The Children - Hijos asesinos (2008)

Créditos completos de la película The Children - Hijos asesinos

Dirección

Tom Shankland

Guión

HistoriaPaul Andrew Williamss

Escrito porTom Shanklands

Reparto

ElaineEva Birthistle

JonahStephen Campbell Moore

RobbieJeremy Sheffield

ChloeRachel Shelley

CaseyHannah Tointon

LeahRafiella Brooks

NickyJake Hathaway

PaulieWilliam Howes

MirandaEva Sayer

Música

Stephen Hilton

Producción

executive producer (u)Mark Brooke

Productor en líneaCélia Duval

Productor ejecutivoSimon Fawcett

Productor asociadoEmma Hartley

Productor ejecutivoNick Love

Productor ejecutivoRob Morgan

ProductorAllan Niblo

Productor asociadoBrock Norman Brock

Productor ejecutivoRupert Preston

ProductorJames Richardson

Productor ejecutivoLee Thomas

Productor ejecutivoNigel Williams

Casting

Gary Davy y Amanda Tabak

Fotografia

Nanu Segal (Director de fotografía)

Ayudante de dirección

Andy Hodgson (Asistente de dirección adicional), Ian Hughes (Tercer asistente de produccón), Elaine Mackenzie (Asistente de dirección), Tim Murrell (Director de la segunda unidad), Jake Rollins (Tercer asistente de produccón) y Nickie Sault (Asistente de dirección)

Dirección artística

Kevin Woodhouse

Departamento de arte

Michael Blake (Diseñador gráfico), Kevin Day (Utileros suplentes), Kimberley Fahey (Comprador de producción), Helen Jones (Asistente del departamento artístico), Ian Newton (Accesorios) y Dorothy Sullivan (assistant buyer)

Dobles

Julian Spencer (Coordinador de dobles) y Helen Steinway Bailey (Doble de riesgo)

Diseño de vestuario

Andrew Cox

Efectos visuales

Jan Berner (visual effects supervisor: at Elektrofilm Postproduction Facilities GmbH), Jan Burda (Supervisor de efectos visuales), Anna-Lena Carl (Coordinador de efectos visuales), Britt Dunse (Diseñador de títulos), Philipp Großmann (scanning supervisor), Sebastian Leutner (Productor de efectos visuales), Florian Obrecht (Efectos visuales), Niels Rinke (head of visual effects: Elektrofilm), Ralph Schamberger (junior compositor), Kolja Schoon (scanning operator), Benjamin Seide (Compositor digital) y Daniel Stuebner (Colorista digital)

Diseño de producción

Suzie Davies

Departamento de maquillaje

Stuart Conran (prosthetic technician), Jacqueline Fowler (Diseñador del pelo/Diseñador de maquillaje), Vesna Giordano (Artista de maquillaje de prótesis), Paul Hyett (Diseñador de maquillaje de efectos especiales), Craig Leong (special effects armature technician) y Alison Rainey (Estilista/Artista de maquillaje)

Departamento de musica

Matt Dunkley (Director de orquesta), Lol Hammond (Supervisor musical), Basil Moore (Compositor: música adicional), Pati Yang (musician: vocals), Warren Zielinski (Músico: violín) y Bruce White (musician: viola (u))

Departamento de sonido

Felix Andriessens (ADR supervising / sound editor), Anja Bause (Mezclador de efectos), Christian Conrad (Supervisor de edición de sonido), Tom Deane (Mezcla adr), Alex Ellerington (Editor de efectos de sonido), Tobias Fleig (Re-grabación de sonido), Eric Horstmann (Re-grabación de sonido), Thomas Kalbér (re-recording assistant mixer), Stephen Longstaff (Operador de micrófono), Günther Röhn (Efectos de sala (Foley)), Dominik Schleier (Editor de diálogo), Lionel Strutt (adr coordinator), Roman Volkholz ( Supervisor de edición de Foley) y Simon J. Willis (Mezclador de sonido)

Departamento de vestuario

Beth Lewis (key costume stand-by), Lupt Utama (Supervisor de vestuario) y Shirley Wilson (Asistente de vestuario)

Departamento de reparto

Daniel Edwards (Asistente para casting)

Departamento de editorial

Gwillym Hewetson (Primer asistente de editor) y George McKenzie (Segundo asistente de editor)

Cámaras y departamento de electricidad

Nick Beeks-Sanders (additional camera operator / camera operator: second unit), Howard Bourne (Aprendiz de camarógrafo), Mark Davenport (first assistant camera - "b" camera), Graeme Dunn (additional camera operator), Patrick Duval (additional camera operator), David Katznelson (additional camera operator / director of photography: second unit), Roland Keane (camera facilities coordinator), Sally Low (first assistant camera: "a" camera), Jo McIvor (Asistente de cámara), Matt Nettheim (Fotógrafo), Ben Oliver (clapper loader: a camera), Luke Stone (trainee grip) y Robin Stone (Iluminador)

Gestión de producción

Rebekka Garrido (supervisor de post-producción) y Louise Killin (supervisor de post-producción)

Agradecimientos

Eva Abraham (the music department would like to thank), Samuel Barnham (the production would like to thank), Elizabeth Bateman (the makeup and hair department would like to thank: TIGI), Lauren Bath (the production would like to thank), Matt Bell (the production would like to thank), Clive Bradley (the director would like to thank), Michaela Brooks (the production would like to thank), Alec Burt (the production would like to thank), Chee-Lan Chan (Agradecimiento especial), Lily Charters (the production would like to thank), Sarah Chilman (the production would like to thank), John Collins (the production would like to thank), Denise Connell (Agradecimiento especial), Emily Connell (Agradecimiento especial), Linton Connell (Agradecimiento especial), Mathew Connell (Agradecimiento especial), Matthew Connell (the production would like to thank), Robert Cowburn (the production would like to thank), Phoebe Cox (the production would like to thank), Charles Davis (the production would like to thank), Josh Suinson Davis (the production would like to thank), Katie Davis (the production would like to thank), Cathrine Dawson (the production would like to thank), Louis Flothmann (the production would like to thank), Eve Gorman (the production would like to thank), Steven Grant (the production would like to thank), Harry Guy (the production would like to thank), Jack Guy (the production would like to thank), Jane Harris (the director would like to thank), Harry Hathaway (the production would like to thank), Olivia Hennessy (the production would like to thank), Albert Herbert (the production would like to thank), Ned Howes (the production would like to thank), Tom Howes (the production would like to thank), Ellie Isaacs (the production would like to thank), Jordan Keen (the production would like to thank), Neil Kindness (further thanks), Charles Lillwall (the production would like to thank), Rebecca Linfoot (the production would like to thank), Paulie Miles (the director would like to thank), Alex Morgan (the production would like to thank), Scott Nash (the production would like to thank), Scott Nash (the production would like to thank), Annie Newsam (the production would like to thank), Tim Norton (the production would like to thank), Oscar O\'Brien (the production would like to thank), George O\'Connor (the production would like to thank), Emily Owen (the production would like to thank), Emily Owen (the production would like to thank), Ritesh Patel (the production would like to thank), Emma Pearman (the production would like to thank), Ross Pelling (the music department would like to thank), Nyree Pinder (the music department would like to thank), Kezea Pugh (the production would like to thank), Rosie Pugh (the production would like to thank), Tristram Quiney (the production would like to thank), Ella Raybone (the production would like to thank), Peter Raybone (the production would like to thank), Sam Raybone (the production would like to thank), Stuart Reid (the music department would like to thank), Kate Richardson (the production would like to thank), Kate Richardson (the production would like to thank), Lucy Robinson (the production would like to thank), Helen Rowland (the production would like to thank), Caroline Russell (the music department would like to thank), Jenna Sayer (the production would like to thank), Megan Sayer (the production would like to thank), Jo Scicluna (the makeup and hair department would like to thank: MAC), Nik Seabright (the production would like to thank: Harry the Hog), Abigail Segall (the makeup and hair department would like to thank: Dermalogica), Millie Sephton (the production would like to thank), Ben Smith (the production would like to thank), Elliot Soards (the production would like to thank), Kassia Soards (the production would like to thank), Duncan Stahl (the music department would like to thank), Luke Stokes (the production would like to thank), Luke Stokes (the production would like to thank), Lee Stone (the music department would like to thank), Lionel Strutt (further thanks), Andrew Waterworth (the music department would like to thank), Jake Watts (the production would like to thank), C.P. Whiteley (the production would like to thank), Jacqueline Williams (the production would like to thank: Westmore Business Systems), Madaleine Williams (the production would like to thank), Rob Williams (the production would like to thank: Westmore Business Systems) y Susanna Wilson (the production would like to thank)