Oz, un mundo fantástico (1985)

Créditos completos de la película Oz, un mundo fantástico

Dirección

Walter Murch

Guión

GuiónWalter Murchs

GuiónGill Denniss

(novels)L. Frank Baums

Reparto

DorothyFairuza Balk

Dr. WorleyNicol Williamson

Nurse WilsonJean Marsh

Aunt EmPiper Laurie

Uncle HenryMatt Clark

Tik-TokMichael Sundin

Tik-TokTim Rose

Tik-TokSean Barrett

BillinaMak Wilson

BillinaDenise Bryer

Jack PumpkinheadBrian Henson

Jack PumpkinheadStewart Larange

GumpLyle Conway

GumpStephen Norrington

EspantapájarosJustin Case

Cowardly LionJohn Alexander

Tin ManDeep Roy

OzmaEmma Ridley

Mombi IISophie Ward

Mombi IIIFiona Victory

Lead WheelerPons Maar

WheelerRachel Ashton

WheelerRobbie Barnett

WheelerAilsa Berk

WheelerPeter Elliott

WheelerRoger Ennals

WheelerMichele Hine

WheelerMark Hopkins

WheelerColin Skeaping

WheelerKen Stevens

WheelerPhilip Tan

WheelerRob Thirtle

PolicíaBruce Boa

TotoTansy

PolychromeCherie Hawkins

MunchkinKevin Hudson

Cage Carrier (u)Jon Jacobs

Música

David Shire

Producción

Productor asociadoColin Michael Kitchens

Productor ejecutivoGary Kurtz

ProductorPaul Maslansky

Casting

Jane Feinberg, Mike Fenton, Susie Figgis y Marci Liroff

Fotografia

David Watkin y Freddie Francis ((u))

Ayudante de dirección

Ray Corbett (Asistente de dirección), James Devis (Director de la segunda unidad), Ian Hickinbotham (Asistente de dirección), Michael Murray (Asistente de dirección), Kieron Phipps (Asistente de dirección), Waldo Roeg (Asistente de dirección: segunda unidad), Peter Waller (Asistente de dirección: segunda unidad), Steve Lanning (assistant director (u)) y John Speer (assistant director (u))

Dirección artística

Charles Bishop (Director de supervisión artística) y Fred Hole

Departamento de arte

Alan Adams (dipping props), Bill Beecham (constructor hod (as William Beecham)), Reg Bream (chief draughtsman), Barry Bruce (claymation art director), Bruce Cheesman (unit props), Kenneth Clarke (constructor hod), Bill J. Coggon (unit props (as William Coggon)), Peter Collins (constructor hod), Michael R. Driscoll (constructor hod (as Michael Driscoll)), Peter Hancock (Jefe de utilería), Ron Higgins (unit props), Robert Hill (unit props (as Rob Hill)), Richard Holland (Dibujante), Tommy Ibbetson (prop management), Harley Jessup (Artista del guión gráfico), I.F. Lawrence (constructor hod), Bert Long (constructor hod (as Albert Long)), David Lusby (Comprador de producción), Philip McDonald (locations property master), Ted Michell (Artista escénico), Michael G. Ploog (illustrator (as Mike Ploog) / storyboard artist (as Mike Ploog)), Doug Purdie (dipping props), Denis Rich (Artista del guión gráfico), Henry Selick (Artista del guión gráfico), Chris Sheehan (dipping props (as Christopher Sheehan)), Bob Walker (Artista escénico), Bill Welch (Gerente de construcción), Gavin Bocquet (assistant art director (u)), Michael Finlay (painter (u)), Dave Midson (supervising dressing prop (u)), Brian Muir (sculptor (u)), Jay Pales (plasterer (u)) y Michael Peraza Jr. (conceptual artist (u))

Dobles

Andy Bradford (Acrobacias), Cheryl Brown (stunt double: Fairuza Balk), Alison Lynn (stunt double: Fairuza Balk), Gareth Milne (Acrobacias), Nicola Roche (stunt double: Fairuza Balk), Colin Skeaping (stunt arranger / stunt coordinator), Tip Tipping (Acrobacias) y Sarah White (stunt double: Fairuza Balk)

Diseño de vestuario

Raymond Hughes

Efectos visuales

Richard Craske (assistant model cameraman), George Djurkovic (art department models), Carl Frith (model and process effects unit camera operator), Allen Gonzales (Efectos de animación), Peter Hammond (matte camera), John Harris (model camera operator (as John H. Harris)), Robert Hill (model and process effects unit camera operator), Peter Krook (optical editorial supervisor), Michael Lloyd (matte supervisor), Tim McHugh (matte camera assistant), Nick Moore (assistant optical editor), Zoran Perisic (director of model and process unit-visual effects consultant), Stanley W. Sayer (matte photography consultant (as Stanley Sayer)), Robert Scifo (matte artist), Charles Stoneham (matte artist), Carl Willat (additional opticals), Ian Wingrove (model and special effects supervisor), David Worley (model camera operator), Alan Church (optical camera operator (u)), Peter Govey (additional opticals (u)) y Sam Longoria (claymation camera (u) / motion control engineer (u))

Diseño de producción

Norman Reynolds

Departamento de maquillaje

Stuart Artingstall (mechanical characters hair design), Magdalen Gaffney (Maquilladora), Robin Grantham (Supervisor de maquillaje), Beryl Lerman (Maquilladora), Patricia McDermott (Estilista) y David White (special makeup effects (u))

Departamento de musica

Michael Davis (musician: violin solo), Gordon Greenaway (Asistente de editor de música), Harry Rabinowitz (associate conductor), David Shire (Director de orquesta), Herbert W. Spencer (Orquestador), Eric Tomlinson (music recording mixer) y Stan Witt (Editor de música)

Departamento de vestuario

Tony Allen (wardrobe assistant (as Anthony Allen)), Rosemary Lis (wardrobe assistant (as Rosemary Worth)), William McPhail (Asistente de diseñador de vestuario), Paul Vachon (Supervisor de vestuario) y Hilary Watson (Asistente de vestuario)

Departamento de editorial

Peter Boita (second editor), Dan Farrell (assistant editor (as Daniel Farrell)) y Kerry Kohler (senior assistant editor)

Cámaras y departamento de electricidad

Kenneth Atherfold (camera grip), Richard Blanshard (Fotógrafo), Bob Bridges (video technician (as Robert Bridges)), David Budd (Asistente de cámara), Jim Dawes (camera grip), James Devis (camera operator: second unit / director of photography: second unit), Maurice Gillett (Capataz), Gordon Hayman (Camarógrafo), Ronnie Homewood (Asistente), Christopher Kenny (Técnico de vídeo ), Roy Larner (Capataz), Roger McDonald (Asistente de cámara), Simon Mills (clapper loader: second unit), Shane O'Neill (Asistente de cámara), John Palmer (Camarógrafo), Barry Peake (Fotógrafo), Ken Worringham (Camarógrafo) y Dean Kennedy (electrician (u))

Montaje

Leslie Hodgson

Decoración de escenario

Michael Ford

Gestión de producción

Philip Kohler (unit manager (as Phil Kohler)), Steve Lanning (production manager (as Stephen Lanning)), Bruce Sharman (Ejecutivo a cargo de producción) y Thomas L. Wilhite (original executive in charge of production (u))

Otras personas que participaron

Douglas Aberle (claymation artist), Barbara Allen (Coordinador de produccion), David Altschul (claymation producer), Brian Archer (mechanical characters patternmaker), Alan Arnold (Publicista), Craig Bartlett (claymation artist), Annie Britten (secretary to producer), Lyle Conway (mechanical characters cosutme design supervisor), John Coppinger (mechanical characters designer), Michael Culling (animal trainer (as Mike Culling)), Douglas Cummings (cello soloist), Chris Eveleigh (mechanical characters designer), William Fiesterman (claymation artist), Derek Frampton (mechanical characters technician), Gary Frutkoff (mechanical characters additional design), Tom Gasek (claymation artist), Joan C. Gratz (claymation artist), Linda Gregory (Asistente de contabilidad), Mark Gustafson (claymation artist), Don Henry (first process engineer), Colin Hurry (mechanical characters technician), Paul Jiggins (mechanical characters supporting plasterer), Val Johnston (mechanical characters fabric design), Sally Jones (continuity), Helen Lewis (mechanical characters textile), Lesja Liber (mechanical characters fabric design), Pons Maar (mime movement arranger), Mary Jo Macvey (tutor), Doris Martin (continuity: second unit), Sue Matthews (secretary to director), Bruce McKean (claymation artist), Tom McLaughlin (mechanical characters foam latex supervisor), Cathy McMahon (tutor), Gary McRobert (claymation artist / claymation technical supervisor), Phil Meador (supervisor: Disney Efx (as Philip Meador)), Richard Morrison (Diseñador de títulos), Aggie Murch (unit nurse (as Muriel Murch)), John R. Neill (mechanical characters original drawings), Roger Nichols (mechanical characters technician), Chris Ostwald (mechanical characters designer), Richard Padbury (mechanical characters designer), William Plant (mechanical characters technician), Joanne Radmilovich (claymation artist), Nick Rayburn (mechanical characters designer), Melinda Rees (continuity: second unit), Glynis Robertson (executive producer's secretary), Ian Rolph (mechanical characters technician), Tim Rose (mechanical characters senior designer), David Sainty (mechanical characters general assistant), Neal Scanlan (mechanical characters technician), Moyra Simpson (Asistente de coordinador de producción), H.W. Hamilton Smith (mechanical characters mechanical design), Will Vinton (claymation director), Chris Warren (video coordinator (as Christopher Warren)), David Watson (effects technician), Rebecca West (publicity assistant), Sam Williams (supporting accountant), Cas Willing (mechanical characters fabric design), Michael Yell (Asistente de contabilidad), Judy Britten (captions assistant: publicity (u)), Francis Ford Coppola (assistant to director (u)), Sue Dacre (supporting puppeteer (u)), Geoff Felix (supporting puppeteer (u)), David Greenaway (supporting puppeteer (u)), Swee Lim (supporting puppeteer (u)), Craig Miller (marketing consultant (u)), Tony Miller (assistant accountant (u)), Stefano Priori (assistant accountant (u)) y Maurice Sendak (preliminary artwork (u))

Agradecimientos

George Lucas (Agradecimiento especial) y Robert Watts (Agradecimiento especial)

Empresas distribuidoras

Empresas productoras

Otras empresas

Empresas de efectos especiales