El último pasajero (2013)

Créditos completos de la película El último pasajero

Dirección

Omid Nooshin

Guión

Escrito porOmid Nooshins

(written by) (as Andrew Love)Andy Loves

(additional material)Kas Grahams

Reparto

Lewis ShalerDougray Scott

Sarah BarwellKara Tointon

Jan KlimowskiIddo Goldberg

Peter CarmichaelDavid Schofield

Elaine MiddletonLindsay Duncan

Max ShalerJoshua Kaynama

Train GuardSamuel Geker-Kawle

Driver (voice) (u)Mark Hammett

Música

Liam Bates

Producción

Productor ejecutivoCarola Ash

Productor ejecutivoKwesi Dickson

Productor asociadoBen Friedman

co-producer (as Dan Hubbard)Daniel Hubbard

Productor ejecutivoStephen Margolis

Productor en líneaDonall McCusker

Productor ejecutivoFumio Nagase

executive producer (as Stephen Norris)Steve Norris

Productor ejecutivoMike Runagall

Productor ejecutivoNick Smith

ProductorZack Winfield

associate executive producerMasako Yoshida

ProductorAdo Yoshizaki Cassuto

Productor ejecutivoMichiyo Yoshizaki

Casting

Daniel Hubbard ((as Dan Hubbard))

Fotografia

Angus Hudson

Ayudante de dirección

Ben Burt (Asistente de dirección: segunda unidad), David Crabtree (Asistente de dirección), Ben Davidson (Tercer asistente de produccón), Lucy Thomas (Asistente de dirección), Elliot Michael Turner (co-third assistant director (as Elliot Turner)) y Stephanie Zari (Asistente de dirección: segunda unidad)

Departamento de arte

Steven Bede (stagehand (as Steve Bede)), John Bevans (rigging), Guy Bevitt (standby art director), David Carter (Pintor escénico), Bob Cheshire (Artista conceptual), Richard Denver (Carpintero), Garry Fisher (carpenter / joiner), James Foster (rigging), James Gilbert (Carpintero), Martin Griffiths (prop master), Andrew Harvey (Pintor escénico), Lucy Howe (Comprador de producción), Douglas Ingram (Artista del guión gráfico), John Maher (Gerente de construcción), Meike Maher (Gerente de construcción), Anthony Mansey (Carpintero), Christopher Mansey (carpenter (as Chris Mansey)), Tony Marks (Carpintero), Kate Montagne (art department trainee: skillset), Wolfgang Osterholzer (standby carpenter), Bernard Ryan (Carpintero), Andrew Sandback (fibrous plasterer), Dennis Watson (construction rigger) y Brian Western (Pintor)

Dobles

David Anders (Doble), Richard McDougall (hand double: magician), Peter Pedrero (stunt arranger) y Douglas Smith (double)

Diseño de vestuario

Alison Mitchell ((as Ali Mitchell))

Efectos visuales

Tim Field (consultant vfx producer) y Tim Smit (Efectos visuales)

Diseño de producción

Jon Bunker

Departamento de maquillaje

Liz Barlow (Maquilladora), Lara Dunleavy (make up & hair artist: second unit), Lisa Kennedy (Maquilladora) y Florence May Carter (make up and hair designer (as Florence Carter))

Departamento de musica

Liam Bates (Productor de música), Damian Chennell (assistant engineer (as Damien Chennels)), Elaine Clarke (Director de orquesta), James Collins (score: recorded, engineered and mixed by), Joe Csibi (score preparation), Nicola Fletcher (music supervisor / score supervisor), Haim Frank Ilfman (additional music (as Frank Ilfman)), Simon Platz (executive music producer: for Bucks Music Group), Emily Rice (Asistente de grabación), Amanda Street (score supervisor) y The Orchestra of Ireland (music performed by)

Departamento de vestuario

Marianne Agertoft (Asistente de vestuario), Emily Curtis (costume supervisor (as Emily Newbold)), Sarah H.L. Fuller (costume assistant (as Sarah Fuller)) y Michael Weldon (Asistente de vestuario)

Departamento de reparto

Carly Lewisohn (Casting de extras), Lucy Nooshin (child casting (as Lucy Barwell)) y Gemma Sykes (Ayudante de casting)

Departamento de editorial

Mike Andrews (digital intermediate technician), Paul Apted (assembly editor), Len Brown (film consultant), Michelle Cort (digital intermediate technician), Theresa Crooks (digital intermediate technician), Eve Doherty (Editor asistente), Tim Drewett (digital intermediate technician), Ruth Halliday (negative checks), Nadia Iqbal (Editor de intermedio digital), Matt James (Supervisor de intermedio digital), Steve Knight (digital intermediate coordinator), Sze-Wun Li (assembly editor (as Sze-Wun Lee)), Rebecca Lloyd (Editor asistente), Steve Owen (data transfer), Gareth Parry (Editor de intermedio digital), Daniel Passes (editing trainee: skillset), Gareth Spensley (digital intermediate colourist), Tom Sugden (digital intermediate technician), Jamie Welsh (digital intermediate technician) y Katelin Westwood (data transfer)

Departamento de transporte

Martin Birmingham (Conductor), Graeme Downie (unit driver (as Graeme Downey)), Gideon Mullins (Conductor), Mark Richards (Conductor), Daniel Smith (truck driver: electrician/generator) y Terry Wilde (Conductor)

Cámaras y departamento de electricidad

Kirsti Abernethy (Primer asistente de cámara), Eva Arnold (additional first assistant camera), Simon Beach (Electricista), Robbie Bryant (Segundo asistente de cámara), Alastair Bury (Electricista), Karl Clarke (Primer asistente de cámara: segunda unidad), Shell Coe (electronic press kit), Stephen Cornacchia (Primer asistente de cámara: segunda unidad), Mike Drury (jimmy jib operator), Andy Edridge (Iluminador), Lee Eldred (Capataz), Alejandra Fernandez (additional second assistant camera), Jaime Fletcher (electrician (as Jamie Fletcher)), Angus Hudson (Director de fotografía), Oscar Hudson (camera trainee: second unit), Chris Jacques (Electricista), Giles Keyte (additional stills photography), Martyna Knitter (camera trainee: skillset), Tanya Marar (camera assistant: second unit), Pat Miller (Jefe de electricistas: segunda unidad), Gemma Mount (stills photographer), Roz Naylor (additional first assistant camera), Omid Nooshin (Camarógrafo), Erline O'Donovan (rear screen projectionist), Glen Patrick (Electricista), Claire Pie (additional second assistant camera), Chris Polden (Electricista), Richard Porter (technician: d3), George Powell (remote head technician), Nick Ray (Iluminador), James Ray-Leary (additional grip (as James Ray)), Paul Sharp (Electricista), Martin Smith (second gaffer), Greg Thomas (Electricista), Mitch Whiskers (best boy (as Mitch Whisker)), Terry Williams (Iluminador) y Sophie Wilson (additional first assistant camera)

Montaje

Joe Walker

Decoración de escenario

Lucy Howe

Gestión de producción

Nigel Bennett (post production: Pinewood Films), Ruth Hodgson (post production executive: Film Finances), Donall McCusker (Jefe de producción), Fiona Morham (head of production: BFI), Claire Otway (Director de producción: segunda unidad), Linda Pather (production supervisor: Film Finances), Katie Shahrokh (Director de post-producción) y Emma Zee (supervisor de post-producción)

Otras personas que participaron

Jenny Allenby (Contador de producción), Elisa Alvares (director: of structured finance for Future Films), Sarah Caughey (senior business affairs executive: BFI), Niccolo Cioni (production executive: 2B Pictures), Christopher Collins (senior production and development executive: BFI), Jon Croker (story editor), Mayalen de Croiseuil (for: Pathe International), Francesca Dowd (production coordinator (as Francesca O'Dowd)), Magdalena Duke (legal counsel: Pinewood Films), Rob Galloway (medical consultant (as Dr. Rob Galloway)), Simon Graham-Clare (production executive: 2B Pictures), Yasmina Hadded (legal services: provided by Sheridans), Mark Hamilton (Publicista de unidad), Clare Hardwick (legal executive: completion guarantor), Julia Hillsdon (production executive: Pinewood Studios), Nick Howe (Runner), Sayako Huddleston (for: Pathe International), Steve Joberns (auditor), James Kay (legal services: provided by Sheridans), Ian Kirk (head of production finance: BFI), David Korda (production executive: Film Finances), David Kwong (magic consultant), Catherine Laine (body double), Daniel Lennox (Publicista de unidad), Reece Lipman (finance assistant: Future Films), Kasia Jander Majewska (production assistant (as Kasia Majewska)), Daniel Margolis (business affairs: Future Films), Ricky Margolis (production executive: 2B Pictures), Matt Mead (production coordinator: second unit (as Matthew Mead)), Ali Moshref (production executive: Film Finances), Erline O'Donovan (rear projectionist), Caroline O'Reilly (Guionista supervisor), Hugo Peers (rear projection supervisor), Cristen Reading (Asistente de producción: segunda unidad), Charlie Reid (set runner: second unit), Muriel Sauzay (for: Pathe International), Andrew Smith (Media Communications: Pinewood / unit publicist), Peter James Spokes (provider: train carriages), Katrina Stagner (director: of structured finance for Future Films), Avni Thakrar (finance executive: Future Films), Diana Thompson (chaperone / tutor), Agathe Théodore (for: Pathe International), Noel Tovey (studio manager: Pinewood Films), Jessica Turner (production executive: 2B Pictures) y Jack Welsby (tax credit services)

Agradecimientos

Jack Arbuthnott (Gracias), Chris Bird (Agradecimiento especial), Reinhard Brundig (Agradecimiento especial), Bob Cheshire (Agradecimiento especial), Clay Delauney (with thanks to), Elizabeth Dench (Agradecimiento especial), Charles Hannah (Agradecimiento especial), James Higginson (with thanks to), Vicki Jackways (Agradecimiento especial), Joyce Nettles (with thanks to), Hoshyar Nooshin (Agradecimiento especial), Pooran Nooshin (Agradecimiento especial), Jess Rosenthal (Agradecimiento especial), Kim Sinclair (Agradecimiento especial), Peter James Spokes (Agradecimiento especial), Mike Stephens (Agradecimiento especial), Alexandra Stone (with thanks to), Richard Taylor (Agradecimiento especial), Jeremy Thomas (Agradecimiento especial), Joseph Thompson (with thanks to), Peter Watson (Agradecimiento especial), Dave Whitehead (Agradecimiento especial), Paul Wigfield (Agradecimiento especial), Marlene Winfield (Agradecimiento especial) y Roger Winfield (Agradecimiento especial)

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