La películas Al filo del mañana del año 2014, conocida originalmente como "Edge of Tomorrow", está dirigida por Doug Liman y protagonizada por Tom Cruise quien interpreta a Cage, Emily Blunt en el papel de Rita, Brendan Gleeson como General Brigham, Bill Paxton personificando a Master Sergeant Farell y Jonas Armstrong desempeñando el papel de Skinner (ver créditos completos).
Es una obra de género Aventura, Acción y Ciencia ficción producida en Canadá y EE.UU.. Con una duración de 01 hr 53 min (113 minutos), esta película tiene diálogos originales en Inglés. La banda sonora para esta producción ha sido compuesta por Christophe Beck.
Para el desarrollo de la historia que cuenta esta obra, se necesitaron nada menos que 4 colaboraciones. Christopher McQuarrie (Guión), Jez Butterworth (Guión), John-Henry Butterworth (Guión) y Hiroshi Sakurazaka (Novela).
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En "Edge of Tomorrow", Tom Cruise brilla como el Sargento Cage, atrapado en un inquietante ciclo temporal durante una guerra contra alienígenas. Este blockbuster, que combina una narrativa de ciencia ficción con toques de humor y acción trepidante, se presenta como una reimaginación intrigante de conceptos clásicos como "Groundhog Day". La dirección de Doug Liman logra mantener un ritmo dinámico mientras juega con su compleja trama, ofreciendo tanto momentos épicos como giros inesperados que mantienen al espectador alerta.
A pesar de su entretenido enfoque, la película no escapa a críticas sobre su falta de profundidad y coherencia en el desenlace, lo que provoca que algunos espectadores se sientan más como hámsters en una rueda que como protagonistas de una historia emocionante. Sin embargo, la química entre Cruise y Emily Blunt, quien interpreta a la aguerrida Rita Vrataski, añade una capa de autenticidad que eleva la experiencia. Aunque el desenlace puede no satisfacer a todos, "Edge of Tomorrow" se posiciona como una obra fresca y audaz en el panorama del cine de acción contemporáneo.
Duración: 01 hr 53 min (113 minutos) .
Color: Color
Paises productores: La película Edge of Tomorrow fué producida en Canadá y EE.UU.
Lenguaje original: Inglés.
Títulos en cada país:
Clasificación
Dion Beebe (Director de fotografía)
Chris Carreras (Asistente de dirección), Glen Carroll (crowd second assistant director: additional photography / third assistant director: second unit), Joey Coughlin (Asistente de dirección), Lucy Cover (Asistente de dirección: fotografía adicional), Simon Crane (Director de la segunda unidad), William Dodds (key second assistant director (as Will Dodds)), Jonny Eagle (third assistant director: second unit - additional photography), Fraser Fennell-Ball (Asistente de dirección), Holly Gardner (Tercer asistente de produccón), Luc Gavigan (Asistente de dirección: fotografía adicional), Clare Glass (Tercer asistente de produccón), Lammy Hersi (Runner), Max Keene (Asistente de dirección), Nick Laurence (Asistente de dirección: segunda unidad), Robert Madden (Asistente adicional de dirección: segunda unidad), Terence Madden (Asistente de dirección: segunda unidad), Terry Madden (Asistente de dirección: segunda unidad), Abby Mills (Asistente de dirección), Kiaran Murray-Smith (first assistant director: second unit, additional photography), Tom Payton (assistant director: set), Barnaby Riggs (Asistente de dirección), Paul Sacks (Asistente adicional de dirección: segunda unidad), Sarah Jean Selway (third assistant director (as Sarah Brand)), Kim H. Winther (Asistente de dirección) y Irene Diaz (daily assistant director (u))
Ravi Bansal ((MPC)), Alastair Bullock (Director de arte), Mark Harris, Christian Huband, Jason Knox-Johnston, Neil Lamont (Director de supervisión artística), Andrew Palmer, Hayley Easton Street, Stephen Swain y Gary Tomkins
Monica Alberte (set decoration buyer: France), David Allcock (Artista del guión gráfico), Sophie Allen (Modelista de accesorios), Kirby Allen-D'Cruze (prop modeller (as Kirby Allen)), Yasmin Alvarez (trainee modeller), Matthew Andrews (Asistente de producción artística), Hideki Arichi (draughtsman: additional photography / stand-by art director: reshoot splinter unit), Martin Asbury (Artista del guión gráfico), Christian Ashton (assistant graphic designer), Dennis Baldwin (Modelista de accesorios), Nicola Barnes (Investigador del departamento artístico), Ben Barrington-Groves (Asistente de decorador: fotografía adicional), Amy Battey (art department assistant: additional photography), Amanda Bernstein (set decorator: additional photography), Emily Bick (Modelista de accesorios), Sarah Bick (textile scenic artist), Lee Biggs (supervising props carpenter), Graham Bishop (Comprador de producción), Pierre Bohanna (modeller: exosuit), Andrea Borland (Dibujante), Andy Bottomley (graphics designer: additional photography), Joe Bovington (stand-by props: second unit), Tim Browning (Artista conceptual), Christopher Brändström (Artista conceptual), Mariella Bugeja (Accesorios), Ian Bunting (Artista 3D), Jamie Burrows (Pasante del departamento de arte), Jack Candy-Kemp (assistant scenic artist), Chester Carr (junior modeller), Graham Caulfield (drapesmaster), Andy Challis (stand-by rigger), Netty Chapman (Asistente de decorador), Tina Charad (lead graphic designer), Robert Consing (Artista del guión gráfico), Francesco Corvino (Artista conceptual), Will Coubrough (Asistente de director artístico), Kelton Cram (Artista conceptual), Rachel Cutler (props buyer), Helen Dawson (Asistente del departamento artístico), Jonas De Ro (Artista conceptual), Gavin Dean (Dibujante), Dominic Meyrick-Brook (prop runner), Jonathan Downing (action prop buyer), Tim Dutton (Asistente del departamento artístico), Cai Dyfan (trainee prop), Sander Ellers (senior prop modeller), Neil Ellis (Modelista de accesorios), Adam Alexander Hansford Faux (Asistente del departamento artístico), Jordana Finkel (Asistente de director artístico), Jordan Forbes (Carpintero), Rod Forbes (supervising props), Stephen Forrest-Smith (Artista del guión gráfico), Mark Fruin (chargehand dressing propman), Lydia Fry (Dibujante), Amy Grewcock (digital art assistant), Roy Halfpenny (Modelista de accesorios), Shane Harford (dressing prop), Joseph Harlow (Modelista de accesorios), Rohan Harris (prop paintings), Steve Harris (prop carpenter), Alison Harvey (additional props buyer), Toby Hawkes (supervising prop modeller), Paul J. Hayes (Gerente de construcción), Justin Hayzelden (chargehand dressing props), Stuart Heath (bgi supplies modeller), Terry Heggarty (stand-by painter: additional photography), Robert Hochstoeger (Asistente de director artístico), Andrew Eric Hodgson (Escultor), Mitchell Holder (trainee propman), Chris 'Flimsy' Howes (Accesorios), Darren Howton (Modelista de accesorios), Emily Hubbard (junior modeller), Clive Ingleton (decor and lettering artist), Douglas Ingram (storyboard artist: reshoots), Chas Jellis (Accesorios), Kevin Jenkins (concept artist / creature designer), Caitlin Murray Jones (scenic textile artist (as Caitlin Murray)), Mark Jones (De vestuario), Jeff Julian (conceptual designer), Sean Kenrick (prop department), Matthew Kerly (stand-by art director: second unit), Sally Knight (drapes assistant), Jared Krichevsky (creature designer), Tani Kunitake (Artista conceptual), Magdalena Kusowska (Artista conceptual), Ashley Lamont (Asistente de director artístico), Sam Leake (Dibujante Junior), Simon Lee (Diseñador del concepto), Salli Lindgreen (Pasante del departamento de arte), David London (Modelista de accesorios), Ivan Manzella (creature concept sculptor), William McCann (junior draughtsman: additional photography), Hugh McClelland (Dibujante Junior), Jon McCoy (Artista conceptual), Aaron McDonagh (Tramoyista), Paul Anthony McGill (Diseñador del concepto), Matthew Meadows (Artista del guión gráfico), Stuart Meridew (propmaking buyer), David Merryweather (Modelador), Dave Midson (supervising dressing prop), Nick Milner (Asistente de jefe de utilería), Michele Moen (Ilustrador conceptual), Katie Money (propmaking assistant buyer), Len Morganti (Artista del guión gráfico), Craig Narramore (supervising modeller), Ed Natividad (conceptual designer), Sophie Neil (Dibujante Junior), Cyndi Nello (set decorator trainee), Luca Nemolato (Artista conceptual), Antony Nguyen (designer: sculptor), Nicole Nicolaou (Modelista de accesorios), Carlos Nieto Lopez (matte painting artist), Billy Noonan (Modelista de accesorios), Brandon Norris (art department production coordinator), Lee Oliver (Artista conceptual), Paul Pattison (art department trainee), Steve Payne (dressing props: dailies), Amanda Pettett (Coordinador de construcción), Helen Player (Asistente de decorador), Thomas Power (Accesorios), Andrew Proctor (Dibujante), Daniel Purdy (propman (as Daniel Purdy-Aragon)), Graeme Purdy (Jefe de utilería), Samantha Redwood (art department assistant: additional photography), Tyrone Reed (art department stand-by: action unit / stand-by stagehand: additional photography), Steffen Reichstadt (Artista conceptual), Skot Reynolds (trainee modeller), Oliver Roberts (Director artístico suplente), Sam Rowan (concept modeler), Terry Royce (chargehand dressing prop), Andrey Ryabovichev (Artista conceptual), Ignacio J. Santeugini (Carpintero), Matthew Savage (Artista conceptual), Elicia Scales (Dibujante Junior), Ross Sears (Tramoyista), Mark Seath (Carpintero), Pollyanna Seath (art department coordinator (as Pollyanna Noonan)), Darren Shearwood (metal worker), Jeffrey D. Simon (Asistente de director artístico), Aaron Sims (Artista conceptual), Matt Sims (Dibujante), Tom Sinden (Modelista de accesorios), Ryan Sinnott (Carpintero suplente), Lee Smith (junior modeller), Dorothy Sullivan (assistant production buyer), William Sumpter (Modelista de accesorios), Bgi Supplies (prop fabrication), Ed Symon (Dibujante), Charles Szczech (Dibujante), Henrik Tamm (conceptual illustrator), Andrew Tapper (Diseñador gráfico), Stephen Tappin (Artista conceptual), Sophie Tarver (Fabricante de utilería), Terry Taylor (Accesorios), Richard Thomas (senior prop maker), Tim Timmington (props painter), Annie Toop (drapes), Bradley Torbett (supervising stand-by props: second unit), Mallitta Trudgeon-Collins (trainee modeller), Maximilian-Gordon Vogt (Artista conceptual), Cara Walker (assistant buyer: additional photography), Julian Walker (decor and lettering artist), Stuart Walpole (Utileros suplentes), Amanda Ward (props painter), Simon Webber (Artista conceptual), Paul Wescott (head of department scenic painter (credit only)), Clint Whelan (prop modeler), Terry Whitehouse (senior prop maker), Kyle Whittington (Fabricante de utilería), Simon Wilkinson (dressing prop), Nicholas Williams (Pintor suplente), Sam Williams (Modelista de accesorios), Rebecca Wood (Accesorios), Nico Zarcone (Modelista de accesorios), Mark Lambert Bristol (poster designer: To Victory poster (u)), Nicolette Picardo (set dresser (u)), Matt Walker (scenic artist (u)) y Doug Williams (concept art (u))
Daryl Andrews (Doble de riesgo), Cole Armitage (Doble de riesgo), Scott Armstrong (Dobles), Lee Bagley (stunt performer: additional photography), George Bailey (Doble), Oliver Bailey (Doble), Randy Beckman (stunt performer / stunt rigging (reshoots)), Marvin Campbell (Doble de riesgo), James Cox (Doble de riesgo), Simon Crane (Coordinador de dobles), Jason Curle (Doble de riesgo), Matt Da Silva (Doble de riesgo), Nicholas Daines (Doble de riesgo), Daniel Dow (Doble de riesgo), Giles Dumper (stunt helicopter pilot), Wade Eastwood (Coordinador de dobles), Rick English (Doble de riesgo), Bradley Farmer (Doble de riesgo), Isky Fay (Doble de riesgo), Annalese Ferrari (stunt driver / stunt driving double: Rita / stunt performer), Amanda Foster (Doble de riesgo), Camino García (Doble de riesgo), Christopher Gordon (assistant stunt coordinator / stunt double: Tom Cruise), Oliver Gough (Doble de riesgo), Paul Hampshire (Doble de riesgo), Paul Harford (Doble de riesgo), Dan Hirst (Doble de riesgo), Jorge Huergo (Doble de riesgo), Jason Hunjan (Doble de riesgo), Michael Li (Dobles), Andy Lister (stunt double (stunt double) / stunt performer), Sarah Lochlan (stunt double / stunt performer), Kevin Lyons (Dobles), Boris Martinez (Doble de riesgo), Adrian McGaw (Doble de riesgo), Nick McKinless (Doble de riesgo), Camilla Naprous (horsemaster), Domonkos Pardanyi (Doble de riesgo), Sam Parham (Doble de riesgo), Christian Petersson (Doble de riesgo), Andy Pilgrim (Doble de riesgo), Steve Scott (stunt medic), Curtis Rowland Small (Doble de riesgo), Wolfgang Stegemann (Doble), Shane Steyn (Doble de riesgo), Carly Stucky (stunt double: Emily Blunt (additional photography) / stunt performer), Mens-Sana Tamakloe (stunt double: Ford), Susana Torres (Coordinador del departamento de dobles), Dave Van Zeyl (key stunt rigger / stunt performer), Pablo Verdejo (Doble de riesgo), Vincent Wang (Doble de riesgo), Andy Wareham (Doble de riesgo), Marlow Warrington-Mattei (stunt double: Dragomir Mrsic / stunt performer), Maxine Whittaker (Doble de riesgo), Simon Whyman (Doble de riesgo), Annabel Elizabeth Wood (stunt double: Emily Blunt / stunt performer) y Liang Yang (stunt double / stunt performer)
Nadarajan Usha Abheesh (paint and prep artist), Eva Abramycheva (senior visual effects coordinator), Savlaram Adhav (sr. compositor (as Saviaram Adhav)), Christopher Ahrens (senior lighting artist), Khan Ahsan (motion tracking artist), Vladislav Akhtyrskiy (compositing supervisor: Framestore), Nadia Alaskari (matchmove artist: Framestore), Alexey Alekhin (digital paint artist: visual effects), Maria Asim Ali (stereoscopic compositer), Ian Allard (senior look development), Rene Allegretti (track/matchmove artist), Michael Allen (Compositor: Cinesite), Oliver Allen-Wielebnowski (lead stereoscopic compositor), Vinicio Alvarez (resource administrator), Seshadri Anand (matchmove & rotomation), Richard Anderson (concept artist: Framestore), Sophie Anderson (visual effects data wrangler), Valeria Andino (stereo conversion producer), Luke Armstrong (digital compositor: Cinesite), Hector Arriaga Ayala (paint artist: Prime Focus), Stewart Ash (previsualization artist: The Third Floor), Graham Ashworth (environments technical director), Anelia Asparuhova (Artista de efectos visuales), Jose Astacio (camera layout artist), Davey Atkinson (stereo artist: Prime Focus World), Vincent Aupetit (lead previs/postvis artist), Mark Anthony Austin (previsualization artist: The Third Floor), Alvise Avati (animator: Cinesite), Steve Avoujageli (effects animation supervisor: SPI), Michael Baker (Compositor digital), Richard Baker (stereo supervisor), Adam Balentine (Compositor digital: MPC), Matthew Ball (prep artist), Tom Balogh (visual effects: nvizible), Suzette Barnett (Compositor), John Barrigar (Artista de efectos visuales), Hernan Barros (stereoscopic conversion colead), Peter Bartfay (stereo generalist), Geeta Basantani (senior compositor: Sony Pictures Imageworks), Lynn Basas (senior lighting technical director: SPI), Denis Baudin (modeling and texturing artist: MPC), Jeremy Bazin (Compositor estereoscópico), Alex Belgeonne (visual effects assistant coordinator), Nick Bell (matchmove artist: Cinesite), Ashley Bellm (Coordinador de efectos visuales), Charlie Bennett (digital matte painter), Simon Bennett-Leyh (visual effects data coordinator: Warner Bros.), Prabir Bera (lead stereoscopic compositor), Jan Berner (lead effects technical director: Cinesite), Maxime Besner (Artista de pintura), Alex Betancourt (cg lighting artist: Cinesite), Suraj Bhagat (Compositor estereoscópico), Ediga c Bharath (matchmove artist: The Moving Picture Company), Gaurav Bhira (Compositor), Alex Bicknell (Productor de efectos visuales), Moti Biran (Compositor digital), Sarangi Biswajit (compositor: Stereo Element QC Prirme Focus), Kunal Biswas (compositor stereoscopic: Prime Focus World), Jourdan Biziou (previs artist: The Third Floor Inc.), Michael Blain (senior research and development engineer), Michelle Blok (postvisualization supervisor: The Third Floor), Joel Bodin (Iluminación), Jeremy Boissinot (environment lead: Rodeo FX), Harsh Borah (senior modeler), Nicolas Borens (Compositor principal), Daniel Borg (prep artist), Michael Borhi (Lead Texture Artist), Rachel Borkow (previsualization production coordinator: The Third Floor), Yanick Bourgie (matte painter: RodeoFX), Damien Bouvier (matchmove artist: Peanut), Matt Boyer (matchmove artist: Cinesite), Richard Boyle (character rigger: Cinesite), Amelia Braekke-Dyer (stereoscopic conversion artist), Sheldon Brathwaite (Artista calibrador de movimiento), Dennis Bredow (texture supervisor), Justin Brekke (production operations team lead: MPC), Michelle Lynne Brenner (lead production services technician), Matthew Bristowe (head of production: Prime Focus World), Andrew Brittain (senior stereo artist), Brett Bronson (compositing associate technical director), Jason Brown (previsualization artist: The Third Floor), Steven Browning (cg modeler), Gary Brozenich (visual effects supervisor (MPC)), Hugo Brunet Gauvreau (visual effects artist (as Hugo Brunet)), Lee Brunet (digital compositor: Framestore), Daniel Bryant (digital compositor: Framestore), Marc Brzezicki (lead stereoscopic conversion artist), John Bunt (layout lead), Jean-Francois Burdin (digital paint and roto artist: Framestore CFC), Darrell Burke (Artista de efectos visuales), James Burke (lead visual effects technical director), Benjamin Burr (compositor: MPC), James Burr (Artista de previsualización), Glenn Burton (previsualization artist: The Third Floor), Paul Burton (Director técnico de iluminación), Dorian Bustamante (previs lead artist: the third floor inc), Eamonn Butler (animation supervisor: Cinesite), Simon Butler (Director técnico de efectos), Conor Byrne (Editor de efectos visuales), Hélène Bécourt (visual effects coordinator: Cinesite), Philip Cabana (Asistente de producción de efectos visuales), Thomas Callicoat (previsualization artist: The Third Floor), Stephen Camardella (previsualization artist: The Third Floor), Angus Cameron (stereographer), Daniela Campos Little (matchmove artist: Cinesite), Huseyin Caner (Cyber and Lidar scanning supervisor / head of visual effects: Plowman Craven), Julia Canfora (compositing production manager), Alexandre Canniccioni (lighting technical director: Framestore), Pete Capelluto (senior visual effects pipeline technical director), Francesco Capone (stereo technical director), Marco Capparelli (previsualization artist: The Third Floor), Allen Cappuccilli (visual effects editor: SPI), Eric Carney (previsualization creative director: The Third Floor), Jessica Carrington (stereoscopic production coordinator), Jonathan Carré (Compositor digital), Shoghi Castel De Oro (previsualization artist: The Third Floor), Maxime Cazaly (matchmove artist: Framestore), Martin Chamney (cg supervisor: nvizible), Thomas Champon (motion capture technical director: MPC), Hubert Chan (lead layout artist: MPC), Singh Chandan (Compositor de música), Matthew Chandler (Artista de efectos visuales), Chandrasekhar (Artista digital), Blandine Chanteur (Director técnico de iluminación), Vikki Chapman (stereo production coordinator: Prime Focus), Abhishek Chauhan (visual effects editor: prime focus), Vishal Chauhan (Compositor), Arvind Chaurasiya (visual effects editor: prime focus), John Abraham Chempil (Artista de efectos visuales), Ching-Yi Chen (Artista de pintura y ROTO: Framestore), Albert Cheng (postvis supervisor: The Third Floor / previsualization supervisor: The Third Floor), Sandra Chocholska (Compositor digital), Ann Chow (Coordinador de efectos visuales), Gotthardt-Mills Chris (lidar scanning technician / senior set surveyor), Sam Churchill (Artista de efectos visuales), Simone Ciliani (effects technical director: Framestore), Benjamin Cinelli (Animador senior de personajes), Caleb Clark (Compositor digital), John Clark (layout supervisor), Ross Clark (data wrangler), Peter Clayton (animator: Cinesite), Claudio Clemente (previsualization artist: asset builder, The Third Floor), Seth Cobb (previsualization artist: The Third Floor), Esme Coleman (Compositor estereoscópico), Tim Coleman (Artista de efectos visuales), Ross Colgan (technical support: Cinesite), Collombier Jerome (matchmove artist: Framestore), J. Todd Constantine (previs lead artist: the third floor inc), Stefaan Contreras (Artista de animación), Kingsley Cook (senior visual effects coordinator: Warner Bros), Stephanie Cooper (Compositor estereoscópico), Chad Cortvriendt (stereoscopic producer), Nestor Costa (track/matchmove artist), William Cote (visual effects production assistant: Rodeo FX), Andrew Cottingham (previsualization coordinator: The Third Floor), Laura Coumbe (digital paint and roto artist), Richard Courtman (Efectos visuales), Francois Croteau (matte painter (Rodeo FX)), James Cundill (senior view-d editor), Eoghan Cunneen (Director técnico), David Cunningham (Director técnico de efectos), Will Cunningham (crowd supervisor), Grahame Curtis (cg modeller: Cinesite), Mark Curtis (compositing head of department: MPC Vancouver), Ryan Cushman (character pipeline), Anthony D'Agostino (digital compositor: The Moving Picture Company), Matthew D'Angibau (lead matchmover artist: Cinesite), Frank D'Iorio (digital compositor: Framestore Montreal), Charles Darby (creative director), Jose Augusto David (Compositor de música), Philippe David (lighting technical director: Framestore), David R. Davies (effects animation supervisor), Amy Davis (digital compositor: Framestore), Nick Davis (Supervisor de efectos visuales), Stephen Davis (roto prep lead), Jo De Mey (prep artist: Cinesite), Jesus De Santiago (Jefe de producción asociado), Stanley A. Dellimore (global head of layout: MPC), Sarah Delucchi (postvisualization artist), Marie Victoria Denoga (Compositor digital), Anouk Deveault-Moreau (communications: Rodeo FX), Robert Diaz (previsualization artist: The Third Floor), Hunt Dougherty (previsualization artist: The Third Floor), Jason Dowdeswell (production operations), Peter Doyle (supervising digital colourist), Zach du Toit (Artista de efectos visuales), Julien Dubuisson (pipeline technical director: Rodeo FX), Tom Duckett (stereo conversion artist: Prime Focus), Jeremie Ducrocq (digital compositor: Framestore), Ryan Duhaime (senior technical director: Sony Pictures Imageworks), Rob Dunbar (Efectos visuales), Finlay Duncan (paint and roto artist), Frederic Dupere (matte painter (Rodeo FX) / visual effects artist), Margaux Durand-Rival (lead previs artist: The Third Floor), Thomas Dyg (environment supervisor: Cinesite), Scott Eade (head of layout: MPC Vancouver), Christopher Edwards (previsualization creative director: The Third Floor), Clwyd Edwards (head of vfx), Richard Edwards (production manager: Prime Focus World), Elayaraja (Jefe de producción asociado), Karen Elliott (element supervisor: Prime Focus), James Elster (Compositor), Jordan Emerick (previs artist: The Third Floor Inc.), Brian Emerson (previsualization artist: The Third Floor), Robin Emerson (senior global stereo pipeline technical director), Andrew Emmerson (Stereo Element Co Supervisor), Marc English (lead technical animator), Selcuk Ergen (senior effects technical director: Framestore), Lars Erik Eriksen (paint and roto artist: Framestore), Alexander Eriksson (Compositor digital: MPC), Arkin Esref (Artista de efectos visuales), Fish Essenfeld (lead compositor / senior technical director), Maeve Eydmann (environment artist: Cinesite), Edwin Fabros (texture painter), James Farrington (previsualization artist: The Third Floor), Marq Faulkner (lighting technical director: MPC), Jonathan Fawkner (visual effects supervisor: Framestore), Talia Felber (visual effects coordinator: Framestore), Ian Fellows (Compositor digital), Andrew Fensom (Compositor: Cinesite), Oliver Fergusson-Taylor (Compositor: Framestore), Maxime Ferland (paint and roto artist: Framestore), Bernardo Argêncio Fernandes (visual effects compositor (as Bernardo Fernandes)), Bruno Fernandes (digital compositor: Cinesite), Rodrigo Fernandez (stereoscopic paint artist: Prime Focus), Frank Fieser (compositing lead: SPI), Brian Fisher (Compositor senior), Jed Fisher (previsualization animator), Colas Fiszman (Director técnico), Heather Flynn (previsualization artist: The Third Floor), Tom Fonvillars (lighting td: framestore), Anna Ford (technical support: Cinesite), Brian Fortune (digital compositor: Sony Imageworks), Suzanne Forward (Coordinador de efectos visuales), Lucien Fostier (Compositor digital), Julien Fourvel (Artista de previsualización), Richard Fox (Compositor digital), Guillaume Fradin (cg effects lead: Framestore), Simon Fraser (stereoscopic production coordinator), Mauro Frau (senior technical director: Framestore), Nicholas Freeston (previsualization artist: The Third Floor), Alan Fregtman (pipeline technical director: Rodeo FX), Jorge Sanchez Fresno (stereoscopic paint artist: Prime Focus), Iris Frisch (vfx production coordinator: Framestore), Carl Frytz (postvisualization artist), Jonathan Fung (stereoscopic compositor: Prime Focus), Lisa Funkel (paint and roto artist: framestore), Amy Furey (data operator: Cinesite), Carl Gagnon (cg modeler: Rodeo FX), Sabrina Gagnon (vfx line producer), Megan Galbraith (visual effects production coordinator: MPC), Murray Gale (visual effects coordinator: Cinesite), Daniel Gardiner (paint and roto artist), Ales Gargulak (Compositor digital), Rob Garner (Compositor digital), Richard Garnish (technical support: Cinesite), Caroline Garrett (technical support: Cinesite), Sarah Gatefield (matchmove artist: Cinesite), Nikos Gatos (senior lighting technical director: Cinesite), Manuel Gaudreau (cg artist (Rodeo FX)), Pätrick Gehlen (previsualization artist: The Third Floor), Sandra Germain (visual effects coordinator: Framestore), Stefan Gerstheimer (lookdev lead / visual effects), Deborah Giarratana (visual effects executive), Robert Gibbons (Compositor estereoscópico), Phillip Giles (senior lighting technical director), Safiya Gili (elements creation, stereoscopic compositing artist), Andre Giordani (matchmove artist: Framestore), Michael Glans (Animador: Framestore), Frederikke Glick (Compositor: Framestore), Kiel Gnebba (senior effects technical director), Jean-Baptiste Godin (Compositor digital), Julien Goldsbrough (Compositor), Adam Goldstein (Director técnico de iluminación), Michael Gomes (Animador técnico), Nathalie Gonthier (digital paint and roto artist), Alex Gooding (Artista de efectos visuales), Katie Goodwin (vfx editor: framestore), Marcus Goodwin (lighting department manager: MPC), Sam Gordon (Modelador), Björn Gottwald (digital compositor: Framestore), Matthieu Goutte (lead character rigger), Yash Gowda (matchmove artist (as Yashawantha Kumar) (prime focus)), Oded Granot (digital compositor: Sony Pictures Imageworks / senior compositor: MPC), Michael Grawert (Artista de previsualización), Luke Gray (Director técnico), Aoife Greenham (lead stereoscopic compositor), Philip Greenlow (visual effects producer (MPC)), Florian Grenier (paint and roto artist: Framestore), Larry Gritz (rendering scientist), Pawel Grochola (Artista de efectos visuales), Julie Groll (senior digital production manager: SPI), Dean Grubb (Director técnico de efectos), Chloe Grysole (senior visual effects producer: Framestore), Jia Guanglei (cyber scanning technician), Martine Guay (matte painter: Rodeo FX), Vinod Gundre (lead stereoscopic compositor), Steve Gurr (motion graphic artist), Ben Guthrie (previsualization mocap), Amélie Guyot (matchmove artist: Peanut), Gil Hacco (previs artist: The Third Floor Inc.), Kee-Suk 'Ken' Hahn (Supervisor de efectos digitales), Jacob Halajian (previs production coordinator: The Third Floor Inc.), Ed Hall (visual effects assistant editor), Steven Hall (visual effects director of photography), Daniel Hammonds (paint and roto artist: Framestore), Nicholas Hampshire (Director técnico), Donghoon Han (Compositor: Framestore), Rose Hancock (previsualization production coordinator), Scott Hankel (postvisualization lead: The Third Floor / previsualization lead: The Third Floor), Patrick Harboun (Artista de efectos visuales), Jim Harnish (systems manager), Rio Harrington (lead stereoscopic compositor), Philip Harris-Genois (modeling intern), Ben Harrison (assistant production manager: stereo conversion), Jon Hartley (modeller: Framestore), Andrew Harvey (digital restoration: technicolor), Arnaud Havart (matte painter: Rodeo FX), Michael Havart (digital environment artist), Clive Haward (technical support: Cinesite), Ed Hawkins (Compositor: Cinesite), Jason Hayes (Compositor estereoscópico), Chris Hebert (visual effects photographer), Karsten Hecker (production engineer), Dan Heder (previs artist: The Third Floor Inc.), Karl Herbst (Supervisor de CG), Jeremy Hey (Compositor digital), Jeffrey Charles Higgins (effects technical director: Sony Pictures Imageworks), Jordan Hill (previs artist: The Third Floor Inc.), David Hirst (head of lighting: MPC), Andre Hitsøy (Artista de efectos visuales), Victoria Hodson (paint and roto artist), Kim Hong Kyoung (paint artist: Prime Focus (stereoscopic conversion)), John Hood (character pipeline lead), Matt Horner (previs artist: The Third Floor Inc.), Russell Horth (lead artist compositing: Framestore), Leo Patrick Houde (visual effects assistant editor: Framestore), Shannon Howald (stereoscopic compositor: Prime Focus), Barry Howell (previsualization supervisor: The Third Floor), Pavel Hristov (Compositor digital), Romain Hubert (Compositor digital), Jack Hughes (digital compositor: Nvizible), Shawn Hull (previsualization lead artist: The Third Floor), Antony Hunt (visual effects executive producer: Cinesite), Julian Hutchens (lead look development and lighting technical director: Framestore), Andrew Hutton (Artista de efectos visuales), Andrew Hwang (previsualization artist: The Third Floor), Injoon Hwang (Artista de efectos visuales), Atsushi Ikarashi (senior effects technical director: Sony Pictures Imageworks), Mutia Iskandar (stereoscopic paint artist), Velichko Ivanov (Director técnico), Albena Ivanova (Compositor estereoscópico), Jason Ivimey (previsualization shot creator: The Thrd Floor Inc), Omkar Iyer (visual effects editor: prime focus), Sasha Leigh Izadpanah (assistant visual effects editor: Framestore), Carl Jackson (Director técnico de efectos), Liana Jackson (Editor de efectos visuales), Owen Jackson (digital paint and roto artist: Framestore), Anna V. James (stereo production supervisor (as Anna Panton)), Daniel Jeantou (systems engineer: Framestore), Kevin Jenkins (visual effects art director), Laura Jennings (Editor de efectos visuales), Woojo Jeon (Coordinador de efectos visuales), Chuan Jin (stereoscopic paint artist: Prime Focus), Qi Steven Jin (previs artist: The Third Floor Inc.), Blake Kenneth Johnson (previsualization artist: The Third Floor), Lorraine Johnson (film & recording supervisor), Odigie Johnson (visual effects artist (framestore)), Felix Jorge (previsualization artist: The Third Floor), Alyse Joseph (senior visual effects coordinator), Marc Joubert-Nederveen (modeling technical director), Cavan Judge (Cyber Scanning Technician), Luc Julien (senior digital compositor: Sony Pictures Imageworks), Kareem K.H. (Compositor digital), Joey Kadin (resource specialist / systems administrator), Christian Kaestner (Supervisor de efectos visuales), Spiros Kalomiris (lighting technical director: Framestore), Mahima Kapoor (junior comp/paint artist), Per Karefelt (senior research & development engineer), Alban Kasikci (digital compositor: Framestore), Matt Kasmir (visual effects supervisor: Nvizible), Shantanu Katiyar (Artista de efectos visuales), John Kay (postvisualization artist: Nvizible), Rosie Keane (prep artist: Framestore), Ciarán Keenan (visual effects coordinator: Nvizible), Lee Kerley (senior shader writer), Ahsan Khan (Artista calibrador de movimiento), Ritesh Khare (digital compositor: prime focus / roto/paint artist: stereosco), Sahil Khurana (stereoscopic coordinator), Marvin Kim (modeling supervisor), Diane Kingston (visual effects producer: Cinesite), Amanda Kirpaul (previs editor: the third floor inc), Kevin Kitchel (crowd technical director), Connor Kitto (tracking artist), Vadim Kiyaev (character rigging technical director), Brian Kloc (lead lighting artist), Daniel Klöhn (visual effects artist: Studio Logo Open), Allie Koppel (previs accountant: The Third Floor Inc), Rohit Korgaonkar (stereoscopic conversion compositor), Daniel Kramer (visual effects supervisor: Sony Pictures Imageworks), Slav Kravchenko (digital matte painter: environment / texture artist: environment), Benjamin Krebs (digital compositor: Sony Pictures Imageworks), John Kubasco (previsualization artist: The Third Floor), Swapnil Kulkarni (stereoscopic technical lead), Sujay Kumar G. (matchmove lead: MPC), E. Suresh Kumar (matchmove lead), Sanjeev Kumar (pipeline software developer: MPC), Puneeth Kunnatha (stereoscopic paint artist), Dan Kunz (motion capture technical director: Framestore), Laurent Laban (lead animator: Framestore), Eric Lacroix (senior effects technical director), Alain Lalanne (visual effects producer: Rodeo FX), Billy-Vu Lam (Animador de personajes), Nancy Lamontagne (visual effects coordinator: Rodeo FX), Isabelle Langlois (head of production: Rodeo FX), Charlotte Larive (Compositor digital), Warren Larkam (Asistente de producción de efectos visuales), Martin Larrivée (lead digital compositor: Rodeo FX), Mike Lasker (lighting/comp technical director), Niña Laureles (effects technical director (as Nina Laureles)), Nicola Lavender (senior lighting technical director: SPI), Chris Lawrence (cg supervisor: Framestore), Kurt Lawson (digital compositor: Sony Pictures Imageworks), Christopher Learmonth (visual effects editor: Cinesite), Florent Lebrun (matte painter: Rodeo FX), Christine Leclerc (cg artist: Rodeo FX), Herman Lee (previs artist: The Third Floor Inc.), Kuan-Ting Lee (stereoscopic paint artist: Prime Focus), Paul Lee (animator: Cinesite), Sam Lee (senior compositor: SPI), Soon Ngee Chris Lee (Compositor digital), Julien Legay (Director técnico de efectos), Danielle Legovich (Productor de efectos visuales), Benoit Legros (Compositor digital), Jesse Lehrman (Artista de efectos), Rory Leiva Ahearne (matchmove artist: Cinesite), Taylor Lenton (Director técnico de iluminación), Nicolas Leroy (lighting technical director: Framestore), John Peter Li (cg supervisor: Framestore), Todd Liddiard (senior compositor: Sony Pictures Imageworks), Fernando Lie (stereoscopic paint artist: Prime Focus), David Lieberman (stereoscopic conversion compositor), Roger Liu (previsualization artist: The Third Floor), Amy Lloyd (matchmove artist: Cinesite), Wassila Lmouaci (visual effects line producer), Cedric Lo (senior animator (Sony Pictures Imageworks Vancouver)), Jeremie Lodomez (sequence lead compositor: Framestore), James Long (3d data manager), Justin Long (lighting technical director: Framestore), Sean Looper (senior software engineer: SPI), Javier Lopez-Duprey (previsualization artist: The Third Floor), Valerie Loyer (cg artist: Rodeo FX), Viktor Lundqvist (effects technical director: SPI), Chris Lunney (screen graphics designer: Nvizible), Matthew Lutes (view-d lead), Fredrick Lyn (Director técnico de iluminación), Mickaël Léger (Compositor digital), Francesc Macia (roto/prep artist: Cinesite), Derrick MacPherson (systems administrator), Damien Macé (lead digital matte painter: framestore), Benjamin Magaña (Artista digital), Les Major (previs artist: The Third Floor Inc.), Aron Makkai (senior technical director), Melik Malkasian (previs artist: The Third Floor), Finbar Mallon (technical support: Cinesite), Alex Manita (senior effects technical director: MPC), Supreeti Mann (stereoscopic paint artist: prime focus), Mitchell Marciales (previs artist: The Third Floor Inc.), Mike Marcuzzi (visual effects: Sony Pictures Imageworks), Natanya Marks (previsualization production manager: The Third Floor), Antonio Marra (pipeline technical director: Framestore), Gary Marshall (virtual production lead), Edward Martin (matchmove artist: Cinesite), Graham Martin (visual effects production coordinator), Jose Martin (rigging artist: Framestore), Adam Martinez (Efectos visuales), Stephen Mascarenhas (executive producer: stereoscopic conversion), Giovanni Mascherpa (lighting td / lighting technical director), Wendy Mashburn (digital production management: SPI), Dan Mason (texture artist: Cinesite), Laszlo Mates (senior lighting technical director), Jemmel Matheson (Compositor de música), Roger Mathews (previs artist: The Third Floor Inc.), Béranger Maurice (postvisualization artist: Nvizible), Christopher Lucas Maw (Compositor estereoscópico), Adam May (vision3 producer), Isabell Mayrhofer (visual effects production coordinator: Framestore), Peregrine McCafferty (matchmove artist: Peanut), Matt McClurg (previsualization artist: The Third Floor), Will McCrate (Artista digital), Vincent McCrindle (tracking/layout artist), Jason McDonald (previsualization animator: The Third Floor), Paul Anthony McGill (senior prop modeller), Brooke McGowan (Compositor estereoscópico), Andrew McGregor (matchmove artist: Cinesite), Ben McIlveen (Artista de efectos visuales), Gavin McKenzie (digital compositor: Framestore), Raymond McLendon (senior production services technician), Genevieve McMahon (previs production manager: The Third Floor), Renton McNeill (pipeline technical director: Framestore), Craig McPherson (lead animator: Sony Pictures Imageworks), Gus Melton (view-d editor), Horacio Mendoza (cg effects lead: Framestore), Aron Merritt (capture technical director: Framestore), Matt Middleton (Supervisor de efectos visuales), Joanna Migodzinska (Artista de previsualización), Adrian Millington (Animador de alto nivel), Minal Mistry (matchmove artist: Cinesite), Annie Mitchell (prep station), Tamara Mitchell (visual effects set production assistant), Jonathan Molcan (stereoscopic paint artist: Prime Focus), Bernadett Molnár (stereoscopic paint artist: Prime Focus), Elizabeth Montes (previsualization production coordinator: The Third Floor), Alex Moon (previsualization artist: The Third Floor), Steven Moore (modeler: Framestore), Sébastien Moreau (visual effects executive producer: Rodeo FX), Hiroshi Mori (previsualization artist: The Third Floor), Jean-Francois Morissette (matchmove artist: Rodeo FX), Kan Muftic (visual effects conceptual artist), Thierry Muller (Compositor digital), Joseph Murad (previs artist: The Third Floor Inc.), Adil Mustafabekov (matte painter: SPI), Jayaraj Muthukumar (Artista calibrador de movimiento), Stephanie Muyco (Coordinador de efectos visuales), Ricardo Nadu (senior character technical director: SPI), Jeff Nadwidny (paint artist: prime focus), Dipin Nair (stereoscopic coordinator), Hee-Chel Nam (digital texture artist: SPI), Bavindra Nama (paint artist: Prime Focus), Nishant Narang (Compositor digital), Hiroaki Narita (Director técnico de efectos), Pierpaolo Navarini (effects technical director: Framestore), Helen Newby (Compositor: Cinesite), Christopher Newman (track/matchmove artist), Gary Newman (senior texture artist: Cinesite / texture artist: Framestore), Nicolette Newman (texture artist: Cinesite), Jeff Newton (lighting/technical director), Adele Ng (visual effects lighter), James Nicholl (creature effects technical director: Framestore), Dillan Nicholls (digital compositor: Framestore), Steve Nichols (Supervisor de animación), Tristan Nieto (Compositor estereoscópico), Gustaf Nilsson (Compositor: Cinesite), Gary Nisbet (junior effects technical director: Framestore), Motoki Nishii (previsualization artist: The Third Floor), Eric Noel (lighting technical director: Framestore), James P. Noon (seguimiento), Brandon Norris (art department production coordinator), Emma Norton (Productor de efectos visuales), Marion Nove-Josserand (effects animator: Cinesite), Adrian Nurse (digital compositor: Framestore), Barry O'Brien (Supervisor de estereoscópica), Tom O'Flaherty (animator: Cinesite), Joshua Ochoa (pipeline td), Alok Ogale (Artista digital), Artemis Oikonomopoulou (cg supervisor: Cinesite), Chris Olsen (Artista de previsualización), Conrad Olson (Compositor digital), Steven Ong (senior effects technical director), Arturo Orgaz Casado (lead lighting and lookdev), Michelangelo Neri Orliani (Compositor digital), Carolyn Oros (previs head of pipeline: The Third Floor Inc), Jose A. Ortiz Jr. (visual effects supervisor: Opening Studio Logo), Samuel Erik Ortiz (previsualization artist: The Third Floor), Mark Osborne (lead lighting technical director: Framestore), Sam Osborne (Compositor principal), Siegfried Ostertag (senior visual effects technical director: Sony Pictures Imageworks), Jojan P M (pipeline software developer: MPC), Christophe Pacaud (digital compositor: Framestore), Brian Pace (previsualization artist: The Third Floor), Ivo Panayotov (system engineer: SPI), Dhananjay Parab (visual effects editor: prime focus), Stephane Paris (cg supervisor: MPC), Taehyun Park (Modelador), Chris Parks (stereo supervisor), Chintan Parmar (visual effects systems administrator), Florian Parrot (previsualization animator), Tom Partridge (Editor de efectos visuales), Nikki Pataracchia (senior effects technical director: Sony Pictures Imageworks (as Nikki Makar)), Nikul Patel (lidar scanning technician / visual effects set surveyor), Vishal Rajendra Patel (stereoscopic conversion artist), Jane Paton (Compositor digital), Jason Pauls (stereoscopic production coordinator), George Pembrey (visual effects production assistant: MPC), Venetia Penna (Compositor: Cinesite), Doug Penner (systems administrator), Aymeric Perceval (compositing supervisor: Cinesite), Christian Perschky (technical support: Cinesite), Marshall Petersen (senior production services technician), Goran Petrushevski (Artista de pintura), Daniel Pettipher (technical support: Cinesite), Kim Phelan (visual effects producer: Nvizible), Jimmy Philip (stereo supervisor), Camil Planella (Director técnico de iluminación), Mairin Platt (Asistente de producción de efectos visuales), Patrice Poissant (cg artist: Rodeo FX), Pavan Kumar Potluri (Supervisor de pintura), Etienne Poulin St-Laurent (match move artist: Rodeo FX), Christian Poullay (matchmove artist: Cinesite), Akie Prapas (tracking/layout: Framestore MTL), Chris Preston-Barnes (stereo production coordinator), Dale Pretorius (environment artist), Holly Price (Coordinador de efectos visuales), Richard Pring (head of editorial: Prime Focus), Jeanne-Élise Prévost (visual effects coordinator: Framestore), Christopher Puchta (effects technical director: Cinesite), Simon-Pierre Puech (Compositor digital), Risto Puukko (senior effects technical director), Toni Pykäläniemi (Compositor digital: MPC), Shane Rabey (Compositor: Framestore), Nigel Rafter (Animador: Framestore), Nitin Raja (visual effects editor: prime focus), Rajkumar Rallabandi (Artista de efectos visuales), Sandesh Ramdev (Compositor digital), Matt Rank (senior capture technical director), Patrick Redmond (Director técnico de iluminación), Marc Rice (Compositor), Cynthia Richards (department manager: MPC), Rob Richardson (effects artist: lead), Sam Rickles (Artista de efectos visuales), Romain Rico (Compositor digital), Dominic Ridley (senior data wrangler), Emily Rifkin (previs artist: The Third Floor Inc.), Brian Ritz (Artista de efectos visuales), Bjarni Robert Bragason (2d sequence lead: Framestore), Ryan Roberts (senior character technical director), Terrence Robertson-Fall (senior character technical director: SPI), Jeff Robinson (previs artist: The Third Floor Inc.), Santiago Robles (Director técnico de efectos), Matt Rock (production support), Rebecca Rogers Cecot (previsualization artist: The Third Floor), Rebecca Rose (previsualisation artist), David Ross (machmove artist), Thomas Rosseter (senior digital compositor), Matthew Rouleau (visual effects supervisor: Rodeo FX), Gavin Round (visual effects production supervisor: Warner Bros.), Adam Rowland (Compositor senior), Sandeep Roy (matchmove and rotomation artist), Daniel Rubin (Compositor digital), Felipe Ruiz Reyes (lighting technical director: MPC), Katya Ruslanova (digital compositor (as Ruslanova Katya)), Kailin Ryan (Coordinador de efectos visuales), Johnathan Sagris (stereoscopic paint artist), Percy Sagun (motion capture specialist), Vernon Saldanha (Artista de pintura), Gisele Sanchez (previsualization coordinator: The Third Floor), Juan-Luis Sanchez (lead creature technical director), Sabin Sasidharan (lead stereoscopic compositor), Atsushi Sato (Animador senior de personajes), Daryl Sawchuk (Supervisor de animación), Michele Sciolette (software development: Cinesite), Eric Scott (Productor de efectos visuales), Will Seaborn (previs artist: The Third Floor Inc.), Jacopo Sebastiani (Artista de previsualización), Ronald Segovia (roto paint artist), Antoine Seigle (tracking/layout artist), Debapriya Senanayak (Artista de efectos visuales), Maria Serrano (previsualization artist: The Third Floor), Hussain Shaikh (Compositor), Denys Shchukin (effects technical director: Framestore), Kerry Shea (previsualization producer: The Third Floor), Dan Sheerin (technical animation supervisor), Swain Shiv (Artista de efectos visuales), Alfonso Sicilia (previsualization animator), Alonso Sierra (stereoscopic paint artist), Nikola Simeonov (tracking/layout artist), Jason Simmons (senior effects technical director: Sony Pictures Imageworks), Mads Simonsen (previsualization artist: The Third Floor Inc.), Craig Simpson (digital compositor / visual effects artist), David Simpson (Compositor: Framestore), Irina Slabkovska (Compositor estereoscópico), Matthew Smart (Artista de previsualización), Irene Smirnova (cg artist: Rodeo FX), Carey Smith (digital producer), Jenesta Smith (paint and roto artist), Ryan T. Smolarek (senior digital compositor: SPI), Eric So (Compositor digital), Jordan Soles (visual effects producer: Rodeo FX), Marek Solowiej (paint and roto artist), Nelson Sousa (senior modeler: Sony Pictures Imageworks), Janani Sridhar (stereoscopic paint artist), Christophe St-Pierre Paradis (Animador: Framestore), Elliot Staker (matchmove artist: Cinesite), Simon Stanley-Clamp (visual effects supervisor: Cinesite), Andy Stevens (visual effects editor - associate: Framestore), James Stone (cg modeller: Cinesite / lead modeller), Aaron Strasbourg (stereoscopic paint artist: Prime Focus), Gustav Suguimoto (previsualization artist: The Third Floor), Jason Summersgill (roto and prep artist: Cinesite), Kitsakorn Supanimitamorn (stereoscopic paint artist: Prime Focus), Prapanch Swamy (senior lighting and compositing technical director), Attila Szapek (Compositor digital), John Szebegyinszki (senior visual effects coordinator: Framestore), Jeremy Séguin (digital compositor: Framestore), Kaz Tanaka (color scientist), Cristina-Ioana Tanase (Jefe de producción), Taisuke Tanimura (senior software engineer), Abhimanyu Tanwar (view-d roto artist), Mark Taylor (texture artist: Framestore), Vincent Techer (Artista de efectos visuales), Jacob Telleen (Director técnico), Sky Tesi (Artista de efectos visuales), Sebastien Tessier (senior lighting technical director: SPI), Olivier Thibaut (senior software developer: MPC), Abraham Thomas (visual effects editor: prime focus), Neil Thompsett (paint lead), Dominic Thomson (Compositor), Daniel Tiller (technical support: Cinesite (as Dan Tiller)), Dan Tindell (Artista de previsualización), Rohan Tirkey (Supervisor de estereoscópica), Ricardo Tobon (motion capture specialist), Allan Toellner (lighting td: MPC), Steven Tom (previsualization artist: The Third Floor), Helder Tomas (matchmove artist: Cinesite), Marissa Tomas (visual effects accountant), Ruggero Tomasino (digital compositor: Cinesite), Mark Tompkins (concept artist: MPC), Alan Tormey (stereoscopic lead artist), Chris Tost (animator: SPI), Benoit Touchette (senior staff member: Framestore), Carine Touraille (programmer (Rodeo FX)), Will Towle (Compositor digital), Jean Tsai (production services technician), Jerry Tung (lighting sr. artist), Arron Turnbull (matchmove artist: Cinesite), Trevor Tuttle (previsualization artist: The Third Floor), Simon Twine (Compositor), Nadia Tzuo (visual effects artist: Prologue Films), Dhruv Uppal (stereo conversion artist), Arturs Vaitilavics (lead stereoscopic compositor), Mauricio Valderrama (Compositor), Jelle Van de Weghe (Artista de previsualización), Pieter Van Houte (Compositor senior), Courtney Vanderslice (visual effects executive producer: Cinesite), Greg VanZyl (Artista de efectos visuales), Mohit Varde (stereoscopic conversion artist: Prime Focus), SabaNayagam Veerasekaran (paint compositor (as Sabanayagam)), Duarte Victorino (effects technical director: Framestore), Eduardo Villarreal (paint and roto), David Vivaldini (digital compositor: Framestore), Holger Voss (head of cg technology: Cinesite), Andreas Vrhovsek (Artista de efectos visuales), Jonathan Vuillemin (cg lighting artist: Cinesite), Jaikishan Vyas (Compositor digital), Paul Waggoner (effects animator (as Paul Waggonner)), Alexis Wajsbrot (cg supervisor: Framestore), Maggie Walby (visual effects stereo coordinator: Prime Focus), Johan Walfridson (Director técnico), Erik Walker (previsualization artist: The Third Floor), Eric Walls (previsualization artist: The Third Floor), Jo Walls (animator: Cinesite), Brian Walters (Diseñador), Ryan Walton (Artista de previsualización), Jo Wand (Artista digital), Cliff Wang (visual effects accountant), Doris Wang (Director técnico de iluminación), Kevin Wang (solving supervisor / stereoscopic compositor), Nye Warburton (previs artist: The Third Floor Inc.), Neil Weatherley (cg supervisor: Framestore), Alex Webb (digital compositor: Cinesite), Ollie Weigall (Compositor: Cinesite), David Weinstein (previs artist: The Third Floor Inc.), John Welborn (software engineer), Matt Welford (senior computer graphics supervisor: Sony Pictures Imageworks), Craig Wentworth (Supervisor de composición), Kevin Wheatley (software development: Cinesite), Bob Wiatr (senior digital compositor: SPI), Bernard Wicksteed (senior matchmove artist: Framestore), Guido Wilden (workflow consultant), Royston Willcocks (cg modeller: Cinesite), Stephen Willey (head of systems and engineering), Katie Williams (stereoscopic paint artist: Prime Focus), Jeremie Winslow (senior digital production manager: Sony Pictures Imageworks), Chris Wood (Compositor digital), Mike Woodhead (lead data wrangler: second unit), Alan Woods (lead lighter: Framestore), Harry Woollacott (stereoscopic visual effects coordinator), Joe Worthington (junior lighting technical director), James Wright (Artista de efectos visuales), Shibo Xiao (lighting technical director: framestore), Wang Yang (Director técnico de efectos), Alvin Yap (visual effects technical director), Volkan Yurdakul (paint and roto artist: Framestore), Joseph A. Zaki (compositing supervisor: MPC), Hubert Zapalowicz (matte painter: Rodeo FX), Joffrey Zeitouni (Artista de previsualización), Dioni Zhong (Director técnico), Najdovski Aleksandar (visual effects artist (u)), John Anderholm (pipeline technical director (u)), Priya Ayengar (lead stereoscopic paint: Prime Focus (u)), Keith Barton (technical support: Cinesite (u)), Shane Birdsill (technical production coordinator (u)), Thomas Buckingham (render/data support: MPC (u)), Camila Davila (texture painter (u)), Victoria Farley (visual effects artist (u)), Michael Fournier (vfx editor: MPC (u)), Katarina Gacevska (senior paint artist (u)), Ken Graham (digital compositor (u)), Bashir Hamid (compositor (u)), Dilipan Jeevanandham (roto artist (u)), Chawalit Jirattikansakul (rotomation artist (u)), Lu Kondor (technical writer (u)), Ashwin Kumar (stereo roto (u)), Ben Lambert (modeller (u)), Liam Lavery (visual effects artist (u)), Zubair Lawrence (software engineer (u)), Taz Lodder (systems administrator: Framestore (u)), Sara Lynch (production support: Cinesite (u)), James Mann (render/data support: MPC (u)), Himanshu Meena (senior matchmove artist (u)), Christophe Meslin (head of systems (u)), Ivanna Mikhaylova (digital compositor (u)), Darren Nash (visual effects artist (u)), Hayri Safak Oner (software engineer (u)), Andrea Lackey Pace (executive director of production services and resources (u)), Addison Pauli (facilities assistant (u)), Thomas Rich (data/render support: Framestore (u)), Paul Roberts (render support (u)), Grant Robertson (digital compositor (u)), David Schaub (motion capture supervisor (u)), Chris Scott (visual effects (u)), Michael Shaw (visual effects artist (u)), Daniel Tiesling (development specialist (u)), Tanawat Wattanachinda (rotomation artist (u)), Stephen Winters (render i/o administrator (u)), William G. Wright (digital compositor (u)) y Jeen Yee (production coordinator: mpc (u))
Bailey Adam (Animador) y Maxwell Adams (Animador: Framestore)
Francesco Alberico (Estilista), Cesar Alonso (Efectos especiales con maquillaje), Katie Beveridge (trainee makeup artist: dailies), Jacqueline Bhavnani (make up & hair artist), Jessica Brooks (Maquilladora), Zoe Clare Brown (makeup artist (as Zoe Brown)), Michael Byrne (prosthetic makeup technician), Steven Byrne (prosthetics technician), Satinder Chumber (Protesista), Jennie Cooper (crowd hair stylist: dailies / crowd makeup artist: dailies), Rose Crocker (Estilista/Artista de maquillaje), Sally Crouch (junior assistant makeup artist: crowd), Lizzie Davies (junior makeup artist: dailies), Gigi Dey (hair trainee: makeup trainee), Alison Hanken (junior hair stylist: crowd, dailies / junior makeup artist: crowd, dailies), Uxue Laguardia (Maquilladora), Ailbhe Lemass (Jefe de maquillaje), Chris Lyons (Dientes de efectos especiales), Kristyan Mallett (Supervisor de prótesis), Roo Maurice (crowd hair stylist / crowd makeup artist), Kirsty Mcqueen (Maquilladora), Sarah Monzani (Diseñador del pelo/Diseñador de maquillaje), Alice Moore (hair trainee / makeup trainee), Fran Needham (Maquilladora), Ella Noble-Jones (Aprendiz de maquillaje), Debbie Ormrod (daily makeup trainee), Victoria Poland (crowd makeup trainee), Laura Pollock (crowd hair stylist: dailies), Jacqui Rathore (crowd hair stylist / crowd makeup artist), Natalie Reid (hairdresser / makeup artist), Alex Rouse (Fabricante de pelucas), Michael White (hair stylist: Mr. Cruise) y Jayne Hyman (special makeup effects trainee (u))
Sam Alberg (Electricista), Damien Beebe (Camarógrafo), Alex Bender (second assistant camera: "b" camera, second unit), Guy Bennett (Key grip: splinter unit), Roger Bowles (first assistant camera: dailies), Tom Bray (video assist trainee), Alex Bridges (video assist assistant), Bob Bridges (video assist coordinator), Stuart Bridges (Asistente de operador de vídeo), Ben Brown (second assistant camera: dailies), Jaap Buitendijk (Fotógrafo), Steve Burgess (first assistant), Luke Cairns (additional second assistant camera: second unit), Steven Casali (video assistant: additional photography), Chris Cavanagh (video operator: additional photography), Luke Chisholm (Iluminador), Chris Clarke (additional first assistant camera: second unit), Barney Coates (camera trainee: second unit, dailies), David Cozens (Primer asistente de cámara), Adam Dale (aerial director of photography: UK), Katerina Diakoyanni (camera trainee: visual effects plates unit), Harry Dibden (camera trainee: second unit, dailies), Laura Difiglio (underwater assistant camera), Billy Dunn (Técnicos de iluminación), Robert Eberlein (additional photography), Tobias Eedy (first assistant camera (additional photography)), Lee Eldred (best boy electrical: second unit), Mike Farr (lighting balloon operator), Francesco Ferrari (Segundo asistente de cámara: segunda unidad), Peter Field (camera operator: "a" camera, additional photography / camera operator: "a" camera, second unit), Chuck Finch (Capataz), Wick Finch (gaffer: additional photography), Alex Finlayson (camera trainee: dailies), Jaime Fletcher (desk operator: second unit (as Jamie Fletcher)), Kevin Fraser (Jefe de iluminación y equipos de cámara: segunda u), Dave Freeth (Jefe técnico de libra), Harry Gamble (key central loader), Mike Gerzevitz (underwater lighting technician), Chris Gilbertson (lighting desk operator), Lee Godfrey (grip dailies), Leigh Gold (first assistant camera: "c" camera, second unit), Alan Grayley (electrician: second unit), Alan Hall (Segundo asistente de cámara), Jordan Halstead (Aprendiz de camarógrafo), Robert Hamilton (video operator: additional photography), Will Handley (eclipse technician), Dan Hartley (Asistente de operador de vídeo), Laura Jean Healey (phantom download technician: second unit), Des Hills (russian arm precision driver), Matt Hillyer (video assist: visual effects), Joe Hissey (Técnicos de iluminación), Simon Hume (Primer asistente de cámara), Larry Hurt (russian arm technician (u)), Gary Hutchings (Encargado de equipamiento de cámara), Gabriel Hyman (daily second assistant camera: second unit), David James (Fotógrafo), Jim Jolliffe (director of photography: TV unit), Andrew Jones (second assistant camera: "a" camera, second unit), Sacha Jones (second assistant camera: "c" camera), Aaron Keating (underwater gaffer), Alistair King (camera trainee: second unit), Simon King (phantom operator), Wayne King (gaffer: underwater unit), Alison Lai (second assistant camera: second unit, dailies), Harry Langston (practical electrian), Paul Legall (crane operator / crane technician), Stephen Lloyd (video assit trainee), Oliver Loncraine (camera operator: "b" camera, second unit), Keith Manning (best boy: dolly grip), Guillermo Gil Martin (camera trainee dailies), Timothy McCrary (underwater lighting: second unit), Adam McGrady (trainee video assist: second unit), Billy Merrell (Asistente), Richard Merrell (Electricista), Michael-Daniel-King (Electricista), Daniel Moriarty (grip: trainee (second unit)), Mark Moriarty (Camarógrafo), Julian Morson (camera operator: "b" camera), Simon Muir (Camarógrafo), Andy Munday (rigging desk operator), Peter Olney (Iluminador), Robert Palmer (Primer asistente de cámara: segunda unidad), Scott Parker (Técnicos de iluminación), Greg Patterson (underwater lighting technician), James Paul Thomas (Aprendiz de camarógrafo), David Penfold (Primer asistente de cámara), James Perry (second assistant camera: "c" camera, second unit), Steve Petrie (video assistant), Roland C. Phillips (additional second assistant camera), Toby Plaskitt (russian arm operator), Steve Pugh (Camarógrafo), Nick Ray (Ayudante del encargado de equipamientos de cámara), Peter Robertson (camera operator: "a" camera / steadicam operator), Pete Romano (underwater director of photography), Terje Røkke (remote head technician), Richard B. Shean (video playback assistant), Martin Smith (Jefe de electricistas: segunda unidad), Paul Snell (Segundo asistente de cámara), Alex Soria (video assistant: dailies), Ian Speed (Jefe técnico de libra), Kat Spencer (Segundo asistente de cámara), Stefan Stankowski (Camarógrafo: segunda unidad), James Starr (additional video assist), Fraser Taggart (Director de fotografía: segunda unidad), Peter Talbot (director of photography: splinter unit), David Tanner (underwater electrician), Olly Tellett (camera operator: "b" camera / first assistant camera), Nick Thursby (Aprendiz de camarógrafo), Neil Tomlin (crane technician dailies), Alf Tramontin (steadicam operator: second unit), Derek Walker (additional camera operator), Jon Webb (Primer asistente de cámara), Paul Wheeldon (Primer asistente de cámara), Michael White (supervising practical electrician), Glyn Williams (first assistant camera: aerial unit (as J. Glyn Williams)), Ben Wilson (Camarógrafo: segunda unidad), Steve Wood (Electricista), Tim Wooster (underwater director of photography), Jimmy Worley (Técnicos de iluminación), Treva Wurmfeld (set videographer) y Tim Dean (Libra head technician (u))
James Herbert y Laura Jennings
Elli Griff, Chris 'Flimsy' Howes (Dibujante senior en 3D) y Gena Vazquez (Sin acreditar)
Terry Bamber (Director de producción: segunda unidad), Tim Lewis (Jefe de producción), Jeffrey Silver (Jefe de producción), Katherine Tibbetts (Jefe de producción), ravi Akshay (line producer: post production (u)), Tom Barnes (unit manager: additional photography (u)), Tim Grover (post-production supervisor (u)), Marianne Jenkins (post-production executive (u)), Afnahn Khan (post-production executive (u)), Drew Payne (unit manager (u)), Jason Pomerantz (production manager: IMAX version (u)), Akshay Ravi (line producer: post production (u)), Kelley Smith-Wait (executive in charge of production (u)), Cristina-Ioana Tanase (production manager (u)), S. Navin Venkatesh (production manager: Imageworks India (u)) y Suzie F. Wiesmann (production supervisor (u))
En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "Al filo del mañana".
Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Doug Liman, Tom Cruise o Emily Blunt? Comparte tus pensamientos, emociones y críticas sobre Al filo del mañana. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine y series nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!
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No hay detalle demasiado pequeño ni opinión insignificante. ¿Algún pedido especial? ¿Una película que sueñas con ver reseñada? ¡Hágannoslo saber! Juntos, haremos de esta comunidad el epicentro del séptimo arte. ¡Dejen sus reseña en la caja de comentarios y juntos hagamos crecer la magia cinematográfica!
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