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La películas El arma del engaño del año 2021, conocida originalmente como "Operation Mincemeat", está dirigida por John Madden y protagonizada por Rufus Wright quien interpreta a Lt. Bill Jewell, Matthew Macfadyen en el papel de Charles Cholmondeley, Ruby Bentall como Connie Bukes, Charlotte Hamblin personificando a Patricia Trehearne y Colin Firth desempeñando el papel de Ewen Montagu (ver créditos completos).
Es una obra de género Drama y Guerra producida en Reino Unido y EE.UU.. Con una duración de 2h 8m (128 minutos), esta película tiene diálogos originales en Inglés y Español. La banda sonora para esta producción ha sido compuesta por Thomas Newman.
Los créditos de la trama de esta historia están divididos entre Michelle Ashford ((screenplay)) y Ben Macintyre ((book)).
A nivel internacional, este largometraje tuvo diversas denominaciones, incluyendo "Operation Mincemeat" en (original title), Australia y Canada, "El arma del engaño" en Argentina, "Die Täuschung" en Austria. La diversidad de títulos para una misma película suele ser fascinante. Nos encantaría saber cómo se titula esta obra en tu país. ¡Cuéntanos en los comentarios y enriquece nuestra experiencia cinematográfica!
Proveedores legales para Latinomerica y España libres de malware y publicidad engañosa.
Le recomendamos chequear el idioma, doblaje o subtítulos que ofrece cada proveedor antes de comprar, alquilar o contratar un servicio de streming para ver la películas.
Muy fácil, en este momento puedes ver la película El arma del engaño completa y en español ya que se encuentra disponible , para comprar online desde España para alquilar online desde España y para ver con planes de streaming desde Perú, España, México, Argentina, Ecuador y Colombia. Si la obra no está disponible en el país en el que te encuentras no te preocupes: recuerda que utilizando un VPN podrás conectarte desde cualquier país y acceder a los catálogos completos de las distintas plataformas.
¿Sabes de algún proveedor que no estamos mostrando? déjanos un comentario
Duración: 2h 8m (128 minutos) .
Color: Color
Paises productores: La película Operation Mincemeat fué producida en Reino Unido y EE.UU.
Lenguaje original: Inglés y Español.
Títulos en cada país:
Clasificación
Rafael Guadamuro ((spain casting)), Jina Jay ((spain casting)) y Tonucha Vidal (casting director: Spain)
Sebastian Blenkov (director of photography)
George Cunningham (set pa (as George Merrick-Cunningham)), Alex Esteve (second unit director), Adam Foster (crowd second assistant director), Claire Frayn (third assistant director), Olivia Lloyd (key second assistant director), Mélanie Martínez (Third Assistant director: Spain), Beatriz Mateos (Assistant director: Spain Unit), Ike Newman (third assistant director: crowd), Deborah Saban (first assistant director), Simon White (key set production assistant) y Ella Wood (base production assistant)
Tom Coates y Keith Slote (supervising art director)
Mark Adams (h.o.d. painter / painter), David Ahern (assistant graphic designer), Davíð Örn Arnarson (dressing props), Naomi Bailey (art department assistant), Kepa Ballesteros (driver set dec), Marc Bee (carpenter), Sarah Bick (production buyer), Paul Bowring (construction manager), Dan Crawshaw (standby props), Currofito (set dresser), Lucy Earthroll (art department work experience), Judit Ferrer (art department coordinator Spain), Nahía Fito (set dresser), Pip Fox (chargehand standby props), Shane Harford (chargehand dresser), Rohan Harris (scenic artist), Sophie Harris (assistant production buyer), Jason Hopperton (chargehand dresser: props / props chargehand dresser), Douglas Ingram (storyboard artist), Mark Jones (dressing prop), Juan Martín García (carpenter), Kerry-Ellen Maxwell (stand-by art director), Kay Mitchell (assistant set decorator), Philippa Mumford (assistant art director), India Paparestis-Stacey (art department work experience), Joanna Pratt (lead graphic designer), Mike Rawlings (Prop Storeman), Richard Robinson (dressing props), Glen Rowden (props), Chris Stephenson (draughtsman), Aria Taylor (assistant graphic designer: dailies), Andy Wojciechowski (carpenter), Sophie Earthroll (petty cash buyer (u)), Dan Lewis (Daily Props (u)) y Adam Sutcliffe (Daily Props (u))
Paul Bailey (stunt driver), Andrew Burford (stunt performer), Marvin Campbell (assistant stunt coordinator), Levan Doran (stunt performer), Matthew Enubuje (stunt performer), Sarah Franzl (stunt coordinator), Evangelos Grecos (stunt performer), Justin Pearson (stunt double), Adam Smith (stunt performer), César Solar (stunt coordinator), Alberto Sánchez (stunt driver) y Calvin Warrington-Heasman (stunt previz)
Elisabeth Chlebiej (visual effects coordinator (as Elisabeth Kudela)), Tiago Faria (digital compositor), Adam Glasman (digital colourist), Jacob Green (on-set data wrangler), Alexander Ha (3d artist), Rob Hopper (head of cg), Simon Hughes (visual effects supervisor/creative director), Isabella Ippolito (Render Wrangler TD), Zafar Janjua (visual effects producer), Timothy P. Jones (digital film bureau), Taskin Kenan (on-set visual effects supervisor), George Kolyras (visual effects line producer), Matthew Lawrence (title production), Dom Maidlow (visual effects artist), Callum Mcnulty (digital compositor), Thomas Mortelette (roto artist), Noel O'Malley (Lead CG artist: Union VFX), Jane Paton (digital compositor), Quiben Jack (visual effects editor (as Quiben Jack) / visual effects editor), Hannah Sornay (digital compositor), Noga Alon Stein (visual effects producer), Jack Stevens (digital matte painter), Connor Tong (lead rotoscope artist: Union Visual Effects), Sanket Vetam (Vfx Roto Artist), Dan Victoire (digital compositor), Jonathan Jean-Marie Wannyn (digital matte painter) y Nicholas Zissimos (lead compositor)
Christina Baker (hair stylist), Charlie Butler (crowd and makeup trainee), Pilar Camacho Paulino (key makeup artist), Chris Fitzpatrick (prosthetics supervisor), Robert Frampton (hair stylist / makeup artist), Marina E. Gómez (Hair & Makeup), Martine Jones (crowd hair and makeup artist), Deb Kenton (crowd hair & make up supervisor), Ria Knoll (junior hair stylist / junior makeup artist), Denise Kum (hair designer / makeup designer / prosthetics designer), Jason Lawrence (crowd hair stylist), Christopher Mann (crowd barber), Kirsty Martin (crowd hair stylist: dailies / crowd makeup artist: dailies), Bea Millas (Daily Crowd Hair & Makeup Artist / spain crew), Nicola Sacks (daily crowd hair and makeup trainee), Thalia Sparrow (junior hair stylist: core crowd / junior makeup artist: core crowd), Anastasia Storey (hair stylist trainee: core crowd / makeup artist trainee: core crowd), Julia Vernon (crowd hair and makeup supervisor), Pippa Woods (hair stylist / makeup artist), Herbie Calder (Junior Hair & Makeup Artist (u)) y Sara Fagan (crowd junior hair stylist: dailies (u) / crowd junior makeup artist: dailies (u))
Daniel Bhattacharya (musician), Peter Clarke (music editor), Richard Cookson (musician: viola), Neil Dawes (score assistant engineer), Marta Maria Di Nozzi (additional assistant engineer), George Doering (musician), Moises Ignacio Garcia (assistant engineer), Larry Mah (music editor), Shinnosuke Miyazawa (score mixer / supervising music editor), Morgan Pochin (additional music (as Morgan Pochin)), Tom Spiggott-Smith (musician), J.A.C. Redford (orchestrator), Tim Rodier (music preparation), Kle Savidge (music supervisor), John Ashton Thomas (conductor), Steve Mair (musician: double bass (u)), Laurence Ungless (musician: double bass (u)), Allen Walley (musician: double bass (u)) y Bruce White (Viola (u))
Jaime Bresca (second assistant sound), Tim Cavagin (re-recording mixer), Jordan Feemster (second assistant sound), Oliver Ferris (foley artist), Sue Harding (foley artist), Sophia Hardman (foley editor), Phil Lee (sound effects editor), Peter Lindsay (production sound mixer), Sally Lynn (ADR Coordinator), Adam Mendez (foley mixer), Kate Morath (first assistant sound), Andy Shelley (Supervising Dialogue ADR Editor), Antonio Sánchez Peñalba (sound recordist: second unit), Dan Turner (mix technician), Max Walsh (re-recording mixer) y Ian Wilson (Supervising Sound Editor/Designer)
Marianna Bourmpoula (set costumer), Claudia Bradbury (alterations assistant), Zoe Brown (costume trainee), Angel Concepcion (costumer), Jessica Currie (stand-by costumer: principals), Hollie Danby (costume assistant / set costumer), Diana de Mol (costume truck supervisor), Bryde Gordon (crowd costume assistant), Adem Aydin Grace (set costumer), Marta \'Margo\' Gómez Vidal (costume assistant), Hilary Hughes (crowd costumer: dailies), Katie Jones (set costumer), Julia Knight (set costumer), Flora Kovacs (assistant costume designer), Heather Leat (costume supervisor), Jessica Lennon (Principle costume standby / principle costume standby), Alison Lyons (costumer: dailies), Sarah June Mills (costumer), Elena Núñez (principals costume standby), Isabela Pérez (costume assistant), Hannah Elizabeth Richards (costume assistant), Lula Schofield (Crowd Trainee Daily), Cristina Soru (buyer), Kathryn Sutcliffe (Crowd costume fitter) y Tamsin Thorne (costume assistant: daily)
Olivia Brittain (casting associate), Andrés Cuenca (casting associate: spain), Catherine Garlick (casting assistant), Ana Guardamuro (casting coordinator) y Rebecca Rossmaur (casting assistant)
John Bush (senior dailies producer), Sara Buxton (assistant colourist), Joshua Callis-Smith (workflow supervisor), Simon Chubbock (lab supervisor), Zoe Cousins (digital film bureau), Sinéad Cronin (on-line editor), Elena Dedear (assistant digital intermediate producer), Karolina Dziwinska (digital intermediate producer), Rob Farris (digital intermediate head of production), Lawrence Hook (digital intermediate technical supervisor), Emma Liu (assistant digital intermediate producer), Alfie McDonald (digital film bureau), Alexandra Montgomery (contractual delivery coordinator), Alexander Phillips (digital intermediate assistant), Rob Redford (first assistant editor), Finlay Reid (assistant colourist), Daniel Rosenberg (junior lab operator), Valentina Rutigliano (on-line editor), Evangeline White (digital film bureau), Russell White (digital online editor) y Andy Dickinson (digital lab supervisor (u))
Julio Arenas (driver / lights truck), Silvia López Beltrán (luton driver: Spain (as Silvia Lopez Beltran)), Maria Carrillo (picture car coordinator (credit only)), Pani Constantinides (driver: cast / unit driver), Carolina Cosmen (transportation coordinator), Jamie Gardner (unit driver), Michael Geary (picture car coordinator), John Gill (unit driver), Denis Gilmore (unit driver), Alvaro Laguna (driver), Aleix Lladó (transportation captain), Patricia Muñoz Gallardo (driver), Pepe García (transport manager), Emma Savin (4x4 driver), Darren Thackeray (transportation captain), Vero Wintxita (driver) y Oti Yebra (driver)
José Manuel Aguilar García (grip: Spain unit), Anthony Bagley (digital imaging technician), Aaron Bartlett (electrician), Nathanael Bauer (electrician: desk operator), Scott Bryan (dailies rigger / electrical rigger), Joe Burns (digital imaging technician assistant / video assistant), Lucas Campain (camera trainee), Robbie Chapman (second assistant camera: 'a' camera), Nicholas Clarke (electrician), Mark Clayton (gaffer), Sarah Collins (second assistant camera: 'b' camera), Richard Cornelius (ronin 2 operator: dailies), Guillermo de la Dehesa (best boy: Spain Unit), Jon Euesden (rigging electrician), John Ferguson (steadicam and b camera operator), Isaac G. Perez (digital imaging technician trainee: dailies / video assist trainee: dailies), Jon Garwes (first assistant camera), Will Gething (second assistant camera: "c" camera), Scot Gill (hod rigger), Anthony Goulding (rigging best boy), Richard Harrowing (electrician), Rowan Haughey (HOD Practical Electrician), Amanda Holland (video assist: splinter unit (as Amanda Jane Holland)), Álvaro Hurtado Martínez (rigger/electrician (as Álvaro Hurtado)), Matt Jackman Smith (electrician), Robert Jackson (practical electrician), Demetri Jagger (video operator), Mark Joiner (rig electrician), Ben Keeling (camera trainee: additional photography), Peter Keith (aerial cinematographer), Giles Keyte (still photographer), Bruno Martins (additional photography), Matthew McCabe (grip trainee), Seán McDermott (focus puller: "c" camera), Joshua Morgan-Green (b camera grip), Ronan Murphy (key grip), Derrick Peters (camera operator: "c" camera), Iwan Prys Reynolds (focus puller: 'a' camera), Mark Richards (supervisor electrical rigger), Daniel Seager (practical electrician), Daniel Shanahan (rigger), William Sheffield (electrician), Maggie Stanaszek (camera trainee), James Summers (rigging gaffer: credited), Joaquín 'Kino' Sánchez (gaffer: Spain Unit), Christian Trujillo (rigging electrician (as Chris Trujillo)), Antonio Álvarez Valero (electrician), Robert Viglasky (additional still photographer), Vicente Vázquez (electrician) y Greg Whitbrook (lighting technician)
Núria Guardia ((Span Unit)) y Linda Wilson ((Span Unit))
Polly Duval (post-production supervisor), Lucia Fernandez Lobera (assistant production manager: Spain Unit), Monique Mussell (unit production manager) y David Ramon Ballart (unit production manager: Spain)
Chris Andrews (the director and producers would like to thank), Belén Carrasco (thanks: Malaga Film Office), Jenne Casarotto (the director and producers would like to thank), Clo Cohen (the director and producers would like to thank), Gloria Cohen (the director and producers would like to thank), Elliott Daniels (thanks to: Metropolitan Police Film Unit), Francisco de la Torre (thanks: mayor of Malaga), Stephen Dixon (thanks to: Metropolitan Police Film Unit), St John Donald (the director and producers would like to thank), Monique Esclavissat (the director and producers would like to thank), Tara Moross (the director and producers would like to thank), Michael Gorfaine (the director and producers would like to thank), Tristan Hillgarth (the director and producers would like to thank), Christian Hodell (the director and producers would like to thank), Sebastián James (thanks), Monique Kairouz (the director and producers would like to thank), Kit Kowol (thanks (as Dr Kit Kowol)), Paul Lyon-Maris (the director and producers would like to thank), Claire Maroussas (the director and producers would like to thank), Jennifer Montagu (the director and producers would like to thank), Jeremy Montagu (the director and producers would like to thank), Rachel Montagu (the director and producers would like to thank), Sarah Montagu (the director and producers would like to thank), Sinead Moran (thanks), Helen Normoyle (thanks), Giacomo Palazzo (the director and producers would like to thank), Michelle Pearce (acknowledgement), Honor Priestley (the director and producers would like to thank), Paul Ritter (in memory of), Federica Sainte-Rose (the director and producers would like to thank), Caroline Sherman (the director and producers would like to thank), Brian Siberell (the director and producers would like to thank), Caroline Smith (thanks), Patrick Strafford (the director and producers would like to thank), Roeg Sutherland (the director and producers would like to thank), Brian Swardstrom (the director and producers would like to thank), Lucie Tamlyn (thanks), Paul Tamlyn (thanks), Arthur Thykier (the director and producers would like to thank), Sarah Timberman (the director and producers would like to thank), Ben Townley-Canning (the director and producers would like to thank), Juan Antonio Vigar (thanks: Malaga Film Office), Alex von Tunzelmann (the director and producers would like to thank) y Belle Wolfe (the director and producers would like to thank)
En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "El arma del engaño".
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