Céditos de la película Al filo de la realidad (1983)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película Al filo de la realidad del año 1983. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Casting
Fotografia
Allen Daviau ((segment "2, 4")), John Hora ((segment "3")) y Stevan Larner ((prologue and segment 1))
Ayudante de dirección
Daniel Attias (second assistant director (segment "2, 3 & 4") (as Dan Attias)), Elie Cohn (first assistant director (segment "1")), Andy House (second assistant director (segment "1") (as Alan Smithee)), Pat Kehoe (first assistant director (segment "2, 3 & 4")) y Alan Smithee (second assistant director (segment "1") (really Anderson G. House))
Dirección artística
Richard Sawyer ((segment "1")) y James H. Spencer ((segment "4"))
Departamento de arte
Henry Alvarez (Escultor), John Alvin (poster artist), Larry Clark Bird (Jefe de utilería), Gregory Pickrell (Diseñador de escena), William James Teegarden (set designer (as William J. Teegarden) (Segment 2, 3 & 4)), Mike Villarino (Fabricante de utilería), Frank White (Capataz), Chris Courtois (model maker (u)) y Daniel Turk (carpenter (u))
Dobles
Bill Couch (Coordinador de dobles), Eurlyne Epper (Doble), Gene Hartline (Acrobacias), Terry James (stunt double: Jon Lithgow), Gary McLarty (stunt coordinator / stunts (u)), Thomas Byrd (stunts (u)), Eddy Donno (stunts (u)), Joseph Hieu (stunts (u)), Al Leong (stunts (u)) y Debby Porter (stunts (u))
Diseño de vestuario
Deborah Nadoolman ((segment "1")) y Deborah Lynn Scott
Efectos visuales
David Allen (visual effects (segment "4") (as David Allan)), Jim Aupperle (end titles / compositing: titles (u)), Jim Danforth (visual effects (segment "4") / effects photography (u) / matte artist (u)), Rocco Gioffre (matte artist (segment "3")), Peter Kuran (visual effects (segment "4")), Jammie Friday (production supervisor: end titles (u)), Sari Gennis (effects animator: titles (u)), Eric Guaglione (matte photography: DQI (u)), Gregory Jein (model builder: titles (u)), Kevin Kutchaver (animator: VCE (u)), Ed Manning (animator: VCE (u)), Hal Miles (titles producer and director (u)), Gary Pearlman (titles and opticals: CRC/Novocom (u)), Mark Sullivan (matte artist (segment "4") (u)), Albert Whitlock (matte consultant (segment "4") (u)), Bruce Woodside (animator: VCE (u)) y Hoyt Yeatman (matte photographer: DQI (u))
Departamento de animación
Sam Cornell (cartoon researcher (segment "3")), Sally Cruikshank (cartoon supervisor (segment "3")) y Mark Kausler (cartoon researcher (segment "3"))
Diseño de producción
Departamento de maquillaje
Rob Bottin (special makeup effects artist (segment "3") / special makeup effects designer (segment "3")), John M. Elliott Jr. (makeup artist (segment "2-4") (as John Elliott)), Michael McCracken (special makeup effects artist (segment "4")), Craig Reardon (special makeup effects artist (segment "s 1-4")), Bob Westmoreland (makeup artist (segment "1") (as Robert Westmoreland)), Michael Shawn McCracken (special makeup effects assistant (segment "4") (u)) y Margaret Prentice (special makeup effects cosmetic painter: Rob Bottin crew (segment 3) (u))
Departamento de musica
Bruce Botnick (recording mixer), Tom Boyd (musician: oboe soloist / oboe soloist), Alexander Courage (composer: theme music from "Twilight Zone" / orchestrator), Robert Fernandez (Mezclador musical), Jerry Goldsmith (music producer / orchestrator / conductor (u)), Kenneth Hall (Editor de música), James Newton Howard (song producer / musician: keyboards (u)), Randy Kerber (musician: keyboards), Norman Ludwin (musician: bass), Arthur Morton (Orquestador), Lionel Newman (Supervisor musical), Itzhak Perlman (musician: violin solos), Steve Schaeffer (Músico: Percusión), Steven L. Smith (Preparación musical), James Thatcher (Músico: cuerno francés), Don Williams (musician: xylophone), Jerry Williams (Músico: Percusión), Bruce Babcock (music copyist (u)), Harry Bluestone (musician: violin (u)), Dennis Budimir (musician: guitar (u)), Larry Bunker (musician: percussion (u)), Harvey Cohen (music copyist (u)), Ian Fraser (musician: keyboards (u)), Jo Ann Kane (music copyist (u)), Milton Kestenbaum (musician: bass (u)), Michael Lang (musician: keyboards (u)), Shelly Manne (musician: drums (u)), David Newman (music consultant (u) / musician: violin (u)), Jeff Porcaro (musician: percussion (u)), Joe Porcaro (musician: percussion (u)), Steve Porcaro (musician: keyboards (u)), Emil Richards (musician: percussion (u)) y Tommy Tedesco (musician: guitar (u))
Departamento de editorial
Donah Bassett (Cortador de negativos) y Terry Claborn (color timer (u))
Departamento de transporte
Frank Khoury (transportation (u))
Cámaras y departamento de electricidad
Dale Alexander (Encargado de equipamiento de cámara), Jamie Anderson (camera operator (segment "3")), Richard Benda (first assistant camera (prologue and segment 1)), Garrett Brown (Steadicam operator (segment "2-4")), John J. Connor (camera operator (segment "1")), Rick Fee (assistant camera (as Richard Fee)), Mark Ludwig (second assistant camera (prologue and segment 1)), Steve Lydecker (camera operator (segment "1")), John C. Moulds (Primer asistente de cámara), Bob Munoz (Ayudante del encargado de equipamientos de cámara), Louis Niemeyer (Primer asistente de cámara), Lee Redmond (Asistente de cámara), John Reynolds (electrician / lighting technician), Arnold L. Rich (camera operator (as Arnold Rich) (Segment 1)), Randall Robinson (first assistant camera: helicopter unit), Alex Rodríguez (Técnicos de iluminación), Roger L. Smith (camera operator: helicopter unit (segment "1") (as Roger Smith)), John Toll (camera operator (segment "2-4")), Michael Hofstein (additional camera operator (segment "3") (u)), William E. Mareneck (lighting technician (u)) y Emmanuel Vouniozos (on-set technician (u))
Montaje
Malcolm Campbell ((prologue and segment 1)), Tina Hirsch ((segment "3")), Michael Kahn ((segment "2")) y Howard E. Smith ((segment "4") (as Howard Smith))
Decoración de escenario
Jackie Carr ((segments "2", "3", "4")) y Barbara Krieger ((segment "1"))
Gestión de producción
Dan Allingham (unit production manager (segment "1")) y Dennis E. Jones (unit production manager (segment "2-4"))
Otras personas que participaron
Peter Donen (titles), David R. Lawson (Médico ), Mark Peterson (titles), Carol Serling (project consultant), Kathleen Switzer (assistant to: Mr. Spielberg) y Dorcey Wingo (Piloto de helicóptero)