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Película > Érase una vez en Hollywood II (1976)
Poster Érase una vez en Hollywood II

Érase una vez en Hollywood II (1976)

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Dirección:

Elenco principal:

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Descripción

La películas Érase una vez en Hollywood II del año 1976, conocida originalmente como "That's Entertainment, Part II", está dirigida por Gene Kelly y protagonizada por Fred Astaire quien interpreta a Self - Co-Host, Gene Kelly en el papel de Self - Co-Host, Judy Garland como Jo Hayden, Mickey Rooney personificando a Clips from 'Girl Crazy' & 'Words and Music' etc. y Bing Crosby desempeñando el papel de Clip from 'Going Hollywood' (ver créditos completos).

Es una obra de género Familia, Musical y Documental producida en EE.UU.. Con una duración de 2h 13m (133 minutos), esta película tiene diálogos originales en Inglés.

En cuanto al guión de esta obra, se encuentra a cargo de Leonard Gershe (narration written by) Leonard Gershe ((narration written by)).

Érase una vez en Hollywood IITrailer oficial de la película Érase una vez en Hollywood II1976-05-16T08:00:00+08:00 Trailer
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Información técnica y general

Duración: 2h 13m (133 minutos) .

Color: Color

Paises productores: La película That's Entertainment, Part II fué producida en EE.UU.

Donde se filmó: Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA.

Lenguaje original: Inglés.

Títulos en cada país:

Clasificación

Taquilla:

Créditos completos de la película Érase una vez en Hollywood II

Dirección

(new sequences)

Guión

Reparto

Self - Co-Host
Self - Co-Host
Jo Hayden
Clips from 'Girl Crazy' & 'Words and Music' etc.
Clip from 'Going Hollywood'
Clip from 'Broadway Melody of 1936'
Katherine
Clips from 'Gone with the Wind' & 'Strange Cargo' etc.
Clip from 'Lovely to Look At'
Lili
Clips from 'New Moon' & 'Broadway Serenade'
Clip from 'New Moon'
Ruth Etting
Clip from 'Kiss Me Kate'
Dixie Donegan
Clarence Doolittle
Clips from 'Hollywood Party', 'Two Girls and a Sailor' & 'Jumbo'
Clips from 'Born to Dance' & 'Lady Be Good'
Clip from 'Grand Hotel'
Clip from 'High Society'
Janie Barlow
Clip from 'A Tale of Two Cities'
Rebecca
Nick Charles
Clips from 'Dinner at Eight' & 'Reckless' etc.
Leon
Karin Blake
Clip from 'Easy to Love'
Tarzan
Petunia Jackson
Clip from 'David Copperfield'
Clips from 'Rio Rita'
Clips from 'Rio Rita'
Clip from 'Song Writers' Revue
Film Clip
Various Film Clips
Various Film Clips
Clip from 'A Night at the Opera'
Clip from 'The Band Wagon'
Clip from 'Words and Music'
Kathy Selden
Clip from 'Barkleys of Broadway'
Clips from 'Kiss Me Kate' & 'Small Town Girl'
Clip from 'Lovely to Look At'
Clip from 'Lovely to Look At'
Tracy Lord
Clip from 'Singin' in the Rain'
Clip from 'Silk Stockings'
Julia Sanderson
Clip from 'Annie Get Your Gun'
Frank Butler
Clip from 'Lassie Come Home'
Various Clips
Various Clips
Clip from 'Cabin in the Sky'
Clip from 'Broadway Serenade'
Clip from 'A Free Soul'
Clip from 'Two Faced Woman'
Clip from 'The Band Wagon'
Self - Host of Song Writers Segment
Buffalo Bill Cody
Clip from 'The Merry Widow' (1934)
Jimmy Walters
Clip from 'Words and Music'
Carlotta Vance
Clips from 'A Night at the Opera' & 'A Day at the Races'
Hortensio
Clip from 'Gigi'
C. K. Dexter Haven
Clip from 'The Great Waltz'
Clip from 'An American in Paris'
Doris Attinger
Clip from 'Broadway Melody of 1936'
Clip from 'The Great Waltz'
Scarlett O'Hara
Clip from 'The Band Wagon'
Nora
Clip from 'Lassie Come Home'
Clip from 'Private Lives'
Jane Parker
Nick Carter
Clip from 'Kiss Me Kate'
Clip from 'Broadway Serenade'
Clip from 'Three Little Words'
Gilbert Young
Clip from 'Grand Hotel'
Clip from 'Reckless'
Sheila Regan
Specialty Can-Can Dancer
Clip from 'Adam's Rib'
Clip from 'Annie Get Your Gun'
Eddie Crane
Dottie Wingate
Clip from 'David Copperfield'
Clip from 'The Songwriters Revue'
Clip from 'Love Me or Leave Me'
Clip from 'A Night at the Opera'
Clip from 'Going Hollywood'
Mr. Chips

, James A. FitzPatrick (Movie Clip), Arthur Freed (Clip from 'Song Writers' Revue'), Charley Grapewin (Clip from 'Listen Darling'), Carol Haney (Clip from 'Kiss Me Kate'), Sterling Holloway (Clip from 'The Merry Widow' (1934)), Harry James (Clip from 'Hollywood Party'), Allan Jones (Clip from 'A Night at the Opera'), Buster Keaton (Movie Clip), Hedy Lamarr (Clip from 'White Cargo'), Chico Marx (Clip from 'A Night at the Opera'), Groucho Marx (Clip from 'A Night at the Opera'), Harpo Marx (Clip from 'A Night at the Opera'), Esther Muir (Clip from 'A Day at the Races'), Dave O'Brien (Actor in 'Pete Smith Specialty' short), Christian Rub (Clip from 'The Great Waltz'), Marshall Thompson (Clip from 'Words and Music'), USC Trojan Marching Band (Ellos mismos) y Ed Wynn (Clip from 'The Chief')

Producción

Productor
Productor

Ayudante de dirección

William R. Poole (assistant director: new sequences)

Departamento de arte

Anthony Bavero (property master: new sequences), John DeCuir (production design: new sequences (as John De Cuir)) y Robby Vandermark (standby painter (u))

Efectos visuales

James F. Liles (optical supervisor (as Jim Liles))

Departamento de animación

Joseph Barbera (executive producer: animation (u)) y William Hanna (executive producer: animation (u))

Departamento de maquillaje

John Inzerella (makeup: new sequences), La Rue Matheron (Estilista), Robert J. Schiffer (Maquilladora) y Charles H. Schram (makeup: new sequences (as Charles Schram))

Departamento de musica

Saul Chaplin (special lyrics: new sequences), Howard Dietz (special lyrics: new sequences), Harry V. Lojewski (Supervisor musical), Nelson Riddle (conductor: new sequences / music arranger: new sequences / composer: new sequences (u)), William Saracino (Editor de música), David Crocov (violin (u)) y Ethmer Roten (musician: flute (u))

Departamento de sonido

Bill Edmondson (sound: new sequences), Aaron Rochin (Re-grabación de sonido) y Hal Watkins (Re-grabación de sonido)

Departamento de vestuario

Filipo (wardrobe: Mr. Astaire and Mr. Kelly, new sequences)

Departamento de editorial

Ramon G. Caballero (Asistente de editor de película), Dennis Galling (assistant film editor (as Dennis Lee Galling)), Ana Luisa Pérez (assistant film editor (as Ana Luisa Perez)) y Michael J. Sheridan (Asistente de editor de película)

Gestión de producción

Maurice Vaccarino (production manager: new sequences)

Agradecimientos

Jeff Alexander (acknowledgement: the special style and content of the musical sequences were created by), Robert Alton (acknowledgement: the special style and content of the musical sequences were created by), Robert Arthur (acknowledgment: the non-musical sequences represent outstanding contributions by), S.N. Behrman (acknowledgment: the non-musical sequences represent outstanding contributions by), Busby Berkeley (acknowledgement: the special style and content of the musical sequences were created by), Irving Berlin (acknowledgement: the special style and content of the musical sequences were created by), Pandro S. Berman (acknowledgment: the non-musical sequences represent outstanding contributions by), Ralph Blane (acknowledgement: the special style and content of the musical sequences were created by), Frank Borzage (acknowledgment: the non-musical sequences represent outstanding contributions by), Charles Brackett (acknowledgment: the non-musical sequences represent outstanding contributions by), Lou Breslow (acknowledgment: the non-musical sequences represent outstanding contributions by), Nicholas Brodszky (acknowledgement: the special style and content of the musical sequences were created by), Nacio Herb Brown (acknowledgement: the special style and content of the musical sequences were created by), Harold S. Bucquet (acknowledgment: the non-musical sequences represent outstanding contributions by), Hugo Butler (acknowledgment: the non-musical sequences represent outstanding contributions by), Sammy Cahn (acknowledgement: the special style and content of the musical sequences were created by), Saul Chaplin (acknowledgement: the special style and content of the musical sequences were created by), Jack Cole (acknowledgement: the special style and content of the musical sequences were created by), Betty Comden (acknowledgement: the special style and content of the musical sequences were created by), Bobby Connolly (acknowledgement: the special style and content of the musical sequences were created by), John W. Considine Jr. (acknowledgment: the non-musical sequences represent outstanding contributions by), Jack Conway (acknowledgment: the non-musical sequences represent outstanding contributions by), George Cukor (acknowledgment: the non-musical sequences represent outstanding contributions by), Jack Cummings (acknowledgement: the special style and content of the musical sequences were created by), Adolph Deutsch (acknowledgement: the special style and content of the musical sequences were created by), Helen Deutsch (acknowledgement: the special style and content of the musical sequences were created by), Jacques Deval (acknowledgment: the non-musical sequences represent outstanding contributions by), Howard Dietz (acknowledgement: the special style and content of the musical sequences were created by), Stanley Donen (acknowledgement: the special style and content of the musical sequences were created by), Jack Donohue (acknowledgement: the special style and content of the musical sequences were created by), Carmen Dragon (acknowledgement: the special style and content of the musical sequences were created by), Vernon Duke (acknowledgement: the special style and content of the musical sequences were created by), Jimmy Durante (acknowledgement: the special style and content of the musical sequences were created by), Julien Duvivier (acknowledgment: the non-musical sequences represent outstanding contributions by), Roger Edens (acknowledgement: the special style and content of the musical sequences were created by), Gus Edwards (acknowledgement: the special style and content of the musical sequences were created by), Howard Estabrook (acknowledgment: the non-musical sequences represent outstanding contributions by), Percy Faith (acknowledgement: the special style and content of the musical sequences were created by), Ted Fetter (acknowledgement: the special style and content of the musical sequences were created by), James A. FitzPatrick (acknowledgment: the non-musical sequences represent outstanding contributions by), Victor Fleming (acknowledgment: the non-musical sequences represent outstanding contributions by), Sidney Franklin (acknowledgment: the non-musical sequences represent outstanding contributions by), Arthur Freed (acknowledgement: the special style and content of the musical sequences were created by), Jules Furthman (acknowledgment: the non-musical sequences represent outstanding contributions by), Tay Garnett (acknowledgment: the non-musical sequences represent outstanding contributions by), George Gershwin (acknowledgement: the special style and content of the musical sequences were created by), Ira Gershwin (acknowledgement: the special style and content of the musical sequences were created by), E. Ray Goetz (acknowledgement: the special style and content of the musical sequences were created by), Frances Goodrich (acknowledgment: the non-musical sequences represent outstanding contributions by), Leon Gordon (acknowledgment: the non-musical sequences represent outstanding contributions by), Ruth Gordon (acknowledgment: the non-musical sequences represent outstanding contributions by), Martin A. Gosch (acknowledgment: the non-musical sequences represent outstanding contributions by), Dave Gould (acknowledgement: the special style and content of the musical sequences were created by), Edmund Goulding (acknowledgment: the non-musical sequences represent outstanding contributions by), Adolph Green (acknowledgement: the special style and content of the musical sequences were created by), Johnny Green (acknowledgement: the special style and content of the musical sequences were created by), Albert Hackett (acknowledgment: the non-musical sequences represent outstanding contributions by), Oscar Hammerstein II (acknowledgement: the special style and content of the musical sequences were created by), Lorenz Hart (acknowledgement: the special style and content of the musical sequences were created by), Lennie Hayton (acknowledgement: the special style and content of the musical sequences were created by), Samuel Hoffenstein (acknowledgment: the non-musical sequences represent outstanding contributions by), Robert E. Hopkins (acknowledgment: the non-musical sequences represent outstanding contributions by (as Robert Hopkins)), Sidney Howard (acknowledgment: the non-musical sequences represent outstanding contributions by), Bernard H. Hyman (acknowledgment: the non-musical sequences represent outstanding contributions by), Bert Kalmar (acknowledgement: the special style and content of the musical sequences were created by), Garson Kanin (acknowledgment: the non-musical sequences represent outstanding contributions by), Bronislau Kaper (acknowledgement: the special style and content of the musical sequences were created by), George S. Kaufman (acknowledgment: the non-musical sequences represent outstanding contributions by), Jerome Kern (acknowledgement: the special style and content of the musical sequences were created by), Michael Kidd (acknowledgement: the special style and content of the musical sequences were created by), Arthur Kober (acknowledgment: the non-musical sequences represent outstanding contributions by), Charles Lederer (acknowledgment: the non-musical sequences represent outstanding contributions by), Sammy Lee (acknowledgement: the special style and content of the musical sequences were created by), Franz Lehár (acknowledgement: the special style and content of the musical sequences were created by), Robert Z. Leonard (acknowledgement: the special style and content of the musical sequences were created by), Alan Jay Lerner (acknowledgement: the special style and content of the musical sequences were created by), Edgar Leslie (acknowledgement: the special style and content of the musical sequences were created by), W.P. Lipscomb (acknowledgment: the non-musical sequences represent outstanding contributions by), Frederick Loewe (acknowledgement: the special style and content of the musical sequences were created by), Anita Loos (acknowledgment: the non-musical sequences represent outstanding contributions by), Ernst Lubitsch (acknowledgment: the non-musical sequences represent outstanding contributions by), John Lee Mahin (acknowledgment: the non-musical sequences represent outstanding contributions by), Rouben Mamoulian (acknowledgement: the special style and content of the musical sequences were created by), Herman J. Mankiewicz (acknowledgment: the non-musical sequences represent outstanding contributions by), Joseph L. Mankiewicz (acknowledgment: the non-musical sequences represent outstanding contributions by), Hugh Martin (acknowledgement: the special style and content of the musical sequences were created by), Samuel Marx (acknowledgment: the non-musical sequences represent outstanding contributions by), John Meehan (acknowledgment: the non-musical sequences represent outstanding contributions by), Johnny Mercer (acknowledgement: the special style and content of the musical sequences were created by), George W. Meyer (acknowledgement: the special style and content of the musical sequences were created by), Vincente Minnelli (acknowledgement: the special style and content of the musical sequences were created by), Alfred Newman (acknowledgement: the special style and content of the musical sequences were created by), Ivor Novello (acknowledgment: the non-musical sequences represent outstanding contributions by), George Oppenheimer (acknowledgment: the non-musical sequences represent outstanding contributions by), Hermes Pan (acknowledgement: the special style and content of the musical sequences were created by), Joe Pasternak (acknowledgement: the special style and content of the musical sequences were created by), Nat Perrin (acknowledgment: the non-musical sequences represent outstanding contributions by), Robert Pirosh (acknowledgment: the non-musical sequences represent outstanding contributions by), Cole Porter (acknowledgement: the special style and content of the musical sequences were created by), Gottfried Reinhardt (acknowledgment: the non-musical sequences represent outstanding contributions by), Walter Reisch (acknowledgment: the non-musical sequences represent outstanding contributions by), Allen Rivkin (acknowledgment: the non-musical sequences represent outstanding contributions by), Leo Robin (acknowledgement: the special style and content of the musical sequences were created by), Richard Rodgers (acknowledgement: the special style and content of the musical sequences were created by), Sigmund Romberg (acknowledgement: the special style and content of the musical sequences were created by), Harry Ruby (acknowledgement: the special style and content of the musical sequences were created by), Morrie Ryskind (acknowledgment: the non-musical sequences represent outstanding contributions by), Conrad Salinger (acknowledgement: the special style and content of the musical sequences were created by), Victor Saville (acknowledgment: the non-musical sequences represent outstanding contributions by), Dore Schary (acknowledgment: the non-musical sequences represent outstanding contributions by), Arthur Schwartz (acknowledgement: the special style and content of the musical sequences were created by), George Seaton (acknowledgment: the non-musical sequences represent outstanding contributions by), David O. Selznick (acknowledgment: the non-musical sequences represent outstanding contributions by), Sidney Sheldon (acknowledgment: the non-musical sequences represent outstanding contributions by), George Sidney (acknowledgement: the special style and content of the musical sequences were created by), Sol C. Siegel (acknowledgement: the special style and content of the musical sequences were created by), S. Sylvan Simon (acknowledgment: the non-musical sequences represent outstanding contributions by), Donald Ogden Stewart (acknowledgment: the non-musical sequences represent outstanding contributions by), George Stoll (acknowledgement: the special style and content of the musical sequences were created by), Axel Stordahl (acknowledgement: the special style and content of the musical sequences were created by), Herbert Stothart (acknowledgement: the special style and content of the musical sequences were created by), Johann Strauss (acknowledgement: the special style and content of the musical sequences were created by), Hunt Stromberg (acknowledgment: the non-musical sequences represent outstanding contributions by), Jule Styne (acknowledgement: the special style and content of the musical sequences were created by), Norman Taurog (acknowledgement: the special style and content of the musical sequences were created by), Kay Thompson (acknowledgement: the special style and content of the musical sequences were created by), Richard Thorpe (acknowledgement: the special style and content of the musical sequences were created by), W.S. Van Dyke (acknowledgment: the non-musical sequences represent outstanding contributions by), Salka Viertel (acknowledgment: the non-musical sequences represent outstanding contributions by), Charles Walters (acknowledgement: the special style and content of the musical sequences were created by), Harry Warren (acknowledgement: the special style and content of the musical sequences were created by), Lawrence Weingarten (acknowledgment: the non-musical sequences represent outstanding contributions by), George Wells (acknowledgement: the special style and content of the musical sequences were created by), Fred M. Wilcox (acknowledgment: the non-musical sequences represent outstanding contributions by), Billy Wilder (acknowledgment: the non-musical sequences represent outstanding contributions by), P.J. Wolfson (acknowledgment: the non-musical sequences represent outstanding contributions by), Sam Wood (acknowledgment: the non-musical sequences represent outstanding contributions by) y Sam Zimbalist (acknowledgment: the non-musical sequences represent outstanding contributions by)

Empresas distribuidoras

Metro-Goldwyn-Mayer (MGM)United ArtistsCinema International Corporation (CIC)

Empresas productoras

Metro-Goldwyn-Mayer (MGM)

Otras empresas

Hanna-Barbera ProductionsInternational Alliance of Theatrical Stage Employees (IATSE)
Palabras claveAnfitriMúsicoFanActorPianistaPayasoActrizBanda de marchaOrquestaDirector de cineCoreografíadisfrazabanicoorquestaetapaaudienciaanfitriónconciertoactrizpianistapayaso

Enlaces externos

En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "Érase una vez en Hollywood II".

Comentarios

Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Gene Kelly, Fred Astaire o Gene Kelly? Comparte tus pensamientos, emociones y críticas sobre Érase una vez en Hollywood II. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine y series nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!

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No hay detalle demasiado pequeño ni opinión insignificante. ¿Algún pedido especial? ¿Una película que sueñas con ver reseñada? ¡Hágannoslo saber! Juntos, haremos de esta comunidad el epicentro del séptimo arte. ¡Dejen sus reseña en la caja de comentarios y juntos hagamos crecer la magia cinematográfica!

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