La películas Superman regresa del año 2006, conocida originalmente como "Superman Returns", está dirigida por Bryan Singer y protagonizada por Brandon Routh quien interpreta a Clark Kent, Kate Bosworth en el papel de Lois Lane, Kevin Spacey como Lex Luthor, James Marsden personificando a Richard White y Parker Posey desempeñando el papel de Kitty Kowalski (ver créditos completos).
Es una obra de género Aventura, Acción y Ciencia ficción producida en EE.UU.. Con una duración de 02 hr 34 min (154 minutos), esta película tiene diálogos originales en Inglés, Alemán y Francés. La banda sonora para esta producción ha sido compuesta por John Ottman.
Para el desarrollo de la historia que cuenta esta obra, se necesitaron nada menos que 5 colaboraciones. Michael Dougherty (Historia y guión), Dan Harris (Historia y guión), Bryan Singer (Historia), Jerry Siegel (Personajes) y Joe Shuster (Personajes).
Si la obra no está disponible en el país en el que te encuentras no te preocupes: recuerda que utilizando un VPN podrás conectarte desde cualquier país y acceder a los catálogos completos de las distintas plataformas.
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Duración: 02 hr 34 min (154 minutos) .
Color: Color
Paises productores: La película Superman Returns fué producida en EE.UU.
Lenguaje original: Inglés, Alemán y Francés.
Títulos en cada país:
Clasificación
Roger Mussenden y Ann Robinson
Newton Thomas Sigel (Director de fotografía)
Drew Bailey (second second assistant director: additional photography, Australia), Jeff Bilger (second second assistant director: baseball unit, Los Angeles), Danielle Blake (additional third assistant director: dailies), Dan Bradley (Director de la segunda unidad), Jamie Crooks (Asistente de dirección: segunda unidad), Stephen P. Dunn (first assistant director: additional photography, Los Angeles (as Stephen Dunn)), Naomi Enfield (Asistente de dirección), Michael L. Fink (second unit director: baseball unit, Los Angeles (as Michael Fink)), Colin Fletcher (Asistente de dirección: segunda unidad), Kelly Johanson (assistant director: set), Deanna Leslie (key second assistant director: New York), Nick McKinnon (Tercer asistente de produccón), Angella McPherson (second assistant director: second unit (as Angela McPherson)), James Nicholas (Asistente de dirección), Giovanni Pacialeo (key second assistant director (as Johnny Pacialeo)), Toby Pease (first assistant director: additional photography, Australia), Paul Byrne Prenderville (second assistant director: additional photography, Los Angeles (as Paul Prenderville)), Darin Rivetti (first assistant director: baseball unit, Los Angeles), Hamish Roxburgh (Asistente de dirección adicional), Brian Smrz (second unit director: additional photography, Australia), Paul Sullivan (Asistente de dirección), Rpin Suwannath (second unit news anchor director), Mark Trapenberg (second assistant director: baseball unit, Los Angeles), Joshua Watkins (third assistant director: second unit (as Josh Watkins)), Jeffrey Wetzel (Asistente de dirección), Lauren Wilbow (fourth assistant director) y Bryce Nielsen (third assistant director (u))
Hugh Bateup (Director de supervisión artística), Damien Drew, Lawrence A. Hubbs, Catherine Mansill, John Pryce-Jones y Charlie Revai
Kristen Anderson (senior draftsperson), Mary-Liz Andrews (Coordinador de construcción), Dominique Arcadio (researcher/archivist), Gustavo Balboa (Escultor), Jeremy Barr (fibreglasser), Shane Bennett (stand-by props: second unit), Simon Bethune (senior model maker), Ian Bickerton (Capataz), Raytheon Buna (senior model maker), Richard K. Buoen (Ilustrador), Luke Caska (draftsperson), Matt Center (assistant art department coordinator), J. André Chaintreuil (digital set designer), Andrew Chan (Diseñador de escena), Todd Cherniawsky (Diseñador de escena), Amanda Clarke (draftsperson), Simon Clowes (storyboard artist: Prologue Films), Loretta Cosgrove (greens assistant), Martin Crouch (screen graphics supervisor), Laurie Davidson (foam fabrication supervisor), Maxine Dennett (Coordinador de decoración de set), Brad Diebert (Utileros suplentes), Mark Diggins (construction leading hand), Fiona Donovan (Diseñador de escena), Simon Elsley (senior draughtsperson), Jim Feldman (Ilustrador), Trish Foreman (Coordinador del departamento artístico), Paul Garry (senior model maker), Katherine Geaney (props painter), Adam Grace (model maker foreman), Collin Grant (Artista del guión gráfico), Ted Haigh (Diseñador gráfico), Gabriel Hardman (Artista del guión gráfico), Matt Hatton (conceptual illustrator (as Matthew Hatton)), Michael Henry (leading hand fiberglasser), Gordon Hobkirk (art department), Irongav (screen graphics), Robert Andrew Johnson (digital set designer), Jeff Julian (conceptual designer), Adam Kealy (mould maker), Nancy A. King (Coordinador del departamento artístico), Cindi Knapton (Asistente de director artístico), Hannah Knowlton (Jefe de utilería), E.J. Krisor (Ilustrador), Tani Kunitake (Artista del guión gráfico), Jacinta Leong (CAD set designer), Marcus Levy (action car coordinator), Scott Lukowski (concept model maker), Josh Lusby (Diseñador de escena), Dale Mackie (Ilustrador), Joseph Magazenni (assistant art department coordinator), John Mann (Artista conceptual), Victor James Martinez (digital set designer), Mel Milanovic (Fabricante de utilería), Marian Murray (Asistente de decorador), Ed Natividad (conceptual designer), Rick Newsome (Artista del guión gráfico), Mac Nordman (modelmaker), Joe Ondrejko (Coordinador de construcción), James Oxford (Ilustrador), Slavko Peraic (De vestuario), Brett Phillips (Diseñador de escena), John Pickering (Gerente de construcción), Yuri Poetzl (assistant props: second unit), Marilyn Pride (Constructor de modelos), Ben Procter (Ilustrador), Ronald Rametta (senior propmaker), Greg Refeld (assistant stand-by propman), Josue Rodriguez (props: Los Angeles live action unit), Darren Rowsell (fibreglasser), Steven Sallybanks (Artista escénico), Kenneth Sayers (leadman: Los Angeles), Christian Scheurer (visual consultant), Izmeth Siddeek (art department), Andrew M. Siegel (property master: Los Angeles), Robert Sissman (conceptual model maker), Cory Spence (De vestuario), Chris Tomkins (Comprador del set de decoración), Nick Tory (Dibujante), Michael Turner (Diseñador de escena), Gavin Tyrrell (screen graphics), Tony Watt (Carpintero), Kris Whitehead (Carpintero), Darrell L. Wight (Diseñador de escena), Dean Wolcott (assistant art director (as Dean Woolcott)), Tim Allen (miniatures (u)), Laura Ibanez-Bailey (set dresser (u)), Matt Jermyn (screen graphics technician (u)), Adolfo Martínez Pérez (storyboard artist (u)), Marc Messenger (storyboard artist (u)), Daniel Pelton (plasterer (u)), Emmanuel Shiu (conceptual designer: The Orphanage (u)), Peter Sidell (art department assistant (u)) y Joshua Viers (art assistant (u))
David Abbott (previsualisation artist: Rising Sun Pictures), Dan Abrams (lighting and compositing artist: SPI), Nancy A. Accomando (production assistant / visual effects coordinator), Grant Adam (visual effects: Frantic Films), Brian Adams (digital compositor: SPI), Kimberly Adams (senior coordinator Digital Sandbox (as Kim Jorgensen)), Rebecca Adams (3D data coordinator: IMAX Corporation), Parul Agrawal (digital asset coordinator), Tim Ahern (computer effects), Imran Ahmed (matchmove lead: Rhythm & Hues India), Ben Aickin (compositor: Framestore CFC), Shish Aikat (educator: Rhythm & Hues), Erik Akutagawa (scan/record manager), Christine Albers (visual effects: Frantic Films), Ted Alexandre (senior systems engineer), Deborah Alleck (visual effects production coordinator), Casey Allen (Inferno artist: Lola Visual Effects), Alp Altiner (matte painter / texture artist: Rhythm & Hues), Christoph Ammann (lead CG lighting artist: Framestore CFC), Bill Anastas (digital production coordinator), Scott E. Anderson (visual effects and imaging supervisor: Digital Sandbox), Jerry Andrews (motion control operator), Will Anielewicz (digital artist: The Orphanage), Christopher Antoniou (animator: Framestore CFC), Cynthia Aragon (rotoscope artist: SPI), Tom Armbruster (motion capture), Brent Armfield (digital asset coordinator), Marlene Arvan (first assistant director: visual effects aerial unit, New York), Tony Ascroft (3D modeling department head: IMAX Corporation), Kyle Ashley (Artista de efectos digitales), Hunter Athey (animator: Rhythm & Hues / character rigger: Rhythm & Hues), James J. Atkinson (effects sequence supervisor: Rhythm & Hues (as James Atkinson)), David Aulds (compositor: Framestore CFC), Robert Auten (Editor de efectos visuales), Steve Avoujageli (senior effects technical director: SPI), Eric Backman (modeler: model unit), Jane Bailey (modeler: model unit), Kenneth Bailey (Efectos visuales), Kevin Baillie (associate visual effects supervisor: The Orphanage), Richard 'Dr.' Baily (visual effects: spore design and animation), Leo Baker (pre-visualization lead), Leslie Baker (lead development artist), Mark Bakowski (lead compositor: Framestore CFC), Remo Balcells (visual effects: Rising Sun Pictures), Achint Bansal (digital compositor: Rhythm & Hues, India), Jared Barber (Animador), Giacomo Bargellesi (compositor: Framestore CFC), Peter Bas (senior compositor: stereoscopic conversion), Tom Baskaya (compositor: Framestore CFC), Christopher Batty (lead previsualization artist (as Chris Batty)), Oleg Bayborodin (visual effects: Frantic Films), Jason Bayever (CG supervisor: Rhythm & Hues), Jeff Beattie (Editor de efectos visuales), Lizi Bedford (visual effects coordinator: Framestore CFC), Lizzie Bentley (matte painter: Framestore CFC), Jill Berger (lighting and compositing artist: SPI), Jil-Sheree Bergin (visual effects coordinator (as Jil Bergin)), Erika Bermingham (matchmover: Framestore CFC), Rodrigo Bernardo (systems engineer), Valerie Berney (effects animator: SPI), Melissa Best (Compositor), Dan Bethell (research and development technical director: Rising Sun Pictures), Alicia Bissinger (roto and paint artist), Rob Blue (digital artist: SPI), Marten Blumen (Compositor digital), Chris Bond (visual effects supervisor: Frantic Films), Paula Bonhomme (digital producer), Jason Booth (Compositor principal), Mathieu Boucher (lighting technical director: Rhythm & Hues Studios), Yanick Bourgie (matte painter: SPI), E.M. Bowen (visual effects coordinator: New Deal Studios, Inc.), Peter Bowmar (senior technical director: Rhythm & Hues), Stefan Bredereck (digital compositor: EdenFX), Brent Breedveld (visual effects: Frantic Films), John Breslin (visual effects supervisor: Photon VFX), Matt Broeska (3D supervisor: Frantic Films Winnipeg), Bela Brozsek (Artista de efectos digitales), Wendell Bruno (assistant DMR editor (IMAX version)), Nathan Brunskill (Inferno assistant: Rhythm & Hues), Sule Bryan (compositor: Framestore CFC), Jud Bumpas (render coordinator: Rhythm & Hues Studios), Tom Bunnell (matchmover: Framestore CFC), Glenn Burton (Artista de previsualización), Jonathan Butchard (Coordinador de efectos visuales), John Butiu (senior modeler: SPI), Michelle Butler (digital compositor: Rhythm & Hues), Jeremy Buttell (visual effects: Frantic Films), Thelvin Cabezas (lead development artist: SPI), Andy Cadzow (Efectos visuales), Ross Cairns (senior modeler: model unit), Daniela Calafatello (character rigger: The Orphanage), Diane Caliva (visual effects post-production supervisor: The Orphanage), Aimee Campbell (matchmove lead: SPI (as Aimee L. Campbell-Lavares)), Phillip Cappe (animator: opening sequence), Marla Carter Barrett (digital compositor (as Marla Carter)), Jo-Wan Chao (CG modeler: Rhythm & Hues (as Jonathan Chao)), Chris Chapman (digital effects artist: Rhythm & Hues), Pascal Chappuis (Artista digital), Yeen-Shi Chen (cg modeller: Rhythm & Hues), Vanessa Cheung (Pintor mate), Arun P. Chidambaram (educator: Rhythm & Hues), Das Chinmay (Compositor digital), Vikas Chirate (system administrator), Steve Cho (compositor: The Orphanage), James Choi (animator: opening sequence), Jung-Yoon Choi (modeler: Rhythm & Hues), Craig Chun (CG modeler: Rhythm & Hues), Jeffrey Cilley (senior film scanning and laser film recording technician), Ovidiu Cinazan (Compositor digital), Jacob Clark (Director técnico), Thomas Clary (visual effects coordinator (as Tom Clary)), Sean Cody (visual effects: Frantic Films), Keely Colcleugh (Artista de previsualización), Dylan Cole (lead matte painter/concept artist: Rhythm & Hues / texture artist: Rhythm & Hues), Daniel Aristoteles Collins (systems/operations: Rhythm & Hues), James Colmer (concept artist: visual effects miniatures), Michael Comly (lighting artist: Rhythm & Hues), Chris Consani (matte painter: Rhythm & Hues / texture artist: Rhythm & Hues), J. Todd Constantine (matchmove artist: Rhythm & Hues), Keith Cooper (Artista digital), Ian Cope (digital production supervisor: Rising Sun Pictures), Bertrand Cordier (senior lighting technical director: SPI), Nicolle Cornute (paint & rotoscope lead: SPI (as Nicole Cornute Sutton)), Alasdair Coull (research and development programmer), James Coulter (research & development support: Frantic Films), Gary Couto (Compositor estereoscópico), Carole Cowley (Productor de efectos visuales), Garrett Cox (Efectos visuales), Joyce Cox (Productor de efectos visuales), Kevin Coyle (ROTO/Artista de pintura), Tim Crosbie (visual effects supervisor: Rising Sun Pictures), Jason Crosby (visual effects: Frantic Films), James Crossley (character animator: SPI), Kate Cuffin (compositor: Framestore CFC), Alex Cumming (rotoscope artist: Framestore CFC), Sean C. Cunningham (digital effects artist: Rhythm & Hues (as Sean Cunningham)), Sean Cushing (visual effects producer: Pixel Liberation Front), Andrea D'Amico (visual effects executive producer: Eden FX), Virgine d'Annoville (senior character animator: SPI (as Virginie Michel d'Annoville)), Juliana D'Costa (3D Animator: IMAX), Jai Dadlani (Compositor digital), Caroline Dahllof (digital effects artist: Rhythm & Hues), David Dale (modeler: model unit), Shane Davidson (Compositor principal), Tom Davies (model unit supervisor), Matt Davis (Spydercam foreman), Mark Andrew De La Garza (lead lighting technical director: Rhythm & Hues (as Mark De La Garza)), Tabitha Dean (visual effects editor: Framestore CFC), Lisa Deaner (digital compositor: SPI), Paul Debevec (senior supervisor: Light Stage 2), Paresh Dedhia (digital compositor: Rhythm & Hues), Jacques Dell (modeler: IMAX Corporation), Debbie Denise (production supervisor: SPI), Max Dennison (matte painter: Framestore CFC), Alexander Dervin (Productor de efectos visuales), Rahul Deshprabhu (Director técnico), Pallavi Devabhaktuni (rotoscope artist: The Orphanage), Theo Diamantis (lead compositor: IMAX 3D), Joe DiCesare (lead texture painter: SPI (as Joseph DiCesare)), Raffael Dickreuter (digital artist: Pixel Liberation Front), Bruce Dickson (director of photography: image based render photography), Tim Dobbert (matchmove supervisor: The Orphanage), Mitch Dobrowner (technical production manager), Laurence Dodd (pre-vis artist), Eran Dolev (real time motion control technician), Colin Doncaster (visual effects: Rising Sun Pictures), Tim Donlevy (motion control supervisor), James Dornoff (visual effects assistant: previz), Dale Drummond (lighting and compositing artist: SPI), Frank Du (Director técnico), Conrad Dueck (CGI supervisor: Frantic Films), Sheena Duggal (visual effects plate supervisor: baseball unit), Dale Duguid (visual effects supervisor: Photon Vfx), Minh Duong (lead CG modeler: SPI), Katherine Durant (rotoscope artist: Framestore CFC), Gus Duron (additional visual effects editor: Rhythm & Hues), Simon Dye (Compositor digital), Malcolm Eager (data wrangler), Jody Echegaray (senior visual effects producer: The Orphanage), William Eckroat (matchmover: SPI), Joël Einhorn (digital effects artist: Framestore-CFC), Chris Elson (Compositor digital), Catherine Elvidge (lead animator: Framestore CFC), David Emery (modeler: SPI), Richard Enders (rotoscope artist: Rhythm & Hues), Eddie Englander (digital artist: Imax DMR (Imax version)), Eyal Erez (effects animation lead), Anders Ericson (digital effects artist: Rhythm & Hues), Jules Eschliman (visual effects coordinator: SPI), Thomas Esmeralda (matte painter: Framestore CFC), Fish Essenfeld (digital compositor: SPI), Kent Estep (effects animator: SPI), Nancy Evans (rotoscope artist: SPI), Ernesto Fadul (modeler: model unit), C.W. Fallin (data integration coordinator), Ashley Farber (data coordinator), Daniel Favini (digital texture artist: SPI), Ian Fellows (lead compositor: Framestore CFC), Michael Fellows (I/O coordinator / data supervisor), Stephen Fernandez (modeler: miniatures unit), Patrick Finley (lighting and compositing artist: SPI), Darius Fisher (visual effects supervisor: Digital Neural Axis [us]), Derek Fisher (previs designer), Craig Fison (modeler: miniatures unit), James D. Fleming (digital artist: Framestore CFC (as James Fleming)), Lucio I. Flores (digital effects artist: Rhythm & Hues (as Lucio Flores)), Edwin Fong (texture artist: Rhythm & Hues), Genevieve Forte (Artista digital), David Fox (visual effects: Frantic Films), Melanie Franciosi (lead compositor: Digital Neural Axis [us]), David E. Franks (visual effects imaging), Nick Fredin (Animador), Janet Freedland (matchmover: Rhythm & Hues / rotoscope artist: Rhythm & Hues), Ian Frost (lead CG lighting artist: Framestore CFC), Alex Fry (Compositor principal), Jenny Fulle (production supervisor: SPI), Paul Furgale (visual effects: Frantic Films), Jigesh Gajjar (matchmove technical director: Rhythm & Hues), Heather Galvin (data wrangler), Rahul Galwankar (Artista de rotoscopio), William Gammon (compositor: Rising Sun Pictures (as Will Gammon)), Shannon Blake Gans (visual effects executive producer: New Deal Studios Inc.), Andy Garcia (senior lighting artist: Rhythm & Hues), Bertha Garcia (digital compositor: Rhythm & Hues), Walter Garcia (Coordinador de efectos visuales), Kert Gartner (visual effects: Frantic Films), Andy Gauvreau (effects animator: SPI), Joshua Geisler-Amhowitz (lead digital matte painter), Paul C. George (CG lighting artist: Framestore CFC (as Paul George)), Andrei Gheorghiu (digital artist: IMAX), Divakar Ghodake (digital artist (modeling technical director)), Daniela Giangrande (Coordinador de efectos visuales), Deborah Giarratana (visual effects executive), Kevin Gillen (digital artist: The Orphanage), Benedict Gillingham-Sutton (digital paint and rotoscope artist (as Ben Gillingham-Sutton)), Ryan Gillis (lighting artist: Rhythm & Hues), Nathalie Girard (senior digital compositor: Rhythm & Hues), Brian Goldberg (lighting artist: Rhythm & Hues), Julien Goldsbrough (lead compositor: Framestore CFC), Allen Gonzales (matte painter: SPI), Jennifer Gonzalez (Compositor digital), Brien Goodrich (lighting technical director: Rhythm & Hues), Kyle Goodsell (digital compositor: Rising Sun Pictures), David Gordon (CG lighting artist: Framestore CFC), Kim Gordon (Compositor digital), Namita Gotephode (digital production coordinator), Matthew Gratzner (visual effects supervisor: New Deal Studios), Colin Green (lead previsualization artist: Pixel Liberation Front), Jim Green (lighting and compositing artist: SPI), Jason Greenblum (lead lighting and compositing), Arthur Gregory (character rigging supervisor), Nicolai Grut (digital compositor: IMAX Corporation), Christopher Gwynne (animator: opening sequence), Brian Gyss (CG lighting and compositing support: SPI), Wayne John Haag (visual effects conceptual artist), James Hackett (senior digital artist: Imax), Kevin T. Hahn (lighting and compositing artist: SPI), Jerry Hall (Compositor digital), Richard David Hall (digital compositor: Photon VFX (as Richard Hall)), Mark Hamilton (digital artist: The Orphanage), John H. Han (effects animator: SPI (as John Han)), Steven Hansen (camera TD: SPI), Fred Haro (visual effects: Frantic Films), Anthony Harris (digital color timer), Darcy Harrison (visual effects: Frantic Films), Alexander Hartwin (visual effects asset manager), Toby Haruno (senior character animator: SPI (as Toby Michael Haruno)), Chris Harvey (digital effects supervisor: Frantic Films), John Lake Harvey (digital compositor: Rhythm & Hues), Tyler A. Hawes (scratch operator: VFX Dailies), Tim Hawkins (Supervisor de efectos visuales), Kimberly Headstrom (rotoscope artist: SPI), Chris Hebert (visual effects photographer), Nicole Hekel (dustbuster), Alex Henning (lead compositor: The Orphanage), Keith Herft (Compositor digital), Veronica Hernandez (digital painter), Nicole Herr (digital artist: SPI), Tim Hey (compositor: Framestore CFC), Andreas Hikel (Artista de previsualización), Jason Hill (digital compositor: Rhythm & Hues), Diana Hinek (Compositor digital), Wei Ho (CG modeler: Rhythm & Hues), Mark Hodgkins (CG effects supervisor: Framestore CFC), Nic Hodgkinson (Compositor), Pablo Holcer (digital compositor: Rhythm & Hues), Phil Holland (scan-, record-, color coordinator), Matt Hollingsworth (texture painter: SPI), Elizabeth Holmes (Compositor digital), Marty Holthaus (Coordinador de efectos visuales), Richard R. Hoover (visual effects supervisor: SPI), Ryan Hopkins (effects animator: SPI), Mark Hopper (matchmover: Rhythm & Hues / rotoscope artist: Rhythm & Hues), Rob Hopper (CG lighting artist: Framestore CFC), Daren Horley (matte painter: Framestore CFC), Jason Horley (matte painter: Framestore CFC), Marc Horsfield (effects animator: SPI), David Horsley (digital lighting technical director), Eric Horton (Director técnico), Ivo Horvat (senior matte artist), Rob House (digital effects artist: CG cloth and hair, SPI), Ben Houston (visual effects engineer), Brian Howald (digital compositor: IMAX Corporation), Caleb J. Howard (Efectos visuales), Dustin Howearth (modeler: miniatures unit), Rick Howie (modeler: model unit), Heather Hoyland (Compositor digital), Shih Chiang Kenny Huang (modeling technical director: Rhythm & Hues), Shih-hao Jason Huang (modeler: Rhythm & Hues), Kevin Hudson (modeler: SPI), Malcolm Humphreys (head of visual effects: Rising Sun Pictures), Jennifer Hunt (digital compositor: SPI), Dartayous Hunter (rotoscope artist: SPI (as Dartayous A. Hunter)), Keith Hunter (CG modeler: Rhythm & Hues), Sean Hyunin Lee (digital compositor: Rhythm & Hues (as Sean Lee)), Diana Stulic Ibanez (visual effects producer: SPI), Kenneth Ibrahim (effects technical director: Rhythm & Hues), Chris Ingersoll (Flame artist), Neeraj Ingle (rotoscope artist: Rhythm & Hues, India), Irongav (Artista digital), Chiho Iwata (rotoscope artist: IMAX 3D), Nic Izzi (rotoscoping artist), Carl Jackson (matchmove artist: Framestore CFC), Sandhya Jadhav (Efectos visuales), Mike Jahnke (Animador), Alistair Jamieson (data wrangler), Bernardo Jauregui (Coordinador de efectos visuales), Kevin Jenkins (matte painter: Framestore CFC / senior digital matte painter), Eugene Jeong (character rigger: SPI (as Eugene Ilyoung Jeong)), Cynthia Jergensen (modeler: model unit), Jimmy Jewell (Compositor digital), Joel johnson (digital artist: IMAX), Kristin Johnson (texture artist: Rhythm & Hues), Andrew Jones (CG supervisor: Pixel Liberation Front), Andrew R. Jones (animation supervisor: SPI), Bryan Jones (compositor: Rising Sun Pictures), Dennis Jones (Compositor digital), Ken Mitchel Jones (CG lighting artist: Framestore CFC (as Ken Jones)), Marc Jones (matchmove artist: Framestore-CFC), Marvin Jones (matchmover: Rhythm & Hues / rotoscope artist: Rhythm & Hues), Theo Jones (Efectos visuales), Walt Jones (sequence supervisor), Michael Kaelin (digital stereoscopic compositor: IMAX Corp.), Michaela Kalowski (visual effects: Rising Sun Pictures), Ramin Kamal (lead CG lighting artist: Framestore CFC), Kamalakkannan (Compositor digital), Michael Kanfer (visual effects and imaging consultant: Digital Sandbox), Gnana Kannan (Compositor), John Karner (Artista digital), Ian Kath (modeler: miniatures unit), Louis Katz (lighting and compositing artist: SPI), John Kay (cg animator: Framestore), Lucinda Keeler (visual effects coordinator: Framestore CFC), Mike Kelleher (digital artist: The Orphanage), Michael Kennedy (lighting and compositing artist: SPI), Steven Anthony Khoury (compositor: SPI / lighting: SPI), Alex Kim (visual effects: Rising Sun Pictures), Anne Kim (Compositor digital), SeungJang 'Jack' Kim (lead modeler/rigger), Chris King (CG lighting artist: Framestore CFC), Pency Kinnard (Compositor), Balazs Kiss (CG lighting artist: Framestore CFC / lighting technical director: Framestore-CFC), Whitney Kitchen (Coordinador de efectos visuales), Seth Kleinberg (technical producer), Marta Knudsen (matte painter: Rhythm & Hues / texture artist: Rhythm & Hues / texture supervisor: Rhythm & Hues Stu), Edmund Kolloen (CG lighting artist: Framestore CFC), Paul Kolsanoff (visual effects coordinator: The Orphanage), Carsten Kolve (effects technical director: RSP), Dean Koonjul (compositor: Framestore CFC), Susan Kornfeld (rotoscope artist: SPI), Stephen Kowalski (senior systems architect), Joshua Krall (digital effects artist: Rhythm & Hues), Dan Kripac (senior technical director), Ergin Kuke (Artista de efectos visuales), Brian Kulig (pipeline software developer: The Orphanage), Pavan Kumar (Compositor digital), Takashi Kuribayashi (lead CG hair/cloth: SPI), Keren Kurtz (senior digital artist: IMAX), Markus Kurtz (CG supervisor: Rhythm & Hues), Gabriel Köerner (Compositor digital), Daniel La Chapelle (effects animator: SPI), Michael La Fave (digital effects artist: Rhythm & Hues (as Mike La Fave)), Sebastien Laban (Director técnico de iluminación), Luis Labrador (senior modeler), Joshua LaCross (compositor: The Orphanage (as Joshua A. LaCross)), Nicky Ladas (chief technical officer / film scanner operator / video assist), Adam Lagattuta (visual effects coordinator: Rhythm & Hues), Ken Lam (digital compositor: IMAX Corporation), Kenny Lam (digital compositor: SPI), Zoe Lamaera (compositor: Framestore CFC), Ben Lambert (lead CG lighting artist: Framestore CFC), Virginie Lamotte (Compositor digital), Ivan Landau (visual effects editor: The Orphanage), Cam Langs (CG lighting artist: Framestore CFC), Thierry Latremoille (3D modeler: IMAX Corporation), Dan Lavender (color & lighting artist), Stephen Lawes (Colorista digital), Chris Lawrence (lead CG lighting artist: Framestore CFC), James Travis Lawrence (lighting technical director: Rhythm & Hues (as J.T. Lawrence)), Tram Le (senior production services technician), Tom Leckie (Compositor digital), Tim Ledbury (Artista digital), Chris Lee (assistant visual effects production coordinator), E.J. Lee (lead effects animator: SPI), Heebok Lee (animator: opening sequence), Jaemin Lee (lighting artist: Rhythm & Hues), Jeanny Lee (visual effects coordinator: Rhythm & Hues), John Lee (Artista de previsualización), Woei Lee (compositor: The Orphanage (as Woei Hsi Lee)), Philippe Leprince (CG lighting artist: Framestore CFC), Bruno Lesieur (CG lighting artist: Framestore CFC), Deanna Leslie (visual effects key second assistant director: New York), Didier Levy (Artista digital), Sean Lewkiw (CG lighting artist: Framestore CFC / digital effects artist), Shiraz Peer Liberman (visual effects coordinator: Framestore CFC), Wen-Shan Lin (compositor: Pixel Liberation Front), Abby Linne (Asistente de producción), Jarrod Linton (digital effects artist: Rising Sun Pictures), Catherine Liu (visual effects coordinator: Rhythm & Hues (as Cathy Liu)), Dave Lo (modeler: Rhythm & Hues), Sophia Lo (digital compositor: Rhythm & Hues), Ting Lo (matchmover: Frantic Films (as Tiffany Lo) / matte painter: Frantic Films (as Tiffany Lo)), Franklin Londin (digital effects artist: Rhythm & Hues), Andrew Loschin (assistant visual effects editor), Shawn Lovette (Artista de previsualización), Patrick Lowry (CG lighting artist: Framestore CFC / technical director: Framestore CFC), David Luong (digital compositor: Rhythm & Hues) y Ron K. Lussier (digital artist: The Orphanage)
Paige Badenoch (Artista de maquillaje adicional), Dalia Fernandez (Estilista/Artista de maquillaje), Greg Funk (key makeup artist: baseball unit, Los Angeles), Nikki Gooley (Jefe de estilistas/Jefe de maquillaje), Adam Johansen (Efectos especiales con maquillaje), Tami Lane (makeup artist / makeup artist: additional photography, Los Angeles), Georgia Lockhart-Adams (hair stylist (as Georgia Lockhard-Adams) / hair stylist: additional photography, Los Angeles / makeu), Tania McComas (makeup artist: Kevin Spacey), Lynne O'Brien (hair stylist: additional photography, Australia / makeup artist: additional photography, Australia), Tracy Reeby (hair stylist: second unit (as Tracey Reeby) / makeup artist: second unit (as Tracey Reeby)), Kim Santantonio (key hair stylist: baseball unit, Los Angeles), Shane Thomas (Estilista), David Willis (senior mould maker), Kerrin Jackson (additional makeup artist (u)) y Cristina Patterson (contact lens painter (u))
Jennifer Cornwell (Jefe de producción), Bill Daly (Ejecutivo de post-producción), Kim Gladman (Asistente de gerente de la unidad), Steven Kaminsky (supervisor de post-producción), Andrew G. La Marca (Jefe de producción), Michael J. Malone (unit manager: Los Angeles), Cherylanne Martin (Jefe de producción), Bill Draper (executive in charge of production (u)), Kevin L. James (post executive assistant (u)) y Barbara Russo (post-production executive (u))
En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "Superman regresa".
Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Bryan Singer, Brandon Routh o Kate Bosworth? Comparte tus pensamientos, emociones y críticas sobre Superman regresa. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine y series nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!
Aficionado a la pantalla grande, su participación es clave para hacer de Cineyseries.net un paraíso cinéfilo completo. Queremos construir juntos la mejor base de datos cinematográfica, pero necesitamos su ayuda. ¿Encontraste algún dato faltante en la ficha de Superman regresa? ¿Detectaste algún error en la sinopsis o el elenco? ¡Queremos saberlo todo!
Este es un llamado a todos los simpatizantes del cine: contribuyan con sus conocimientos, aporten sus descubrimientos y compartan esas joyas ocultas que solo los verdaderos fanáticos conocen. Sus opiniones y sugerencias son el ingrediente secreto que hará de nuestra web un lugar insuperable para los amantes del celuloide.
No hay detalle demasiado pequeño ni opinión insignificante. ¿Algún pedido especial? ¿Una película que sueñas con ver reseñada? ¡Hágannoslo saber! Juntos, haremos de esta comunidad el epicentro del séptimo arte. ¡Dejen sus reseña en la caja de comentarios y juntos hagamos crecer la magia cinematográfica!
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