Céditos de la película El padrino (parte II) (1976)
Encuentra en esta sección a todas las personas que recibieron créditos por su participación en la película El padrino (parte II) del año 1976. Los incisos más buscados son director, guionista, actores, música, dobles y produtores pero recuerda que en el menú de navegación que se encuentra en la parte inferior de la pantalla, podrás encontrar un índice para ayudarte en tu exploración.
Dirección
Guión
Reparto
Música
Producción
Casting
Jane Feinberg, Mike Fenton ((as Michael Fenton)) y Vic Ramos
Fotografia
Gordon Willis (Director de fotografía)
Ayudante de dirección
Newt Arnold (assistant director (as Newton Arnold)), Burt Bluestein (Asistente de dirección), Tony Brandt (assistant director: sicilian unit), Alan Hopkins (Asistente de dirección), Michael Kusley (second assistant director (as Mike Kusley)), Henry J. Lange Jr. (Asistente de dirección) y Charles Myers (second assistant director (as Chuck Myers))
Dirección artística
Angelo P. Graham ((as Angelo Graham)) y John Dapper ((Sin acreditar))
Departamento de arte
Joe Chevalier (assistant set decorator: sicilian unit), Douglas E. Madison (properties (as Doug Madison)), V.R. Bud Shelton (properties (as V. Bud Shelton)), Eugene Acker (Pintor (sin acreditar)), Matty Azzarone (leadman (u)), Nick Caparelli (Utilería (sin acreditar)), Gerard Dery (greensman gang boss (u)), Gary Fettis (Carpintero (sin acreditar)), Jerry Graham (property master (u)), Robert Hart (Carpintero (sin acreditar)), Bob Jepsen (drapery foreman (u)), Gary F. Kieldrup (assistant property master (u)), John LaSandra (construction coordinator (u)) y Claude F. Powell (construction gang boss (u))
Dobles
Phil Adams (Escenas peligrosas (sin acreditar)), Tony Amato Sr. (Escenas peligrosas (sin acreditar)), Steven Burnett (Escenas peligrosas (sin acreditar)), Ted Grossman (Escenas peligrosas (sin acreditar)), George Robotham (Escenas peligrosas (sin acreditar)), Wally Rose (Escenas peligrosas (sin acreditar)) y George Sawaya (stunt gaffer (u) / stunts (u))
Diseño de vestuario
Efectos visuales
Kevin Chaja (data management (2007 restoration)), Chris Clausing (MTI operator: digital image clean up (2007 restoration)), Padraic Culham (compositor (2007 restoration)), Daphne Dentz (senior digital intermediate producer (2007 restoration)), Karina Desin (data management (2007 restoration)), Joe Dubs (MTI operator: digital image clean up (2007 restoration)), Lloyd Kaplowitz (MTI operator: digital image clean up (2007 restoration)), Valerie McMahon (MTI operator: digital image clean up (2007 restoration)), Mike Moreno (MTI operator: digital image clean up (2007 restoration)), Edgar Orlino (MTI operator: digital image clean up (2007 restoration)), Cathy Quiroz (MTI operator: digital image clean up (2007 restoration)) y Bill Roper (film recordist (2007 restoration))
Diseño de producción
Departamento de maquillaje
Naomi Cavin (Estilista), Charles H. Schram (makeup artist (as Charles Schram)), Dick Smith (Maquilladora), Edie Lindon (Estilista (sin acreditar)) y Dedee Petty (Estilista (sin acreditar))
Departamento de musica
George Brand (Editor de música), Carmine Coppola (composer: additional music / conductor) y Tommy Johnson (musician: tuba (u))
Departamento de vestuario
Sandy Berke Jordan (wardrobe (as Sandra Burke)), Nancy McArdle (Guardarropa), George Newman (Guardarropa), Marie Osborne (Guardarropa), Marilyn Putnam (Guardarropa), Eric Seelig (Guardarropa), Thomas Welsh (wardrobe (as Tommy Welsh)), Frances Kandelin Harrison (wardrobe (u)), Kent James (wardrobe (u)), Cliff Langer (wardrobe (u)), Paul B. Schaeffer (Asistente de vestuario (sin acreditar)) y Ray Summers (key wardrobe (u))
Departamento de reparto
Emy DeSica (casting: Sicilian unit), Maurizio Lucci (casting: Sicilian unit) y Maurice Schell (Casting de voz adr (sin acreditar))
Departamento de editorial
George Berndt (Editor asistente), Lisa Fruchtman (Editor asistente), Christopher Gillaspie (scan manager (as Chris Gillaspie) (2007 restoration)), Bobbe Kurtz (Editor asistente), Kathleen Largay (digital conform (2007 restoration)), Jan Yarbrough (senior digital intermediate colorist (2007 restoration)), Peter Zinner (foreign post production) y Michael Kirchberger (apprentice editor (u))
Departamento de transporte
James D. Brubaker (Capitán de transporte (sin acreditar)), Chris Haynes (Conductor (sin acreditar)) y Hugh Kelly (Conductor (sin acreditar))
Cámaras y departamento de electricidad
William Gereghty (camera assistant (as Bill Gereghty)), Ralph Gerling (Camarógrafo), George Holmes (Capataz), Bob Rose (Encargado de equipamiento de cámara), Pat Campea Sr. (dolly grip (u)), Johnie Carroll (Iluminador (sin acreditar)), Bob Edessa (camera assistant (u)), Carl R. Gibson Jr. (best boy (u)), James Glennon (first camera assistant (u)), Lloyd Gowdy (Electricista (sin acreditar)), Larry D. Howard (best boy (u)), Larry Keys (Electricista (sin acreditar)), Robert D. McBride (first assistant camera (u)), Bruce McBroom (still photographer (u)), Steve Pellant (Electricista (sin acreditar)), Arley Waters (generator operator (u)) y Bill Williams (generator operator (u))
Montaje
Barry Malkin, Richard Marks y Peter Zinner
Decoración de escenario
Gestión de producción
Mario Cotone (unit manager: sicilian unit), Valerio De Paolis (production supervisor: sicilian unit (as Valerio DePaolis)) y Michael S. Glick (Jefe de producción)
Otras personas que participaron
B.J. Bjorkman (script supervisor (as B.J. Bachman)), Serena Canevari (script supervisor: sicilian unit), Ronald Colby (location supervisor: New York (as Ron Colby)), Deborah Fine (Investigador), Wayne Fitzgerald (title), John Franco (Guionista supervisor), Sonya Friedman (subtitler), Edward Guthmann (advisor: senate hearings (as Ed Guthman)), Tammy Newell (coordinator: Miami), Bruno Perria (production assistant: sicilian unit), Eileen Peterson (Publicista de unidad), Romano Pianti (sicilian translator), Nanette Siegert (Secretaria de producción), Carl Skelton (location auditor), Joe Catalfo (first aid (u)), Shirley Deckert (welfare worker (u)), Stephen A. Glanzrock (production assistant: New York (u)) y Paul B. Schaeffer (Suplente (sin acreditar))
Agradecimientos
James Caan (the producers would like to thank: for his special participation in this film), Joe Caracappa (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), Jeff Cava (thanks: for Paramount Pictures (2007 restoration)), Martin Cohen (thanks: for Paramount Pictures (2007 restoration)), Francis Ford Coppola (special thanks (2007 restoration)), Allen Daviau (thanks (2007 restoration)), Brian Drischell (thanks: The Academy Film Archive (2007 restoration)), Jessi Jones (thanks: The Academy Film Archive (2007 restoration)), Liana Kroll (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), Joanne Lawson (thanks: for the Film Preserve (2007 restoration)), Scott MacQueen (thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration), James T. Mockoski (thanks: for American Zoetrope (as James Mockoski archivist) (2007 restoration)), Heather Olson (thanks: The Academy Film Archive (2007 restoration)), Michael Pogorzelski (thanks: The Academy Film Archive (2007 restoration)), Robert Raring (thanks: Technicolor liaison (as Bob Raring) (2007 restoration)), Ben Rosenblatt (thanks: for Paramount Pictures (2007 restoration)) y Gordon Willis (special thanks (2007 restoration))