La películas Blood Clots del año 2018, está dirigida en conjunto por Luke Guidici, Evan Hughes, Patrick Longstreth, Robert McLean y Martyn Pick y protagonizada por Brooke Smith quien interpreta a Diane (segment "The Call of Charlie"), Adrian Annis en el papel de Dogger (segment "Blue Moon"), Evan Arnold como Jay (segment "The Call of Charlie"), Agnes Asplund personificando a Russian Spy (segment "Hellyfish") y Joanne Baker desempeñando el papel de The Dead (segment "Hell of a Day") (ver créditos completos).
Es una obra de género Comedia y Horror producida en EE.UU.. Con una duración de 1h 12m (72 minutos), esta película tiene diálogos originales en Inglés. La banda sonora para esta producción ha sido compuesta por Alex Ball, Michael Cudahy, Erin McKimm, Michael Richard Plowman y Nathaniel Smith.
Para el desarrollo de la historia que cuenta esta obra, se necesitaron nada menos que 5 colaboraciones. Chris Bavota ((segment) (segment "Never Tear Us Apart")), Guy Benoit ((segment) (segment "The Call of Charlie")), Kate Fitzpatrick ((segment) (segment "Hellyfish")), Luke Guidici ((segment) (segment "Time to Eat") (as Luke Asa Guidici)) y Airell Anthony Hayles ((segment) (segment "Blue Moon")).
Lamentablemente por el momento no contamos con enlaces a proveedores para esta obra. Pasa por nuestro catálogo películas para ver online y encuentra films disponibles. También puedes dejarnos un comentario para que le demos prioridad y te avisaremos cuando se encuentre disponible
Duración: 1h 12m (72 minutos) .
Color: Color
Paises productores: La película Blood Clots fué producida en EE.UU.
Lenguaje original: Inglés.
Títulos en cada país:
Clasificación
Miles Anthony ((segment "Blue Moon")), Yasmin Gharib Wade ((segment "The Call of Charlie")), Jessica Greenberg ((segment "Never Tear Us Apart")), Airell Anthony Hayles ((segment "Blue Moon")) y Anthony Mitchell ((segment "Blue Moon"))
Steeve Desrosiers ((segment "Never Tear Us Apart")), Andy Parsons ((segment "Blue Moon")), Adam Santelli ((segment "The Call of Charlie")), Trent Schneider ((segment "Hell of a Day")), Alan Tisch ((segment "Still")) y Nico Van den Berg ((segment "Time to Eat"))
Mark Bakaitis (assistant director (segment "Hell of a Day")), Roberto Bossa (second assistant director (segment "Never Tear Us Apart")), Leyla Caglayan (assistant director (segment "Still") (as Leyla Cagleyan)), Paul Desira (first assistant director (segment "Blue Moon")), Kate Fitzpatrick (assistant director (segment "Hellyfish")), Jonathan Hickman (second unit director (segment "Still") (as Jon Hickman)), Steve Killebrew (assistant director (segment "The Call of Charlie") (as Stephen Killebrew)), Michel Marrec (first assistant director (segment "Never Tear Us Apart")) y Joshua David Matthews (assistant director (segment "Hellyfish") (as Josh Matthews))
James A. Costello ((segment "The Call of Charlie")) y Remi Girard ((segment "Never Tear Us Apart"))
Joe Broers (special prop: Cthulhu bust provided by (segment "The Call of Charlie")), Alicia Chapman (poster art (segment "Hell of a Day")), Pikey Holdredge (propmaker (segment "Hellyfish")), Jessie Meehan (set dresser (segment "The Call of Charlie")), Martyn Pick (storyboard artist (segment "Blue Moon")), Jose Ray (illustrator (segment "Hellyfish")) y Pauline Zaccaria (set dresser (segment "Never Tear Us Apart"))
Brandon Cox (underwater safety: diver (segment "Hellyfish")) y Robert McLean (stunt coordinator (segment "Hellyfish"))
Jana Acevedo ((segment "Hellyfish")) y Danielle Vunduk ((segment "Still"))
Matthew Baroni-Voak (visual effects artist (segment "Still")), Ollie Boyd (main title design (segment "Time to Eat")), Charles Cronkrite (3d modeler (segment "Hellyfish")), Pryce Duncalf (hair simulation (segment "Hellyfish")), Muraf Gonul (on set visual effects assistant (segment "Hellyfish")), Stefan Grindley (graphic design (segment "Still") / title and credits design (segment "Still")), Murat Gönül (on-set visual effects assistant (segment "Hellyfish")), Jordan Harrison (visual effects artist (segment "Still")), Rose Ibiama (digital artist (segment "Hellyfish")), Garrett Ilardi (on set visual effects assistant (segment "Hellyfish")), Lenny Ilett (visual effects artist (segment "Still")), Aleksandar Janev (visual effects (segment "The Call of Charlie")), David Jones (visual effects (segment "The Call of Charlie")), Nadav Kessous (compositor (segment "Hellyfish")), William Marler (visual effects artist (segment "Still")), Robert McLean (fluid simulation (segment "Hellyfish")), George Melhem (2D: title designer (segment "Hellyfish") / compositor (segment "Hellyfish")), Alex Moed (3D: camera tracker (segment "Hellyfish")), Matthew Needler (title animation (segment "Still")), Matthew T. Perry (compositor (segment "Hellyfish")), Jen Sparkman (compositor (segment "Hellyfish")), Trent Stroud (3d modeler (segment "Hellyfish")), Grant Swanson (compositor (segment "Hellyfish")), Paul Thomas (compositor (segment "Hellyfish")) y Justin Tripp (visual effects supervisor (segment "Never Tear Us Apart"))
Pryce Duncalf (3D rigger: and animator (segment "Hellyfish")) y Erik Loften (3D rigger: and animator (segment "Hellyfish"))
Tye Whipple ((segment "Time to Eat"))
Victoria Aldridge (makeup artist: and runner (segment "Still")), Megan Biffin (key makeup (segment "Blue Moon")), Nathan Blacksmith (assistant makeup artist (segment "Never Tear Us Apart")), Emma Buet (location supervisor (segment "Still")), Lauren Cartwright (makeup artist: and runner (segment "Still")), Stuart Conran (special makeup effects designer (segment "Still")), Dave Darko (special effects makeup department head (segment "Blue Moon")), Jeanette Dean (location supervisor (segment "Still")), Heather Deathridge (makeup artist (segment "Still")), Katie Egan (character makeup artist (segment "Still")), Elizabeth English (makeup artist (segment "Still")), Melvone Farrell (key makeup artist (segment "The Call of Charlie")), Shakiel Forbes (makeup artist: and runner (segment "Still") (as Shakier Forbes)), Lauren Gerber (makeup assistant (segment "The Call of Charlie")), Max Giammello (hair: Louis Selwyn's (segment "Blue Moon")), John Goodwin (effects makeup (segment "The Call of Charlie")), Georgia Healey (makeup artist: and runner (segment "Still")), Natasha Hynes (assistant makeup artist (segment "Never Tear Us Apart")), Helen Jauregui (lead makeup designer (segment "Still")), Liz Jenkins (special effects makeup artist (segment "Hell of a Day")), Kelly McCormick (special effects makeup artist (segment "Hell of a Day") (as Kelly MCormick)), Yvette Mikkelson (hair & makeup stylist (segment "Time to Eat")), Zoe Mitchell (character makeup artist (segment "Still")), Debbie Muller (special effects makeup artist (segment "Hell of a Day") (as Deb Muller)), Sarah Panigada (lead makeup designer (segment "Still")), Jada Sharpe (makeup artist: and runner (segment "Still")), Vitoria Stanislavova (makeup artist: and runner (segment "Still")), Beth Stanton (makeup artist: and runner (segment "Still")), Sierra Sullivan (makeup assistant (segment "The Call of Charlie")), Thomas Sullivan (makeup artist: and runner (segment "Still")), Marie Swain (makeup artist (segment "Still") (as Marie-Rose Swain)), Jade Taggart (makeup artist (segment "Still")), Leilani Thomas (makeup artist: and runner (segment "Still") (as Leilena Thomas)), Pamela Warden (key makeup artist (segment "Never Tear Us Apart")) y Lily Wright (makeup assistant (segment "Blue Moon"))
Sylvain Bourgault (sound designer and mixer (segment "Never Tear Us Apart")), Carl Cole (foley artist (segment "Blue Moon")), Alex Dunnaker (location sound (segment "Still")), Mark Farrow (foley artist (segment "Hell of a Day") / sound designer (segment "Hell of a Day")), Juan Cruz Fernandez (boom operator (segment "Never Tear Us Apart")), Rory Fitzgerald (sound (segment "Blue Moon")), Ryan Graff (audio mixer (segment "The Call of Charlie")), Luis Gudisepo (foley (segment "Time to Eat")), Ali Al Haidari (sound recordist (segment "Hell of a Day") (as Ali Haidari)), Kraig Jordan (sound design and mixing (segment "The Call of Charlie")), Jake Kenny (sound designer (segment "Blue Moon")), Patrick Longstreth (sound editing and mixing (segment "Hellyfish")), Bennet Maples (supervising sound editor: Sonicfruit (segment "Blue Moon")), Danny Maurer (boom operator (segment "The Call of Charlie")), Erin McKimm (re-recording mixer (segment "Hell of a Day") / sound designer (segment "Hell of a Day")), Brandon Neslund (sound editing and mixing (segment "Hellyfish")), Julia Piasecki (sound editing and mixing (segment "Hellyfish")), Matthew Steed (sound mixer (segment "Still")) y Pablo Villegas (sound recordist (segment "Never Tear Us Apart"))
Adriana Bogaard (costumer (segment "Never Tear Us Apart")), Oleksandra Lykova (costumer (segment "Never Tear Us Apart")), Marina Ray (wardrobe stylist (segment "The Call of Charlie")), Maude Rousset (dresser (segment "Never Tear Us Apart")), Chris Soucy (costume: makeup (segment "Hellyfish")) y Mirjam Maramaa (wardrobe (u))
Guido Espedia (assistant editor (segment "Time to Eat")), Melanie Fordham (colorist (segment "Never Tear Us Apart")), Laura Jans (colorist: Encore Hollywood (segment "The Call of Charlie")), Manav Lakhiani (digital colorist (segment "Hell of a Day")), Matthew Needler (sequence editor: and rough cut (segment "Still")), Girish Shirsat (colour grader (segment "Still")), Lucas Villegas (on-line editor (segment "Never Tear Us Apart")) y John Wynn (color correction (segment "Time to Eat"))
Adrian Annis (unit driver (segment "Blue Moon")), Sam Casserly (unit driver (segment "Blue Moon")) y Katherine Rodden (unit driver (segment "Blue Moon"))
Sohaib Ali (first assistant b camera (segment "The Call of Charlie")), Marc Asselin (best boy grip (segment "The Call of Charlie") (as Mark Asselin)), Tobias Beidermühle (steadicam operator (segment "Hellyfish")), Jennifer Marie Bird (grip (segment "Hellyfish") (as Jen Bird)), Casey Bohan (dolly grip (segment "Hellyfish")), Marc Andre Bolduc (set photographer (segment "Never Tear Us Apart")), Mehmet Caglayan (underwater cinematography (segment "Hellyfish")), Ken Coolen (digital imaging technician (segment "Never Tear Us Apart")), Brody Cublertson (key grip (segment "Time to Eat")), Calin Darabut (key grip (segment "Never Tear Us Apart")), Brooks Davis (vtr (segment "The Call of Charlie")), Ángel Ruiz del Valle (set lighting technician (segment "The Call of Charlie") (as Angel Del Valle)), Troy Dickerson (first assistant camera (segment "Time to Eat")), Eric Dickinson (gaffer (segment "Hellyfish")), Éric Dionne (gaffer (segment "Never Tear Us Apart")), Alexander Donald (second unit camera (segment "Still")), Justin Doughty (dolly grip (segment "Hellyfish")), Erin Olesen (first assistant camera (segment "The Call of Charlie") (as Erin Olesen)), John Fensom (digital imaging technician (segment "Blue Moon")), Ian Glenister (gaffer (segment "Blue Moon")), Andres Gutierrez (chief lighting technician (segment "The Call of Charlie")), Richard Ing (focus puller (segment "Blue Moon")), Josh Jabberpics (on set photographer (segment "Hellyfish")), Jean Jean (second assistant camera (segment "Never Tear Us Apart")), Kylie Knight (stills photographer (segment "Hell of a Day")), Jeremiah Lee (second assistant camera (segment "The Call of Charlie")), Jesse LeFevers (grip (segment "The Call of Charlie")), Luke Mahon (second unit camera operator (segment "Hellyfish")), Etienne Marcoux (gaffer (segment "Never Tear Us Apart")), Sean McCart (gaffer (segment "Hell of a Day")), Cj Miller (media manager (segment "The Call of Charlie")), Gary Moore (photographer (segment "Still")), Becky Morris (additional photography (segment "Still")), Aurélien Mouveau (first assistant camera (segment "Never Tear Us Apart")), Ryan Murray (b camera operator (segment "The Call of Charlie")), Manny Negrilla (gaffer (segment "The Call of Charlie") (as Manny Negrila)), Nick Oneill (dolly grip (segment "Hellyfish")), Nicolas Petsilas (steadicam operator (segment "Never Tear Us Apart")), Aditya Prabhu (on set photographer (segment "Hellyfish")), Chris Rauch (key grip (segment "The Call of Charlie")), Kurt Shrader (gaffer (segment "Hellyfish")), Maxime Guenard Tessier (gaffer (segment "Never Tear Us Apart")), Caroline Thisdale (key grip (segment "Never Tear Us Apart")), Andrew von Goellner (first assistant camera (segment "Hellyfish")), Daniel Vázquez (grip (segment "The Call of Charlie")) y Chris Walters (gaffer (segment "Time to Eat"))
Lexi Calo ((segment "The Call of Charlie"))
Mario D\'Amici (unit production manager (segment "The Call of Charlie")) y Ayesha Sheikh (unit manager (segment "Never Tear Us Apart"))
Erin Alden (Agradecimiento especial), Colin Bartlett (with thanks), Judith Beauchemin (special thanks: and everyone at CMJ Productions II Inc), Clovis Blackwell (Agradecimiento especial), Deirdre Brenner (Agradecimiento especial), Sarah Brown (special thanks to: at Bentwaters Park for help with locations), Kimberley Browning (Agradecimiento especial), Emma Buet (very special thanks: and the students of BMET College), Sindy Campbell (very special thanks: at Film Birmingham), Annabelle Carr (Agradecimiento especial), Jamie Chapman (very special thanks: and Birmingham Zombie Walk), Adam Conlin (with thanks), Luke Cross (very special thanks: at JQBID), Lachlan Dickson (with thanks), Davis Doi (Agradecimiento especial), Nick Embry (with thanks), Alexandre Charasse Fortier (with thanks (as Alexandre Charasse)), Nick Gant (Agradecimiento especial), Ricky Lloyd George (Agradecimiento especial), Teal Guidici (Agradecimiento especial), Ian Gwynn (special thanks to: at Sonicfruit (as Iain Gwynn)), Lauren Gwynn (special thanks to: at Sonicfruit), Lizzie Hewitt (very special thanks: and Zombie Earth), Gary Hill (Agradecimiento especial), Niels Hobbs (special thanks to: Lovecraft Arts & Sciences Council), Peter Jinks (special thanks to: at Sonicfruit), Bob Kendall (special thanks to), Breigh Kenley (special thanks to), Iohann Martin (special thanks: at Video MTL), Mandy Mayhew (special thanks to: at Bentwaters Park for help with locations), Meleah Maynard (Agradecimiento especial), Lisa Melbye (Agradecimiento especial), Julie Nicola (special thanks to), Omar Nicola (special thanks to), Stuart Robinson (Agradecimiento especial), George Salter (very special thanks: Academy Drama Department), Raphael Simard (special thanks: at Cinépool), Willy Singh (special thanks: and RS Renovations), John Spooner (special thanks to), Dominic Voisine (special thanks: at Video MTL), Sylvia Wilson (special thanks: and everyone at CMJ Productions II Inc) y Steve Young (special thanks to)
En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "Blood Clots".
Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Luke Guidici, Brooke Smith o Adrian Annis? Comparte tus pensamientos, emociones y críticas sobre Blood Clots. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine y series nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!
Aficionado a la pantalla grande, su participación es clave para hacer de Cineyseries.net un paraíso cinéfilo completo. Queremos construir juntos la mejor base de datos cinematográfica, pero necesitamos su ayuda. ¿Encontraste algún dato faltante en la ficha de Blood Clots? ¿Detectaste algún error en la sinopsis o el elenco? ¡Queremos saberlo todo!
Este es un llamado a todos los simpatizantes del cine: contribuyan con sus conocimientos, aporten sus descubrimientos y compartan esas joyas ocultas que solo los verdaderos fanáticos conocen. Sus opiniones y sugerencias son el ingrediente secreto que hará de nuestra web un lugar insuperable para los amantes del celuloide.
No hay detalle demasiado pequeño ni opinión insignificante. ¿Algún pedido especial? ¿Una película que sueñas con ver reseñada? ¡Hágannoslo saber! Juntos, haremos de esta comunidad el epicentro del séptimo arte. ¡Dejen sus reseña en la caja de comentarios y juntos hagamos crecer la magia cinematográfica!
Este thriller paraguayo cautivó al mundo entero. 7 Cajas es una explosión de acción y suspenso. Esta joya cinematográfica latinoamericana sigue la historia de un carretillero del Mercado 4 de Asunción que se ve envuelto en un oscuro mundo de crimen
Por más sólido que sea un guión siempre hay espacio para que improvisaciones que se dan durante el rodaje de determinadas escenas queden en el producto final.
Desde Buenos Aires hasta el mundo, Tesis sobre un Homicidio se ha convertido en uno de los filmes más recomendados del cine argentino, cautivando audiencias y dejando su huella en la escena internacional.
En Hollywood casi todo lo que ocurre es mentira y parte de una película, sin embargo, existen cintas donde los actores realmente han tenido relaciones y fue parte de la obra publicada. Conócelas acá.
Conoce cómo se filmaron algunas escenas icónicas de Jurassic Park, con improvisaciones incluidas. ¡Descubre las curiosidades detrás del rodaje de un clásico cinematográfico!
Un grupo de cinéfilos se juntaron para debatir acerca de cuáles son sus escenas de acción favoritas y éste fue el resultado. No te pierdas los vídeos de estas secuencias inolvidables.