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Las crónicas de Narnia: El león, la bruja y el roperoTrailer oficial de la película Las crónicas de Narnia: El león, la bruja y el ropero2006-01-05 Trailer
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Las crónicas de Narnia: El león, la bruja y el ropero (2006)

Las crónicas de Narnia: El león, la bruja y el ropero
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
2006-01-05
02 hr 23 min
Aventura Familia Fantasía

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videos

Las crónicas de Narnia: El león, la bruja y el roperoVideo de la película Las crónicas de Narnia: El león, la bruja y el ropero2006-01-05Trailer

Descripción

Fotograma de la película Las crónicas de Narnia: El león, la bruja y el ropero

La película Las crónicas de Narnia: El león, la bruja y el ropero del año 2006, cuyo título original es "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" está dirigida por Andrew Adamson y protagonizada por Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell y Tilda Swinton (ver créditos completos). Es un filme de género Aventura , Familia y Fantasía producido en Reino Unido y EE.UU.. Esta cinta tiene una duración de 02 hr 23 min (143 minutos). El film está hablado en Inglés y Alemán en su audio original. Alrededor del mundo, este largometraje recibió varios títulos, entre ellos "Las crónicas de Narnia - El león, la bruja y el ropero" en Argentina, "Хрониките на Нарния: Лъвът, Вещицата и Дрешникът" en Bulgaria (título búlgaro) y "As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa" en Brasil.

¿De qué se trata Las crónicas de Narnia: El león, la bruja y el ropero?

La película Las crónicas de Narnia: El león, la bruja y el ropero nos presenta la histórica lucha que se libra entre el bien y el mal. Durante la segunda guerra mundial cuatro hermanos conocerán un nuevo mundo lleno de fantasía al cual solo se puede acceder a través de un armario.

El mundo mágico de Narnia se encuentra desde muchos años bajo los oscuros poderes de la Bruja Blanca (Tilda Swinton) quien ha sumido a Narnia en un invierno, pero la llegada de estos cuatro niños podría ser la ayuda que necesita el león Aslan para romper la maldición.

Lucy (Georgie Henley), Susan (Anna Popplewell), Edmund (Skandar Keynes) y Peter Pevensie (William Moseley), son los cuatro hermanos que pueden ayudar a este mundo encantando. Sus particulares habitantes son duendes, centauros, faunos y animales que hablan, todos están seguros que los niños son la salvación.

Una batalla de proporciones épicas será la desatada en Narnia cuando con la ayuda del león Aslan, el noble soberano, los niños y otras criaturas mágicas consigan acabar con la maldición del frio que tiene más de un siglo.

Las crónicas de Narnia: El león, la bruja y el ropero es una taquillera película de fantasía y aventura. Aunque la cinta fue bien recibida por el público no recibió buenas críticas por parte de la prensa especializada. El director Andrew Adamson es la persona responsable de este film que se encuentra inspirado en el clásico literario del escritor C.S. Lewis, el cual se encuentra formado de un total de siete libros.

Para el reparto principal de Las crónicas de Narnia: El león, la bruja y el ropero aparecen los actores Georgie Henley, Skandar Keynes, Anna Popplewell, entre otros.

¿Dónde puedo ver la película Las crónicas de Narnia: El león, la bruja y el ropero completa en español?

Muy fácil, en este momento puedes ver la película Las crónicas de Narnia: El león, la bruja y el ropero completa y en español ya que se encuentra disponible. Si el filme no está disponible en el país en el que te encuentras no te preocupes: recuerda que utilizando un VPN podrás conectarte desde cualquier país y acceder a los catálogos completos de las distintas plataformas de streaming.

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          Información técnica y general

          Duración: 02 hr 23 min (143 minutos) .

          Color: Color

          Paises productores: La película The Chronicles of Narnia: The Lion, the Witch and the Wardrobe fué producida en Reino Unido y EE.UU.

          Lenguaje original: Inglés y Alemán.

          Títulos en cada país:

          Clasificación

          Taquilla:

          Créditos completos de la película Las crónicas de Narnia: El león, la bruja y el ropero

          Dirección

          Guión

          Reparto

          Lucy Pevensie
          Edmund Pevensie
          Peter Pevensie
          Susan Pevensie
          White Witch
          Mr. Tumnus
          Professor Kirke
          Ginarrbrik
          Father Christmas
          Mrs. Pevensie
          Mrs. Macready
          Oreius
          General Otmin
          Boy on Train
          Girl on Train
          Conductor del tren
          Distraught Mother
          Distraught Mother
          Distraught Mother
          Soldado
          German Pilot
          Green Dryad
          Rumblebuffin the Giant
          Bruja
          Bruja
          Bruja
          Bruja
          Bruja
          Bruja
          Faun
          Faun
          Faun
          Centaur
          Centaur
          Centaur
          Centaur
          Centaur Archer
          Satyr
          Satyr
          Enano Rojo y Negro
          Enano Rojo y Negro
          Enano Rojo y Negro
          Enano Rojo y Negro
          Enano Rojo y Negro
          Enano Rojo y Negro
          Enano Rojo y Negro
          Older Lucy
          Older Edmund
          Older Peter
          Older Susan
          Aslan
          Mr. Beaver
          Mrs. Beaver
          Mr. Fox
          Gryphon
          Philip the Horse
          Vardan (voice)
          Lobo
          Radio Announcer (voice)
          Dancing Nymph and Goblin
          Centaur
          Maugrim
          Little Girl (u)
          Singer (u)

          Música

          Producción

          Productor ejecutivo
          Co-productor
          Productor asociado
          Productor
          producer: Stillking Films, Czech Republic
          Productor ejecutivo
          Productor
          producer: Stillking Films, Czech Republic
          Ejecutivo de producción

          Casting

          y

          Fotografia

          (Director de fotografía Donald M. McAlpin)

          Ayudante de dirección

          (first assistant director: second unit, New Zealand), (Asistente adicional del director), (third assistant director: second unit, New Zealand), (Asistente de dirección), (assistant director: second unit, Czech Republic), (Asistente de dirección), (third assistant director: second unit, New Zealand (as Katie Hutchison)), (third assistant director (as Gene-Phillip Keelan)), (Director de la segunda unidad), (Asistente de dirección), (first assistant director: Czech Republic (as Jirka Ostry)), (second assistant director: Czech Republic (as Frankie Rezek)), (Tercer asistente de produccón), (second second assistant director: second unit, New Zealand), (first assistant director: second unit, Czech Republic, Poland and UK), (second assistant director: second unit, New Zealand), (additional second unit director: New Zealand), (key second assistant director: Czech Republic), (first assistant director: autumn unit (u) / first assistant director: greenscreen unit (unc), (second assistant director: Autumn unit (u)), (third assistant director: autumn unit (u)) y (second unit director: Czech Republic and Poland (u) / second unit director: Montana (uncred)

          Dirección artística

          , (Director de supervisión artística), y

          Departamento de arte

          (foam seamer: K.N.B. EFX Group Inc. (as Ginger Anglin)), (mold & lab department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc. (as Paige Banenoch)), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (prosthetic makeup set supervisor: K.N.B. EFX Group Inc. / special makeup and creatures), (on-set makeup artist: K.N.B. EFX Group Inc.), (effects production manager: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (hair department supervisor: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (effects assistant coordinator: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Christopher Cera)), (mold & lab department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (Efectos especiales con maquillaje), (mechanical department: K.N.B. EFX Group Inc.), (shop foreman: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc. (as Robert Derry)), (art department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as John Fedele)), (on-set hair stylist: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as Frederick Fraliegh)), (Asistente de maquillaje), (mold & lab department: K.N.B. EFX Group Inc. (as Rob Freitas)), (on-set makeup artist: K.N.B. EFX Group Inc.), (Óptico de lentes de contacto), (foam department: K.N.B. EFX Group Inc., The Monster Makers Foam System), (Diseñador del pelo/Diseñador de maquillaje), (on-set makeup artist: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc. (as David Grasso)), (hair department: K.N.B. EFX Group Inc. (as Constance Criswell)), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department supervisor: K.N.B. EFX Group Inc.), (foam seamer: K.N.B. EFX Group Inc.), (fabrication supervisor: Aslan, K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Cari Jones)), (on-set makeup artist: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (gelatin supervisor: K.N.B. EFX Group Inc.), (effects assistant coordinator: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (makeup artist: Czech Republic (as Tomas Kuchta)), (key prosthetic makeup artist: K.N.B. EFX Group Inc.), (additional hair stylist: second unit, New Zealand / additional makeup artist: second unit, New Zeala), (mold & lab department: K.N.B. EFX Group Inc. (as Gilbert Liberto)), (mechanical department: K.N.B. EFX Group Inc. (as Harrison Lorenzana)), (mechanical department: K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc.), (make-up artist: creature effects), (key hair stylist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Michael Manzel)), (art department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc. (as Raymond Massa)), (art department: K.N.B. EFX Group Inc. (as Michael McCarty)), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as Bruce Mitchell)), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Steve Munson)), (assistant hair stylist / assistant makeup artist), (special makeup and creatures (as Gregory Nicotero)), (on-set makeup artist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (art department supervisor: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (Efectos especiales con maquillaje), (hair department: K.N.B. EFX Group Inc.), (Estilista/Artista de maquillaje), (on-set prosthetic makeup artist: K.N.B. EFX Group Inc.), (foam department supervisor: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Frank Ryberg)), (mold & lab department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (shop foreman: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (makeup artist: Czech Republic), (fabrication department: K.N.B. EFX Group Inc. (as Katherine Sully)), (mechanical department: K.N.B. EFX Group Inc.), (effects production coordinator: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc. (as Kahn Tran)), (foam department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department supervisor: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (special makeup effects artist: K.N.B. EFX Group Inc. (u)), (hair technician (u)), (special makeup effects artist: K.N.B. EFX Group Inc. (u)), (additional hair stylist: second unit, New Zealand (u) / additional makeup artist: second un), (mold maker (u)), (contact lens painter (u)), (additional hair stylist: second unit, New Zealand (u) / additional makeup artist: second un) y (special makeup effects (u))

          Efectos visuales

          (matchmove technical director: Rhythm & Hues (as Anthony Abejuro)), (Artista digital: ILM), (background prep artist: Rhythm & Hues), (lighting and compositing technical director: SPI), (motion capture technician: Giant Studios, New Zealand), (prelighter: Rhythm & Hues (as Judith Adamson)), (lighting and compositing technical director: SPI (as Julie Adrianson Neary)), (Artista digital: ILM), (hair and cloth technical director: SPI), (production coordinator: Studio C, Guatemala), (production coordinator: Studio C, Guatemala), (motion capture production assistant), (animator: ILM (as George Aleco-Sima)), (3D animator: Studio C, Guatemala), (matte painter: Studio C, Guatemala), (Artista digital: ILM), (motion capture producer: Giant Studios, New Zealand), (Animador: ILM), (3D animator: Studio C, Guatemala), (character animator: SPI), (Constructor de modelos: New Deal Studios), (matchmove technical director: Rhythm & Hues), (hair and cloth technical director: SPI), (Director de producción de efectos visuales), (production coordinator: Studio C, Los Angeles), (director of photography: New Deal Studios (as Timothy E. Angulo)), (animator: ILM (as Steve Aplin)), (visual effects supervisor: Studio C, Los Angeles), (background prep artist: Rhythm & Hues), (animator: Rhythm & Hues), (compositor: Rhythm & Hues (as Jeff Arnold)), (lead film scanning technician: SPI), (digital compositor: Studio C, Guatemala), (Artista digital: ILM), (animator: Rhythm & Hues), (animation layout: Rhythm & Hues), (3D animator: Studio C, Guatemala), (matchmove lead), (Artista digital: ILM), (editor: Rhythm & Hues), (character rigger: Rhythm & Hues), (technical animator: Rhythm & Hues), (digital artist: ILM (as Ken Bailey)), (executive producer: Hatch), (senior systems engineer: SPI), (grip: New Deal Studios), (animation supervisor: Rhythm & Hues (as Richie Baneham)), (software engineer: Soho VFX), (3D animation supervisor: Studio C, Guatemala), (production coordinator: ILM), (prelighter: Rhythm & Hues), (engineer: Giant Studios, Los Angeles), (Artista digital: ILM), (texture painter: SPI), (compositor: Digital Dream), (pipeline support: Rhythm & Hues), (Artista digital: ILM), (Asistente de producción de efectos visuales), (lighting lead: Rhythm & Hues), (lighting and compositing technical director: SPI), (studio engineer: Giant Studios, New Zealand), (lighting and compositing technical director: SPI), (executive producer: Rhythm & Hues), (Supervisor de efectos visuales), (character animator: SPI), (mechanical effects supervisor: New Deal Studios), (systems consultant: Sandbox Pictures), (Asistente de producción de efectos visuales), (digital artist: ILM (as Matthew Blackwell)), (effects animation technical director: SPI (as Steve Blakey)), (Efectos visuales), (lead digimatte artist: ILM), (senior production services technician: SPI), (lighter: Rhythm & Hues), (Constructor de modelos: New Deal Studios), (motion editor: Rhythm & Hues), (Artista digital: ILM), (production coordinator: Studio C, Guatemala), (lighter: Rhythm & Hues), (matte painter: SPI), (background preparation lead: Rhythm & Hues), (compositor: Rhythm & Hues), (production assistant: New Deal Studios, Inc.), (digital artist: ILM (as Stephen Braggs)), (digital artist: ILM (as Samantha Breach)), (animator: Rhythm & Hues (as David M. Breaux)), (second assistant camera: New Deal Studios), (Artista digital: ILM), (Artista digital: ILM), (software lead: SPI), (production manager: Rhythm & Hues), (lighter: Rhythm & Hues), (Massive animator: Rhythm & Hues), (matchmove technical director: Rhythm & Hues), (Efectos visuales), (character set up: SPI (as Brian Burks)), (digital artist: ILM (as Catherine Burrow)), (texture painter: SPI (as Ron Bushaw)), (assistant visual effects editor (as Raymond Bushey III)), (character modeler: SPI / hard surface modeler: SPI), (management information system: Rhythm & Hues), (lighting and compositing technical director: SPI), (digital artist: ILM (as Michaela Calanchini Carter)), (animator: Rhythm & Hues), (Compositor digital: ILM), (Artista digital: ILM), (production coordinator: Studio C, Guatemala), (Animador: ILM), (production coordinator: ILM), (lead modeler: Lidar Services), (digital scan lead: Gentle Giant Studios), (Artista digital: ILM), (production coordinator: Studio C, Guatemala), (hair and cloth technical director: SPI (as Oscar Castillo)), (software engineer: Giant Studios, New Zealand), (character animator: SPI), (matchmove technical director: Rhythm & Hues), (senior production services technician: SPI), (database manager: Giant Studios, Los Angeles), (interactive compositor: SPI), (modeler: Rhythm & Hues), (lighting and compositing technical director: SPI), (vice president of technology: Gentle Giant Studios), (technical lighting supervisor: Rhythm & Hues), (software engineer: SPI), (sequence supervisor: Rhythm & Hues), (modeler: Rhythm & Hues), (Artista digital: ILM), (pipeline support: Rhythm & Hues), (compositor: Digital Dream), (systems administrator), (modeler: Rhythm & Hues), (digital artist: ILM (as Eric Christensen)), (systems administrator: SPI), (Artista digital: ILM), (software engineer: SPI), (modeler: Rhythm & Hues), (Artista digital: ILM), (senior film scanning and laser film recording technician), (character animator: SPI), (pre-visualization artist), (lighting lead: Rhythm & Hues (as Elisabeth Clarity)), (pre-visualization artist), (visual effects producer: SPI), (software lead: SPI), (digital compositor: Studio C, Los Angeles), (lighter: Rhythm & Hues), (matte painter: Studio C, Guatemala), (senior production services technician: SPI), (matchmove technical director: Rhythm & Hues (as Jeremy Constantine)), (sequence supervisor: ILM), (digital compositor: Studio C, Guatemala), (effects animation technical director: SPI), (digital compositor: Studio C, Guatemala), (digital coordinator: SPI (as Thomas Core)), (roto and paint artist: SPI), (lead compositor: Studio C, Guatemala), (character animator: SPI (as Stephane Couture)), (Artista digital: ILM), (electrician: New Deal Studios), (Director de producción de efectos visuales), (Compositor digital: ILM), (research and development: ILM), (matchmove technical director: Rhythm & Hues), (lead character animator: SPI), (digital compositor: Sandbox Pictures), (production coordinator: Studio C, Guatemala), (digital production manager: Studio C, Los Angeles (as Timothy Cunningham)), (Massive animator: Rhythm & Hues), (digital artist: Svengali Visual Effects), (Constructor de modelos: New Deal Studios), (Animador: ILM), (motion control camera operator: New Deal Studios), (character animator: SPI (as Virginie Michel D'Annoville)), (digital producer: Rhythm & Hues), (animator: Rhythm & Hues), (animator: Rhythm & Hues), (digital artist: Hatch), (animator: Rhythm & Hues), (Artista digital: ILM), (Animador: ILM), (Massive prelighter: Rhythm & Hues), (Artista digital: ILM), (pipeline supervisor: SPI), (database coordinator: Giant Studios, Los Angeles), (animation supervisor: Rhythm & Hues (as Erik-Jan De Boer)), (motion edit lead: Rhythm & Hues), (lighter: Rhythm & Hues (as Mark De La Garza)), (digital compositor: Studio C, Guatemala (as Pedro A. De Leon)), (interactive compositor: SPI), (hardware engineer: SPI), (animator: Rhythm & Hues), (3D animator: Studio C, Guatemala (as Gaby Del Cid)), (3D animator: Studio C, Guatemala), (3D animator: Soho VFX), (3D animator: Soho VFX), (texture painter: Rhythm & Hues), (senior staff: Sony, SPI), (associate visual effects supervisor: ILM), (character rigger: Rhythm & Hues), (lighting and compositing technical director: SPI), (lighting and compositing technical director: SPI), (Artista digital: ILM), (Artista digital: ILM), (pre-visualization artist), (motion control technician), (motion control operator), (animator: Rhythm & Hues), (digital artist: ILM (as Jeffrey Doran)), (match mover: SPI), (character setup artist: SPI), (3D animator: Soho VFX), (visual effects producer: Studio C, Los Angeles), (lighting and compositing technical director: SPI), (look development: SPI), (lighting and compositing technical director: SPI), (motion capture producer: Rhythm & Hues), (digital paint artist: Digital Dream), (computer graphics supervisor: SPI), (Constructor de modelos: New Deal Studios), (additional matte paintings: Illusion Arts), (compositor: Rhythm & Hues), (animator: ILM (as Michael Easton)), (lead matchmover: ILM (as Selwyn Eddy III)), (production coordinator: Hatch), (Artista digital: ILM), (software engineer: Rhythm & Hues), (3D animator: Soho VFX), (background prep artist: Rhythm & Hues), (animation supervisor: ILM), (character animator: SPI), (computer graphics supervisor: SPI), (technical animator: Rhythm & Hues), (massive animator), (digital compositor: Studio C, Guatemala), (matte painter: SPI), (3D animator: Studio C, Guatemala / production coordinator: Studio C, Guatemala), (digital compositor: Studio C, Guatemala), (roto and paint artist: SPI), (miniatures painter), (motion editor: Rhythm & Hues), (character rigger: Rhythm & Hues), (visual effects supervisor: ILM), (character modeler: SPI / hard surface modeler: SPI), (digital artist: ILM (as Cornelia Fauser)), (systems consultant: Sandbox Pictures), (lead production services technician: SPI), (Artista digital: ILM), (technical support: ILM), (senior matte painter: Hatch), (prelighter: Rhythm & Hues), (miniature effects crew chief: New Deal Studios), (Artista digital: ILM), (texture painter: Rhythm & Hues), (film recording technician: SPI), (interactive compositor: SPI), (effects technician: New Deal Studios), (animator: Rhythm & Hues), (lighter: Rhythm & Hues (as Patricia Helene Frazier)), (background preparation artist: Rhythm & Hues), (character animator: SPI), (Artista digital), (lighting and compositing technical director: SPI), (Artista digital: ILM), (motion editor: Giant Studios, Los Angeles), (visual effects executive producer: SPI), (lighter: Rhythm & Hues), (matchmove technical director: Rhythm & Hues), (matchmove technical director: Rhythm & Hues), (lighting and compositing technical director: SPI), (Artista de rotoscopio), (technical animator: Rhythm & Hues), (3D animator: Studio C, Guatemala), (production coordinator: Studio C, Guatemala), (systems coordinator: Studio C, Guatemala), (Director de producción de efectos visuales), (digital compositor: Studio C (as Ramiro A. Gracias)), (visual effects editor (as Michael D. Gay)), (Artista digital: ILM), (compositor: Rhythm & Hues), (Artista digital: ILM), (Artista calibrador de movimiento), (digital model supervisor: ILM), (Artista digital: ILM), (Artista digital: ILM), (match mover: SPI), (visual effects supervisor: Svengali Visual Effects), (compositor: Rhythm & Hues), (visual effects editor: ILM (as Mike Gleason)), (roto and paint artist: SPI), (character animator: SPI), (software engineer: SPI), (compositor: Digital Dream), (Artista digital: ILM), (lead viewpaint artist: ILM (as Bridget Goodman)), (Artista digital: ILM), (Artista digital: ILM), (character set-up supervisor: SPI (as Rick Grandy)), (Artista digital: ILM), (lighting and compositing technical director: SPI), (Artista digital: ILM), (pre-visualization artist), (digital artist: ILM (as Bryant Griffin)), (digital coordinator: SPI), (Artista digital: ILM), (systems coordinator: Studio C, Guatemala), (production manager: IAC, SPI), (Animador: ILM), (Constructor de modelos: New Deal Studios), (prelighter: Rhythm & Hues (as Betsy A. Hall)), (look development: SPI), (computer graphics supervisor: ILM), (Asistente de producción de efectos visuales), (visual effects production assistant (as Willum Handley)), (compositor: Digital Dream), (Artista digital: ILM), (software and technology: Rhythm & Hues Studios), (animator: Rhythm & Hues), (animator: ILM (as Timothy Harrington)), (color timer: Rhythm & Hues), (Artista digital: ILM), (pipeline support: Rhythm & Hues), (senior production services technician: SPI), (render coordinator lead: Rhythm & Hues), (visual effects on-set co-producer), (visual effects photographer), (technical support: ILM), (Artista digital: ILM), (digital artist: ILM (as Wendy Hendrickson-Ellis)), (3D animator: Studio C, Guatemala (as José Manuel Hernandez)), (matte painter: Studio C, Guatemala), (senior staff: Sony, SPI), (Artista digital: ILM), (matte painter: SPI / texture painter: Rhythm & Hues), (character rigging lead: Rhythm & Hues), (compositor: Rhythm & Hues), (technical animator: Rhythm & Hues (as Todd Hill)), (matte painter: Studio C, Los Angeles), (compositing lead: Rhythm & Hues), (3D animator: Studio C, Guatemala), (visual effects supervisor: I.C.O. Entertainment Inc.), (character animator: SPI), (production coordinator: Rhythm & Hues), (animation lead: Rhythm & Hues), (animator: Rhythm & Hues (as Steve Hoogendyk)), (background preparation artist: Rhythm & Hues), (visual effects producer: ILM), (effects animation technical director: SPI), (effects artist: Rhythm & Hues), (lead matte painter: SPI), (Artista digital: ILM), (Artista digital: ILM), (compositor: Rhythm & Hues (as Chiachi Hu)), (assistant editor: Rhythm & Hues), (lighting and compositing technical director: SPI), (visual effects supervisor: New Deal Studios), (Artista digital: ILM), (production coordinator: Rhythm & Hues (as Patrick Hurd)), (hair and cloth lead: SPI (as Rodrigo Ibanez)), (look development: SPI), (grip: New Deal Studios), (digital compositor: SOHO VFX), (animator: Rhythm & Hues), (lead compositor: Studio C, Guatemala), (Artista digital: ILM), (lead painter: New Deal Studios), (Artista de efectos visuales), (effects animation technical director: SPI), (motion capture producer (as David James)), (Artista digital: ILM), (digital paint supervisor: ILM / rotoscope supervisor: ILM), (Artista digital: ILM), (sequence supervisor: Rhythm & Hues (as Art Jeppe)), (character animator: SPI), (senior staff: Sony, SPI), (management information systems: Rhythm & Hues (as Chris Johnson)), (visual effects editor: SPI), (visual effects motion capture assistant), (compositor: Rhythm & Hues), (digital compositor: I.C.O. Entertainment), (character animator: SPI), (background prep artist: Rhythm & Hues), (creature development supervisor: Rhythm & Hues), (character modeler: SPI / hard surface modeler: SPI), (character animator: SPI), (compositing lead: Rhythm & Hues), (Animador: ILM), (production coordinator: Rhythm & Hues), (lead character animator: SPI), (effects technician: New Deal Studios), (digital artist: ILM / lighting and compositing technical director: SPI), (Artista digital: ILM), (lighting and compositing technical director: SPI), (cloth/hair td / hair and cloth technical director: SPI), (effects animation technical director: SPI), (visual effects supervisor: river segment, Studio C, Guatemala), (Artista digital: ILM), (digital artist: Digital Dream), (character modeling lead: SPI), (dynamics and simulations: Rhythm & Hues), (animator: Rhythm & Hues), (Artista digital: ILM), (Artista digital: ILM), (lead texture artist: Rhythm & Hues), (character rigger: Rhythm & Hues (as Alexander Ko)), (Artista digital: ILM), (production supervisor: Soho VFX), (digital production manager: Rhythm & Hues), (effects animation technical director: SPI), (management information system: Rhythm & Hues (as Gautham Krishnamurti)), (senior production coordinator: Rhythm & Hues), (animation lead: Rhythm & Hues), (Artista de efectos visuales), (Artista digital), (grip: New Deal Studios), (digital compositor: Studio C, Los Angeles), (stage manager: New Deal Studios), (motion capture supervisor: Rhythm & Hues), (senior systems engineer: SPI), (matchmove technical director: Rhythm & Hues), (roto/paint lead: SPI), (computer graphics supervisor: SPI), (Artista digital: ILM), (lead compositor: Studio C, Guatemala), (effects animation technical director: SPI), (sequence producer: Studio C, Guatemala), (sequence supervisor: Rhythm & Hues (as Dave Lauer)), (lighter: Rhythm & Hues), (Artista digital: ILM), (senior production services technician: SPI), (3d modeler), (visual effects conceptual designer), (effects animation technical director: SPI), (lighter: Rhythm & Hues), (character animator: SPI), (Artista digital: ILM), (digital artist: ILM (as Seung Hun Lee)), (digital artist: ILM (as Seung Hee Lee)), (modeler: Rhythm & Hues (as Chun-Ta Lei)), (character rigger: Rhythm & Hues), (systems coordinator: Studio C, Guatemala (as Carlos E. Lemus)), (film recording technician: SPI), (animator: Rhythm & Hues), (visual effects match animator: ILM (as John Levin)), (animator: Rhythm & Hues (as Gregory Lewis)), (Artista de efectos digitales), (pipeline supervisor: SPI), (matchmove supervisor: Rhythm & Hues), (lighting lead: Rhythm & Hues), (Constructor de modelos: New Deal Studios), (animation production manager: SPI), (senior systems administrator: Rhythm & Hues), (animation production manager: SPI), (animation production manager: SPI (as Lauren Ann Littleton)), (look development lead: SPI), (Artista digital: ILM), (matte painting supervisor: Studio C, Los Angeles), (animation supervisor: Rhythm & Hues), (Artista digital: ILM), (software lead: SPI), (3D animator: Studio C, Guatemala (as Daniel López)), (3D animator: Studio C, Guatemala), (software engineer: Giant Studios, Los Angeles), (lighting and compositing technical director: SPI (as Nicholas Loy)), (3D animator: Soho VFX), (compositor: Digital Dream (as Nick Lund-Ulrich)), (look development: SPI), (visual effects producer: Soho VFX), (effects animation technical director: SPI (as Thomas Lynnes)), (digital producer: SPI), (sequence producer: Studio C, Guatemala), (Artista digital: ILM), (production coordinator: Rhythm & Hues (as Dawn Brooks) / sequence coordinator: Rhythm & Hues (as Daw), (motion capture supervisor: Giant Studios, New Zealand), (motion editor: Giant Studios, Los Angeles), (visual effects supervisor: Soho VFX), (assistant visual effects editor: SPI), (compositor: Digital Dream), (creature technical director / digital artist: ILM), (pre-visualization artist (as Michael Makara)), (compositing supervisor: ILM), (character rigger: Rhythm & Hues (as Joseph Mancewicz)), (rotoscope artist: Rhythm & Hues), (roto artist: The Moving Picture Company), (animator: Rhythm & Hues), (Artista digital: ILM), (video operator: New Deal Studios), (Artista digital: ILM), (sequence supervisor: ILM), (digital artist: ILM (as Tia Marshall)), (Animador: ILM), (digital production management: SPI), (compositor: Rhythm & Hues), (supervisor: Lidar Services), (motion capture production manager), (Artista digital: ILM), (effects animation technical director: SPI), (Artista digital: ILM), (research and development: ILM (as Andre Mazzone)), (key grip: New Deal Studios), (telecine colourist), (Artista digital: ILM), (gaffer: New Deal Studios), (lighting and compositing technical director: SPI), (digital artist: ILM (as Regan McGee)), (senior digital color timer: SPI), (matte artist: Illusion Arts), (production assistant: SPI (as Ian McIntosh)), (pipeline supervisor: SPI), (lighting and compositing technical director: SPI (as Jim McLean)), (digital paint artist: Digital Dream), (character rigger: Rhythm & Hues (as Gavin McMillan)), (animator: Rhythm & Hues), (pre-visualization artist), (art director: Rhythm & Hues), (Artista digital: ILM), (lighter: Rhythm & Hues), (3D animator: Studio C, Guatemala), (data operator: Digital Dream), (digital effects supervisor: Rhythm & Hues), (interactive compositor: SPI (as Todd B. Mesher)), (Artista digital: ILM), (background prep artist: Rhythm & Hues), (visual effects assistant editor: ILM), (lighter: Rhythm & Hues), (technical support: ILM), (animator: ILM (as Christopher Mitchell)), (software engineer: SPI (as Hiro Miyoshi)), (3D animator: Studio C, Guatemala), (digital compositor: Soho VFX), (compositor: Rhythm & Hues), (production manager: Studio C, Guatemala), (Compositor digital), (lighting and compositing technical director: SPI), (prelighter: Rhythm & Hues), (digital artist: ILM (as David Morris)), (Artista digital: ILM), (lead compositor: SPI), (lead compositor: Studio C, Guatemala), (production coordinator: Rhythm & Hues), (background prep artist: Rhythm & Hues), (lighting and compositing technical director: SPI (as Enrique Muñoz)), (visual effects producer: Studio C, Guatemala (as Rodolfo Muñoz)), (motion capture supervisor: Giant Studios, New Zealand), (Artista digital: ILM), (software engineer: Soho VFX), (systems coordinator: Studio C, Guatemala), (3D animator: Soho VFX), (effects animation technical director: SPI), (software lead: SPI), (look development: SPI), (production manager: Studio C, Los Angeles (as Rafa Negrón)), (compositor: Rhythm & Hues), (digital coordinator: SPI), (motion control technician: New Deal Studios), (animator: ILM (as Steven Nichols)), (matchmove lead: SPI (as Rachel T. Nicoll)), (digital artist: ILM (as Ken Nielson)), (texture painter: SPI), (3d modeler), (lighter: Rhythm & Hues), (texture painter: Rhythm & Hues), (visual effects supervisor: Sandbox Pictures), (rotoscope artist: Sandbox Pictures), (Animador: ILM), (digital compositor: Studio C, Guatemala), (character rigger: Rhythm & Hues), (film recording technician: SPI), (production assistant: Rhythm & Hues), (Compositor digital), (Artista digital: ILM), (sequence supervisor: ILM (as Khatsho Orfali)), (3D animator: Studio C, Guatemala), (digital compositor: Soho VFX), (lead character animator: SPI), (motion capture technician: Giant Studios, Los Angeles), (visual effects supervisor: breath sequence, Studio C, Guatemala), (Constructor de modelos: New Deal Studios), (matte painter: Studio C, Guatemala), (Artista digital), (software engineer: SPI), (computer graphics supervisor: SPI), (compositor: Rhythm & Hues), (3D animator: Studio C, Guatemala), (Artista digital: ILM), (digital compositor: Studio C, Guatemala), (effects animation technical director: SPI (as Daniel P. Ferreira)), (digital compositor: Studio C, Guatemala), (systems administrator: SPI), (visual effects coordinator: Digital Dream), (motion capture producer: Giant Studios, Los Angeles), (3D animator: Studio C, Guatemala), (systems coordinator: Studio C, Guatemala), (Animador: ILM), (visual effects producer: Sandbox Pictures), (assistant production manager: Rhythm & Hues), (visual effects set surveyor), (visual effects producer: Digital Dream), (visual effects supervisor: Digital Dream), (electrician: New Deal Studios), (visual effects still photographer), (sequence supervisor: ILM), (Animador: ILM), (effects animation technical director: SPI), (Artista digital: ILM), (animator: Rhythm & Hues), (film recording technician: SPI), (technical animation lead: Rhythm & Hues), (massive animator: Rhythm & Hues), (lead compositor: Digital Dream (as Alfredo Rameriz)), (3D animator: Studio C, Guatemala), (Massive animator: Rhythm & Hues), (animator: Rhythm & Hues), (Artista digital: ILM), (motion editor: Rhythm & Hues), (lighting and compositing technical director: SPI), (software engineer: SPI (as Robert Ray)), (3D animator: Soho VFX), (lead compositor: Digital Dream), (cg look development supervisor: ILM), (digital coordinator: SPI), (ftp coordinator: Studio C, Los Angeles), (sequence supervisor: Rhythm & Hues), (lead camera: Pacific Title and Art Studio), (matchmove technical director: Rhythm & Hues), (pre-visualization artist), (compositor: SPI), (prelighter: Rhythm & Hues), (Artista digital: ILM), (lighting and compositing technical director: SPI), (Artista digital: ILM), (Artista digital: ILM), (visual effects coordinator: Svengali Visual Effects), (compositing lead: Rhythm & Hues (as Marc M. Rubone)), (animator: Rhythm & Hues), (matte painter: Studio C, Guatemala), (senior production coordinator: Rhythm & Hues), (plate producer: Rhythm & Hues), (motion edit supervisor: Rhythm & Hues), (compositor: Rhythm & Hues), (Artista digital: ILM), (lighting lead: Rhythm & Hues), (3D animator: Studio C, Guatemala), (Artista digital: ILM), (lead matchmover: ILM (as Jeffrey Saltzman)), (digital matte artist: Svengali Visual Effects), (Artista digital: ILM), (digital effects), (creature development supervisor: Rhythm & Hues), (producer: New Deal Studios), (effects technician: New Deal Studios), (executive in charge of visual effects), (senior staff: Sony, SPI), (lighting and compositing technical director: SPI (as John Sasaki)), (pipeline support: Rhythm & Hues), (digital artist: ILM (as Steven Sauers)), (animation supervisor: SPI), (character setup: SPI), (effects technician: New Deal Studios), (character animator: SPI), (lead character animator: SPI), (character setup: SPI (as York Naylor Schueller)), (matte painter: Illusion Arts (as Bob Scifo) / matte painter: Studio C, Los Angeles), (character animator: SPI), (lighter: Rhythm & Hues), (2D supervisor: Rhythm & Hues), (3D animator: Soho VFX), (Artista digital: ILM), (assistant production manager: Rhythm & Hues), (digital effects: SPI / lighting and compositing technical director: SPI), (Artista digital: ILM), (animator: Rhythm & Hues), (effects animation technical director: SPI (as Kevin Sheedy)), (effects supervisor: Rhythm & Hues), (Artista digital: ILM), (digital artist: ILM (as Zachary Sherman)), (Animador: ILM), (digital compositor: Soho VFX), (digital paint artist: Digital Dream), (animator: Rhythm & Hues), (background prep artist: Rhythm & Hues), (modeler: Rhythm & Hues (as Bradley T. Sick)), (modeler: Rhythm & Hues), (lead character animator: ILM (as David Sidley)), (compositor: Digital Dream), (Artista digital: ILM), (matchmove lead: Rhythm & Hues (as Andy Silvestri)), (animation layout lead: Rhythm & Hues (as Lulu Simon)), (Coordinador de efectos visuales), (Asistente de producción de efectos visuales), (technical animator: Rhythm & Hues (as Edward Siomacco)), (Artista digital: ILM), (lighter: Rhythm & Hues), (character setup: SPI), (digital compositor: Soho VFX), (Massive supervisor: Rhythm & Hues), (digital effects supervisor: SPI), (lead technical animator: ILM), (matchmove technical director: Rhythm & Hues (as Jeff Smith)), (character animator: SPI), (lighting and compositing technical director: SPI), (Artista digital: ILM), (systems support: Soho VFX), (lighting and compositing technical director: SPI), (pre-visualization artist), (animator: Rhythm & Hues), (match mover: SPI), (mechanical effects supervisor: New Deal Studios), (lighting and compositing technical director: SPI), (digital production management: SPI (as Diane St. Clair)), (digital compositor: Rhythm and Hues), (visual effects producer (as Randall Starr)), (character lead: Aslan, Rhythm & Hues), (negative cutter: SPI), (modeling lead: Rhythm & Hues), (telecine colorist dailies), (background prep artist: Rhythm & Hues), (motion capture image processing: Giant Studios, New Zealand), (character modeler: SPI (as Richard Suchy) / hard surface modeler: SPI (as Richard Suchy)), (visual effects producer: Illusion Arts), (Director técnico de efectos), (Artista digital: ILM), (Artista digital: ILM), (vice president: digital, Gentle Giant Studios), (pre-visualization supervisor), (lighting and compositing technical director), (production assistant: Soho VFX), (interactive compositor: SPI (as Dave Takayama)), (3D animator: Soho VFX), (visual effects art director), (character animator: SPI), (Artista digital: ILM), (animation layout: Rhythm & Hues (as Marla Valentine)), (compositor: Rhythm & Hues), (additional matte painter: Illusion Arts), (character setup: SPI (as Todd Taylor)), (Artista digital: ILM), (lead production coordinator: ILM), (creature development supervisor: Rhythm & Hues), (lighting and compositing technical director: SPI), (digital compositor: Studio C, Guatemala), (Artista digital: ILM), (first assistant camera: New Deal Studios (as James Thibo)), (Coordinador de efectos visuales), (associate production manager: SPI), (electrician: New Deal Studios (as James Thomsen)), (look development: SPI), (Artista digital: ILM), (effects artist: Rhythm & Hues (as Scott Townsend)), (lead animator: ILM), (Artista digital: ILM), (Animador: ILM), (lead compositor: Sandbox Pictures), (pipeline supervisor: Rhythm & Hues), (computer graphics supervisor: SPI (as Theodore Vandernoot)), (3D animator: Studio C, Guatemala), (Artista digital: ILM), (visual effects producer: Svengali Visual Effects), (production coordinator: New Deal Studios), (3D animator: Studio C, Guatemala), (character animator: SPI), (Artista digital: ILM), (systems coordinator: Studio C, Guatemala), (Artista digital: ILM), (effects animation technical director: SPI), (lighting and compositing technical director: SPI (as Tim Wallace)), (character animator: SPI), (lighting and compositing technical director: SPI), (lighter: Rhythm & Hues), (modeler: Rhythm & Hues), (visual effects producer: Rhythm & Hues), (3D animator: Studio C, Guatemala (as J. Pablo Ware)), (effects technician: New Deal Studios (as Jon M. Warren)), (layout supervisor: ILM / matchmove supervisor: ILM), (Asistente de producción de efectos visuales), (render wrangler), (film i/o supervisor: SPI), (prelighter: Rhythm & Hues), (hair and cloth technical director: SPI), (Artista digital: ILM), (character animator: SPI), (senior staff: Sony, SPI), (animator: Rhythm & Hues (as Brian Wells)), (background preparation artist: Rhythm & Hues (as Diana Wells)), (Massive animator: Rhythm & Hues (as Mark D. Welser)), (Artista digital: ILM), (visual effects supervisor: Rhythm & Hues), (software engineer: SPI), (lead animator: ILM (as James Wheless)), (Artista digital: ILM), (creature development supervisor: ILM), (character animator: SPI), (hair and cloth technical director: SPI), (roto and paint artist: SPI), (Massive animation lead: Rhythm & Hues), (compositor: Illusion Arts), (technical animator: Rhythm & Hues), (motion editor: Rhythm & Hues), (effects technician: New Deal Studios), (software lead: SPI), (digital production manager: SPI), (production coordinator: Rhythm & Hues), (digital artist: SPI (as Midori Otsubo)), (production coordinator: ILM (as Gordon Wittmann)), (effects animation technical director: SPI), (Animador: ILM), (Artista digital: ILM), (visual effects motion capture assistant), (match mover: SPI), (Artista digital: ILM), (Supervisor de efectos visuales), (systems administrator: SPI), (character animator: SPI), (Artista digital: ILM), (texture painter: Rhythm & Hues), (Artista digital: ILM), (animator: Rhythm & Hues (as Kent S. Yoshida)), (matchmove technical director: Rhythm & Hues), (character modeler: SPI / hard surface modeler: SPI), (match mover: SPI), (production coordinator: Studio C, Guatemala), (video editorial coordinator: SPI), (compositing lead: Rhythm & Hues), (Artista digital: ILM), (digital compositor: Sandbox Pictures (as Thomas Zils)), (compositor: SPI (u)), (matchmove technical director (u)), (matchmove technical director (u)), (educator: Rhythm & Hues (u)), (digital compositor: Rhythm & Hues (u)), (scan/record manager (u)), (character animator: Rhythm & Hues (u)), (lead 3D artist (u)), (digital production coordinator (u)), (tracking coordinator: Rhythm & Hues (u)), (digital compositor: ILM (u)), (digital compositor (u)) y (animator (u))

          Diseño de producción

          Departamento de maquillaje

          (art department: K.N.B. EFX Group Inc.), (foam seamer: K.N.B. EFX Group Inc. (as Ginger Anglin)), (mold & lab department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc. (as Paige Banenoch)), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (prosthetic makeup set supervisor: K.N.B. EFX Group Inc. / special makeup and creatures), (on-set makeup artist: K.N.B. EFX Group Inc.), (effects production manager: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (hair department supervisor: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (effects assistant coordinator: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Christopher Cera)), (mold & lab department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (Efectos especiales con maquillaje), (mechanical department: K.N.B. EFX Group Inc.), (shop foreman: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc. (as Robert Derry)), (art department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as John Fedele)), (on-set hair stylist: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as Frederick Fraliegh)), (Asistente de maquillaje), (mold & lab department: K.N.B. EFX Group Inc. (as Rob Freitas)), (on-set makeup artist: K.N.B. EFX Group Inc.), (Óptico de lentes de contacto), (foam department: K.N.B. EFX Group Inc., The Monster Makers Foam System), (Diseñador del pelo/Diseñador de maquillaje), (on-set makeup artist: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc. (as David Grasso)), (hair department: K.N.B. EFX Group Inc. (as Constance Criswell)), (fabrication department: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department supervisor: K.N.B. EFX Group Inc.), (foam seamer: K.N.B. EFX Group Inc.), (fabrication supervisor: Aslan, K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Cari Jones)), (on-set makeup artist: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (gelatin supervisor: K.N.B. EFX Group Inc.), (effects assistant coordinator: K.N.B. EFX Group Inc.), (foam department: K.N.B. EFX Group Inc.), (makeup artist: Czech Republic (as Tomas Kuchta)), (key prosthetic makeup artist: K.N.B. EFX Group Inc.), (additional hair stylist: second unit, New Zealand / additional makeup artist: second unit, New Zeala), (mold & lab department: K.N.B. EFX Group Inc. (as Gilbert Liberto)), (mechanical department: K.N.B. EFX Group Inc. (as Harrison Lorenzana)), (mechanical department: K.N.B. EFX Group Inc.), (on-set hair stylist: K.N.B. EFX Group Inc.), (make-up artist: creature effects), (key hair stylist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Michael Manzel)), (art department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc. (as Raymond Massa)), (art department: K.N.B. EFX Group Inc. (as Michael McCarty)), (fabrication department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc. (as Bruce Mitchell)), (hair department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (fabrication department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Steve Munson)), (assistant hair stylist / assistant makeup artist), (special makeup and creatures (as Gregory Nicotero)), (on-set makeup artist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (art department supervisor: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (Efectos especiales con maquillaje), (hair department: K.N.B. EFX Group Inc.), (Estilista/Artista de maquillaje), (on-set prosthetic makeup artist: K.N.B. EFX Group Inc.), (foam department supervisor: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc. (as Frank Ryberg)), (mold & lab department: K.N.B. EFX Group Inc.), (mold & lab department: K.N.B. EFX Group Inc.), (shop foreman: K.N.B. EFX Group Inc.), (art department: K.N.B. EFX Group Inc.), (makeup artist: Czech Republic), (fabrication department: K.N.B. EFX Group Inc. (as Katherine Sully)), (mechanical department: K.N.B. EFX Group Inc.), (effects production coordinator: K.N.B. EFX Group Inc.), (hair department: K.N.B. EFX Group Inc. (as Kahn Tran)), (foam department: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (mechanical department supervisor: K.N.B. EFX Group Inc.), (on-set makeup artist: K.N.B. EFX Group Inc.), (special makeup effects artist: K.N.B. EFX Group Inc. (u)), (hair technician (u)), (special makeup effects artist: K.N.B. EFX Group Inc. (u)), (additional hair stylist: second unit, New Zealand (u) / additional makeup artist: second un), (mold maker (u)), (contact lens painter (u)), (additional hair stylist: second unit, New Zealand (u) / additional makeup artist: second un) y (special makeup effects (u))

          Montaje

          y

          Decoración de escenario

          Gestión de producción

          (production manager: Stillking Films, Czech Republic), (Supervisor de producción), (Jefe de producción), (production manager: Poland (as Janusz Czech)), (unit production manager (as Beth De Patie)), (production supervisor: Poland), (Jefe de producción), (supervisor de post-producción) y (executive in charge of production (u))

          Enlaces externos

          En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "Las crónicas de Narnia: El león, la bruja y el ropero".

          Comentarios

          Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Andrew Adamson, Georgie Henley o Skandar Keynes? Comparte tus pensamientos, emociones y críticas sobre Las crónicas de Narnia: El león, la bruja y el ropero. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!

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