects unit), Wayne Kennedy (character modelling supervisor / digital model supervisor), Andy King (visual effects technical Director: SPI), Gokhan Kisacikoglu (programming technical director), Apryl Knobbe (look development / texture painter), MacDuff Knox (compositor / lighter), Raji Kodja (color & lighting), Susan Kornfeld (digital painter), Stephen Kowalski (systems engineer), Scott Kravitz (character animator), Paul Kulikowski (digital compositor), Vicky Kwan (camera technical director), Joanne Ladolcetta (rotoscope and paint lead), Lea Lambert (rotoscope artist), Mark Lambert (additional sequence supervisor), Anthony LaMolinara (animation supervisor: SPI), Tasso Lappas (technology supervisor), Mike Larrabee (lead painter), Mark A. Lasoff (additional digital effects supervisor (as Mark Lasoff)), Steve LaVietes (effects animation lead), Erik Lee (CG animator: Rhythm & Hues), James Do Young Lee (digital painter (as James Lee)), John Lee (digital effects artist), John T. Lee (effects animator), Phred Lender (systems administrator), C.J. LePage (technical assistant), Eric Leven (computer graphics supervisor: effects department, Tippett Studios), Didier Levy (match move artist), Mickey Levy (visual effects assistant coordinator), Lyndon Li (color & lighting), Jeff Lin (CG character animator), Seth Lippman (technical director: SPI), Benjamin Lishka (color & lighting), Tim Llewellyn (digital compositor), Matt Logue (animator), Cottalango Loorthu (software engineering lead), Sascha Luderer (compositor: SPI), Darren Lurie (lead technical director), John Ly (effects animator), Mark Lyon (production manager: miniature unit), Daniel Ma (effects animator), Keith MacGowan (compositor), Susan MacLeod (senior visual effects producer: SPI), Simon Maddocks (senior technical director), Annie Mahlik (visual effects editor: SPI), Arnon Manor (senior technical director), Allen Mansour (equipment manager), Rick Markle (rotoscope/paint artist: Tippett Studio), Eric Marko (matchmove artist: Tippett Studio), LaNelle Mason (rotoscope artist), Seth Maury (color & lighting), Keith McCabe (color & lighting), L. Patrick McCormack (visual effects coordinator), Will McCoy (digital compositor), Jason McDade (CG character animator), John McGee (digital artist), Paul McGhee (assistant color timer: SPI), M. Scott McKee (digital compositor), John McLaughlin (CG animation support lead), Chris McLeod (production assistant), Cory McMahon (technical assistant), Jim McVay (digital compositor sequence lead: Tippett Studio), Elizabeth Metzker (texture painter/effects artist: SPI), Michael A. Miller (effects animator), Derrick Mitchell (visual effects editor), Jim Moorhead (CG character animator), Raquel Morales (look development / texture painter), Koji Morihiro (digital artist), Andrew Mumford (interactive compositing), John Musumeci (CGI animation support), Guido Muzzarelli (match move artist), Hiro Myoshi (software engineering lead), Lutz Müller (color & lighting), Bruce Navsky (software engineer), John Nicolard (digital color timer), Peter Nofz (CG animation support lead), Kerry Nordquist (texture paint lead), Phil Notaro (physical production art director), Pia Odell-Foster (production assistant (as Pia Turchyn) / visual effects coordinator (as Pia Turchyn)), William Opdyke (visual effects), Chris Paizis (match move supervisor), Peter Palombi (programming technical director), Eric Pascarelli (motion control camera operator), Rod Paul (effects animation lead), Chris Paxson (motion control technician), Zoe Peck-Eyler (digital compositor: Tippett Studio), Arnaud Peiny (visual effects), Bob Peitzman (senior compositor: SPI), Eric Peterson (on-set match move assistant), B.Z. Petroff (visual effects producer), Frank Petzold (associate visual effects supervisor: Tippett Studio), Domi Piturro (chief creative officer and studio president: Paraform), Derrick Quarles (lead film recordist), Steven Quinones-Colon (technical director), Winston Quitasol (digital compositor), John H. Radulovic (head of physical production (as John Radulovic)), Søren Ragsdale (assistant technical director: Tippett Studio), Morgan Ratsoy (character animator: Tippett studio), Josh Reiss (character set up), Eric Reynolds (lead animator: Tippett Studio), Robert Rioux (modeler: Rhythm & Hues), Matthew M. Robinson (technical director: Tippett Studio), Jody Rogers (visual effects editor), Charles Rose (visual effects), David Rosenthal (digital film I/O supervisor: Tippett Studio), Allen Ruilova (shot set-up), Alonzo Ruvalcaba (head of production: Tippett Studio), Patrice d.S. Saenz (technical director), Justine Sagar (texture painter), Joe Salazar (digital painter), Tim Sarnoff (senior staff), David Schaub (CG character animator: SPI), Thomas Schelesny (computer graphics character animator), John Schmidt (match move artist), Laura Scholl (look development and lighting lead: SPI), Andrew Schwartz (visual effects compositor: Rhythm & Hues), Sande Scoredos (training and artist development), Michael Sehgal (training & artist development), Anthony Serenil (CGI animation support), Ralph Sevazlian (match move artist), Min-Zhi Shao (software engineer: SPI), Kevin Paul Sheedy (visual effects), Rick Shick (digital compositor), Scot Shinderman (digital effects research & development), John R. Shourt (rotoscope artist (as John Shourt)), Mark Siew (match move: SPI), Sara Simon (texture artist), Lynn Sisco (script supervisor: visual effects unit), Aaron Smith (color & lighting), David A. Smith (look development/color & lighting), Jeff W. Smith (match move artist), Alexander E. Sokoloff (CG character animator (as Alex E. Sokoloff)), Suponwich Juck Somsaman (digital artist), Aliza Sorotzkin (digital compositor), David Spencer (match move artist), Todd W. Spencer (motion control programmer: SPI / video assistant: SPI), Stephen Stanton (digital scanner technician: Tippett Studio), Brian Steiner (look development/color & lighting), David Stephens (look development/color & lighting), Jamie Stevenson (visual effects coordinator), Scott Stokdyk (digital effects supervisor), Greg Stuhl (modeller), David Stump (visual effects director of photography), Russ Sueyoshi (digital compositor), Christine Sugrue (lead visual effects coordinator: Tippett Studio), Dan Sukiennik (matchmove technical director: Tippett Studio), Jamal Sullivan (technical assistant), Arthur Sutherland (technical assistant), Stan Szymanski (senior staff), Jon Tanimoto (interactive compositing), Hector Dante Tantoco (digital artist (as Hector Tantoco)), Edward Taylor IV (character modeller: SPI), Tim Teramoto (effects animator), Miles Teves (conceptual designer: SPI), Robin Thompkins (manager recruiting), Andrew Titcomb (pre-visualization), Ryan Michael Todd (effects animator), Matthew Tomlinson (digital color correction: Tippett Studio), Audrea Topps Harjo (visual effects associate producer), Delio Tramontozzi (CG character animator), Peter G. Travers (sequence CG supervisor), Laurence Treweek (transformation sequence supervisor), Christine Troianello (digital painter), Guerdon Trueblood (digital compositor: Tippett Studio), Pepe Valencia (digital character animator), David B. Vallone (CG character animator), Kurosh Valnejad (technical assistant), Paul Van Camp (effects animator), Theo Vandernoot (3D senior artist: SPI), Todd Vaziri (computer graphics artist: BFTRE), Alberto Velez (systems engineering department manager), Maia Veres (visual effects editor), Bill Villareal (senior staff), Chris Waegner (character setup), Barry Walton (senior engineer: additional photography), Harry Walton (CGI character animation lead), Chien-Hsiung Wang (technical director: Rhythm & Hues (as chien'hsiung wang)), Dennis Webb (I/O supervisor), Barry Weiss (senior staff: SPI), Matthew P. Welker (computer graphics supervisor: technical department, Tippett Studios (as Matt Welker)), Alex Whang (matchmover/modeler: SPI), Kelly Wilcox (animator: muscle man), Kevin Wilcox (CG character animator), Matthew T. Wilson (rotoscope artist (as Matt Wilson)), Robert Winter (effects animation lead), Gail Wise (computer graphics producer), Jeff Wolverton (effects animation lead), Vicki Wong (digital film I/O manager: Tippett Studio), David Worman (match move artist), Ian Wosiski (digital compositor), Chris Yee (lead technical assistant: SPI), Doug Yoshida (effects animator), Serkan Zelzele (digital compositor), Dan Ziegler (effects animator), Jeff Ziter (rotoscope artist), Lisa Zusmer DelPrete (administrative coordinator (as Lisa Zusmer)), Andra Bard (digital operations manager: SPI (u)), Scot Byrd (visual effects publicist: Rhythm & Hues (u)), Brandon Craig (render supervisor (u)), Barry Dempsey (color & lighting/shader writer (u)), Thomas F. Ford IV (interactive compositing digital production manager (u)), Andy Garcia (technical director: Sony Pictures Imageworks Inc. (u)), Marty Havran (lead modeler (u)), Walter F. Hyneman (CG supervisor: SPI (u)), Rodney Iwashina (digital effects supervisor: SPI (u)), Michael La Fave (digital effects artist (u)), Carlyle O. Livingston II (prop maker (u)), Gilligan Markham (software engineer: SPI (u)), Garrick McLaughlin (technical assistant: SPI (u)), Rob Menapace (motion control operator (u)), Marc Nanjo (roto painter (u)), James Polk (senior character technical director (u)), Jeff Pyle (modelmaker (u)), Kevin Rose-Williams (visual effects editor (u)), Lopsie Schwartz (digital artist (u)), Evan Smyth (software engineer (u)), Kevin Tengan (systems administrator (u)), Mark Welser (matchmove artist (u)) y Eric Withee (senior technical assistant: SPI (u))

          Departamento de animación

          Ana Maria Alvarado (animator (as Ana Alvarado)), Tom Gibbons (animation supervisor: Tippett Studio), Aaron Holly (lead animation setup: Tippett Studio), Don Howe (Manager: Tippett Studio), Chien-Hsiung Wang (digital artist) y Jason Ivimey (animator (u))

          Diseño de producción

          Allan Cameron

          Departamento de maquillaje

          Luisa Abel (makeup artist), Todd Bates (special makeup effects artist), Tony Buffa (special makeup effects artist), Alec Gillis (makeup effects creator / special makeup designer), David Hoehn (special effects prosthetics: Amalgamated Dynamics, Inc.), Whitney James (makeup supervisor), Barry R. Koper (special effects makeup department head), Don Lanning (special makeup effects artist: sculptor), Tom Woodruff Jr. (makeup effects creator / special makeup designer) y Brian Wade (special makeup effects: ADI (u))

          Departamento de musica

          Robert Bayless (assistant music editor), Mark Berrow (musician: violin), Bruce Botnick (music engineer / music mixer), Alexander Courage (orchestrator), Kevin Flatow (musical director), Jerry Goldsmith (conductor), Isobel Griffiths (orchestra contractor), Darrell Hall (music editor), Kenneth Hall (music editor (as Kenny Hall)), James Thatcher (musician: French horn) y Nick Vidar (music programmer)

          Departamento de vestuario

          Carrie Bauer (set costumer), Susi Campos (set costumer), Dawn Y. Line (key costumer) y James W. Tyson (costume supervisor)

          Departamento de reparto

          Jim Choate (local extras casting), Jason B. Shoubin (local extras casting), Terri Douglas (adr voice casting (u)) y Lee A. Miles (extras casting (u))

          Departamento de editorial

          Matt Boatright-Simon (editorial assistant), Catherine Chase (first assistant editor), Kevin Flatow (post-production assistant), Mo Henry (negative cutter), Jim Passon (color timer), Eric Rigney (avid technician), Ian Slater (first assistant editor), Charlotte Spencer (assistant editor), Dee Storm (negative assembler), Kathleen Woolery (digital color timing coordinator) y Dale Jones (avid technician (u))

          Departamento de transporte

          Ken Bellanca (driver), Lewis Burnett (driver: honeywagon), John Burnette (driver), J. Armin Garza II (driver: camera car), Joel Renfro (transportation coordinator) y John R. Dove (fuel truck driver (u))

          Cámaras y departamento de electricidad

          Ken W. Ballantine (lighting technician), Ben Betts (video engineer), Philippe Carr-Forster (camera operator: second unit), Gary Dagg (key grip), Scot Gaal (lighting technician), Jim Gordon (grip), Nicholas Grieco (grip), Anette Haellmigk (director of photography: second unit), John Haselbusch (lighting technician), Matthew Hawkins (lighting technician), Elizabeth Hedges (loader: second unit), Jaime Heintz (best boy rigging grip: second unit), Tommy Holmes (rigging technician), Jay M. Huntoon (video assist: second unit), Gregory Irwin (first assistant camera: "a" camera), Bruce Jagoda (lighting technician), Aaron Katz (video assist operator), Jason Kilgore (lighting technician), Leslie J. Kovacs (gaffer), Josh Levy (second video assist operator), Mathew Marden (company grip), Peter McAdams (grip), Daniel C. McFadden (camera loader), Benny McNulty (best boy (as Benard McNulty)), Michael Douglas Middleton (still photographer: Sony Imageworks Publicity), Brian Mussetter (assistant camera), David W. Nims (dolly grip), Jerry Patton (second assistant camera), Rell Putt (rigging grip), Todd Schlopy (first assistant camera: "b" camera and Steadicam), Kenny Schneider (lighting technician), Philip Shanahan (second assistant camera), Bryce Shields (video assist operator: motion control), Robert Sterry (video assist operator: second unit), John Trapman (camera operator: Wescam camera), Stephen Vaughan (still photographer), Loren S. Yaconelli (first assistant camera: "a" camera, second unit), Al Bruce (rigger grip (u)), Kia Kiso (additional camera loader: second unit (u)), Larry Markart (video playback (u)) y Steven J. Mikolas (video assist (u))

          Montaje

          Mark Goldblatt y Ron Vignone ((extended version))

          Decoración de escenario

          John M. Dwyer

          Gestión de producción

          Robert Latham Brown (production manager)

          Otras personas que participaron

          Mitchell Bell (production coordinator), Edward Bellafiore (production office assistant), Stanley Brossette (unit publicist), Aillene Laure Bubis (second assistant accountant), Glenn Cannon (computer and video playback supervisor), Dea Cantu (script supervisor: second unit), Kristin Charney (puppeteer), Daniel J. Cook (production assistant), Stephen P. Del Prete (set production assistant: second unit), Katherine Dorrer (production coordinator: Washington D.C.), Chris Silver Finigan (production accountant), Kenny Gallagher (second assistant accountant), Alec Gillis (supervising puppeteer), Dan Gindroz (purchasing agent), Sissy Grover (assistant production coordinator), Michael Haboush (stand-in), Tasha Hardy (production assistant), David Hickey (payroll accountant), Stephani Hunter (production secretary), Jay M. Huntoon (video: second unit), Zac Jackson (production assistant), Tish Johnson (assistant accountant), Haley McLane (script supervisor), Chris Miller (technical consultant), Alison Mork (puppeteer), Steve Newman (unit publicist), Christine Papalexis (puppeteer), Paul Pawlowski (post-production accountant / second assistant accountant), Kenneth Pratt (production assistant), Tim Roche (assistant to producer), David A. Schreiber (assistant: Doug Wick), Natalie Ungvari (production secretary), David Waters (production assistant), Kevin Watkin (production assistant), Brian Wildstein (senior production coordinator), Brian Feeney (set production assistant (u)), Christopher Scott (production assistant: Washington D.C. (u)) y Gail Thomas (adr voice: elevator (u))

          Empresas distribuidoras

          Columbia PicturesMGM/UA Entertainment CompanyColumbia TriStar Egmont Film DistributorsColumbia TriStar Films ABColumbia TriStar FilmsColumbia TriStar Films de ArgentinaColumbia TriStar Films de EspañaECTEurocine FilmsSony Pictures EntertainmentMCP Sound & Media AGColumbia TriStar Home EntertainmentScanbox EntertainmentColumbia TriStar Home VideoEgmont EntertainmentLK-TELMill Creek EntertainmentNelonenUniversal Pictures BeneluxNordisk FilmPinemaDigital Post ServicesShaw OrganisationSony Pictures Home Entertainment Sony Pictures

          Empresas productoras

          ARP SélectionGlobal Entertainment Productions GmbH & Company Me

          Otras empresas

          Air Lyndhurst StudiosBT Industrial SupplyCentral CastingChapman/Leonard Studio EquipmentDirect Tools & FastenersGentle JungleGlobal Music ServiceLightnin\\\' Production RentalsLondon Session Orchestra, TheMichelson Food ServicesPacific Studios Inc.Picture Mill, TheReal People VictoriaVarèse Sarabande

          Empresas de efectos especiales

          Amalgamated DynamicsTwister Digital VideoCyber FXRhythm & Hues StudiosSony Pictures Imageworks (SPI)Tippett Studio

          Enlaces externos

          En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "El hombre sin sombra".

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