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How I Live Now

How I Live Now (2013)

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La películas How I Live Now del año 2013, está dirigida por Kevin Macdonald y protagonizada por Saoirse Ronan quien interpreta a Daisy, Tom Holland en el papel de Isaac, George MacKay como Eddie, Harley Bird personificando a Piper y Danny McEvoy desempeñando el papel de Joe (ver créditos completos).

Es una obra de género Thriller, Romance y Drama producida en Reino Unido. Con una duración de 01 hr 41 min (101 minutos), esta película tiene diálogos originales en Inglés. La banda sonora para esta producción ha sido compuesta por Jon Hopkins.

Para el desarrollo de la historia que cuenta esta obra, se necesitaron nada menos que 5 colaboraciones. Meg Rosoff ((based on the novel by)), Jeremy Brock ((screenplay)), Penelope Skinner ((screenplay)), Tony Grisoni ((screenplay)) y Jack Thorne ((additional material)).

A nivel internacional, este largometraje tuvo diversas denominaciones, incluyendo "Как живея сега" en Bulgaria (Bulgarian title), "Minha Nova Vida" en Brazil, "Mi vida ahora" en Chile y Spain. La diversidad de títulos para una misma película suele ser fascinante. Nos encantaría saber cómo se titula esta obra en tu país. ¡Cuéntanos en los comentarios y enriquece nuestra experiencia cinematográfica!

Ver How I Live Now completa en español

Proveedores legales para Latinomerica y España libres de malware y publicidad engañosa.

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          Información técnica y general

          Duración: 01 hr 41 min (101 minutos) .

          Color: Color

          Paises productores: La película How I Live Now fué producida en Reino Unido

          Lenguaje original: Inglés.

          Títulos en cada país:

          Clasificación

          Créditos completos de la película How I Live Now

          Dirección

          Guión

          Reparto

          Daisy
          Isaac
          Eddie
          Piper
          Joe
          Aunt Penn
          News Reporter
          Consular Official
          Sergeant
          Mrs. McEvoy
          Major McEvoy
          Woman in Truck
          Woman in Truck
          Checkpoint Soldier
          Beaten Woman
          Chasing Man 1
          Chasing Man 2
          Guerilla Soldier Girlfriend
          Mercenary
          Security Officer
          Villager
          Soldier (u)
          Farm Girl (u)
          Commanding Officer (u)
          Field Worker (u)
          Army Sergeant (u)
          Soldier (u)
          Soldier Corporal (u)
          Gypsy (u)
          Passenger (u)
          Villager (u)

          Música

          Producción

          producer
          associate producer
          producer
          line producer
          executive producer
          producer
          producer
          associate producer
          executive producer
          executive producer
          executive producer

          Casting

          Nina Gold

          Fotografia

          Franz Lustig (director of photography)

          Ayudante de dirección

          Jamie D. Allen (second assistant director), Alex Currie-Clark (third assistant director), Brady Hood (third assistant director: additional unit), Adam Lock (first assistant director), Andrew Mannion (second assistant director: additional unit (as Andy Mannion)), Dan Maslen (second unit director) y Dan Winch (first assistant director: additional unit)

          Dirección artística

          Astrid Sieben

          Departamento de arte

          Rob Anderson (construction manager), Rachel Atherton (painter), Philip A. Brown (draughtsman (as Philip Brown)), Mark Burgess (dressing props: additional unit), Maxine Carlier (stand-by art director), Julia Challis (stand-by props (as Julia Bryson-Challis)), Gareth Cousins (assistant art director), Simon Davies (prop hand: dailies), Arwel Evans (stand-by props), James Fennessy (head painter (as Jim Fennessy)), Sara Figiel (art department trainee), Darren Fitzgerald (painter), Jason Frampton (prop hand: dailies), Philippa Hart (set decorator: additional unit), Anthony Hill (painter), Zoe Hoare (production buyer), Martin Hull (painter (as Martin Hill)), Phillip Jones (prop hand: dailies (as Phil Jones)), Roger Kiff (carpenter), Lisette Lawrie (greensman assistant), Blaanid Maddrell (production buyer: Wales), Charlie Malik (dressing props), Dan Maslen (storyboard artist), Rowena Oven (assistant set decorator: additional unit), Nick Palmer (production designer: additional unit), David Pearce (painter), Andre Pretorious (carpenter), Stuart Rankmore (props), Rhianedd Roberts (prop hand: dailies), Paul Robinson (dressing props daily), Joelle Rumbelow (production buyer: Wales), Sean Russel (carpenter), Steve Rutter (carpenter (as Stephen Rutter)), Tessa Scott (painter), Mike Spence (carpenter), Nick Thomas (property master), Matt Watts (stand-by props: additional unit), Henry Woolway (art department assistant), Matt Amos (painter (u)), Carly Reddin (art director: first segment (u)), Richard Rowntree (greensman: Palmbrokers (u)), David Sutheran (props (u)) y Janine Wilder (painter (u))

          Dobles

          Nina Armstrong (stunt performer), Lloyd Bass (stunt performer), Oliver Gough (stunt performer), Ian Kay (stunt performer), Maurice Lee (stunt performer), Belinda McGinley (stunt performer), Jo McLaren (stunt coordinator), Chris Newton (stunt performer), Andy Pilgrim (stunt performer), Donna Williams (stunt performer (as Donna C. Williams)), Leo Woodruff (stunt performer), Tony Arvanitis (stunt performer (u)) y Casey Michaels (stunt performer (u))

          Diseño de vestuario

          Jane Petrie

          Efectos visuales

          Huseyin Caner (visual effects supervisor), Tim Caplan (visual effects producer: Union Visual Effects), Sandra Chocholska (visual effects artist: Union Visual Effects), Mitch Crease (visual effects artist: Union Visual Effects), Agueda Del Castillo (visual effects artist: Union Visual Effects), Simon Hughes (visual effects supervisor: Union VFX), Mark Keady (visual effects editor: Union Visual Effects), Ines Li (visual effects production assistant: Union Visual Effects (as Ines Li Ying)), Mervyn New (visual effects artist: Union Visual Effects), Maria Peralta Ramos (visual effects artist: Union Visual Effects), Kim Ranzani (visual effects artist: Union Visual Effects), Iain Read (visual effects artist: Union Visual Effects), James Roberts (visual effects artist: Union Visual Effects) y Noga Alon Stein (visual effects coordinator: Union Visual Effects)

          Diseño de producción

          Jacqueline Abrahams

          Departamento de maquillaje

          Fai Archer (hair trainee / makeup trainee), Barrie Gower (prosthetic makeup artist), Alex King (additional makeup artist (as Alexandra King)), Marese Langan (hair designer / makeup designer), Victoria Northbrooke (trainee: skillset), Sandra O'Brien (hair department head: reshoots), Farzana Saiyed (hair trainee / makeup trainee), Malwina Suwinska (hair trainee / makeup artist) y Kate Warwick-Oliver (hair stylist / makeup artist)

          Departamento de musica

          Leo Abrahams (musician: guitars), Cherie Hashzume (additional engineering), Jon Hopkins (music producer / musician), Sarah Jones (musician: drums), Abi Leland (music supervisor), Davide Rossi (musician: violin), Vince Sipprell (musician: violas), Emma Smith (musician: violin) y Niv Adiri (music editor (u))

          Departamento de vestuario

          Genevieve Cox (costume supervisor), Barbara Elum-Baldres (costume daily / daily costume assistant / daily (u)), Terry Facer (military costumer), Natasha Freeman (costume alterations), Beth Gillman (assistant costume designer), Katy Hackney (costume dailies), Vanessa Lingham (costume dailies), Sharon Long (costume dailies), Anna Oldham-Cooper (costume and wardrobe trainee: skillset), Hilary Steiman (specialist knitwear (as Hilary Sleiman)) y Karishma Harjani (costume trainee (u))

          Departamento de reparto

          Lauren Evans (casting assistant), Theo Park (casting associate), Cindy Tolan (additional casting), Robert Sterne (casting assistant (u)) y Hannah Marie Williams (extras casting (u))

          Departamento de editorial

          Fiorenza Bagnariol (digital film bureau: Company 3), Jonathan Collard (digital intermediate assistant producer: Company 3), Peter Collins (colour assistant: Company 3), Marie Fernandes (digital intermediate producer: Company 3), Adam Glasman (colourist: Company 3), Emily Greenwood (digital conform: Company 3), Neil Harrison (digital intermediate systems administrator: Company 3), David Harwood (post-production coordinator), Dan Helme (data wrangler: Company 3), Timothy P. Jones (digital film bureau: Company 3 (as Timothy Jones)), Alex Kalmakrian (second assistant editor), Mark Keady (first assistant editor), Patrick Malone (digital intermediate head of department: Company 3), Laura Pavone (colour assistant: Company 3), Gordon Pratt (digital film bureau: Company 3), Aurora Shannon (colour assistant: Company 3), Stefan Sonnenfeld (executive producer: Company 3), Laurent Treherne (digital intermediate technologist: Company 3), Russell White (digital conform assistant: Company 3), Darren Rae (hd dailies colorist (u)), Robert Scammell (hd dailies assistant (u)) y Justin Tillett (digital on-line editor (u))

          Departamento de transporte

          Tony Arvanitis (transport captain), Jack Cooke (driver), Christopher Free (facilities hod), Louis Irwin (vehicle coordinator: TLO), Tom Keil (driver), Andy Lawrence (driver: grip), Tom Ludlam (driver) y Izzy Miah (driver: minibus)

          Cámaras y departamento de electricidad

          Simon Beach (electrician), David Cadwallader (grip: additional unit), Chris Cavanagh (daily video assist), Mark Clayton (gaffer), Nicola Dove (still photographer), Kevin Foy (grip: dailies), Keith Freeman (stand-by rigger), Benny Harper (best boy), Gary Hedges (electrician (as Garry Hedges)), Dai Hopkins (grip: dailies), Jeremy Hunt (camera trainee), Chris Jacobi (camera trainee: skillset), Mark Johnson (electrician), Daniel Laviada (key grip), John Lee (additional photography), Lydia Lewis (camera trainee), Mark Milsome (additional photography / camera operator: "b" camera), Agatha A. Nitecka (still photographer), Steve Petrie (video assist operator), Sarah Rollason (first assistant camera: "b" camera), Susanne Salavati (additional photography (as Susanne Willett)), James Summers (rigging gaffer), Orit Teply (first assistant camera), Gerry Vasbenter (steadicam operator), Alexandra Voikou (a camera clapper loader), Hana Vojackova (additional still photographer: additional unit), Andrew Vowles (stand-by rigger), Benjamin Michael Wearing (camera operator: "c" camera (as Benjamin Wearing) / second assistant camera: "b" camera (as Benjamin), Harry Wiggins (gaffer: additional unit), Neil Willis (aerial camera operator), Rick Woollard (steadicam operator: additional unit), David Wright (digital imaging technician), David J. Bremner (grip (u)), Mark Holownia (electrician (u)), Rich Stevenson (underwater camera team (u)) y Richard Stevenson (underwater camera team (u))

          Montaje

          Jinx Godfrey

          Gestión de producción

          Patrick Burrows (unit manager: London), Tracey Josephs (head of production: Film4), Gabby Le Rasle (production manager), Fiona Morham (head of production: BFI) y Louise Seymour (post-production supervisor)

          Otras personas que participaron

          Bianca Boey (publicist: Freud Communications), Sarah Bowden (catering manager: Bowdens Catering), Geraint Bowen (head chef: Bowdens Catering (as Geraint 'Bowz' Bowen)), Sandra Butterworth (dialect coach), Amy Cairns (production legal services: Reed Smith), Neil Calder (completion guarantor: Film Finances), Tonia Cohen (clearance services: Capello Media Solutions), John Constable (tutor), Jack Cooke (production runner), Ben Coren (assistant to director and producers), Laura Crowley (production legal services: Reed Smith), Chris Cullum (health and safety officer), Matt Curtis (titles designer), Robin Davies (production coordinator), Maxine Davis (production accountant), Ben Dawes (production assistant), Harry Dixon (head of business affairs: Film4), Paul Fitzpatrick (security officer), Lizzie Francke (senior production executive: BFI), Sophia Garrido (epk), Maryllis Gonzalez (first assistant accountant), Harry Greaves (rushes runner), Martyn Griffiths (facilities manager), Paul Grindey (head of business affairs), Aimee Hall (publicist: Freud Communications), Andy Halsey (sous chef: Bowdens Catering), Laura Harold (double: Daisy), Paul Hillier (insurance: Robertson Taylor), Ruth Hodgson (completion guarantor: Film Finances), Steve Joberns (auditor: Shipleys), Mali Jones (double: Piper), Tom Kiel (production runner), Ian Kirk (head of production finance: BFI), Sam Lavender (head of development: Film4), Kate Lee (publicist: Freud Communications), Tom Ludlam (production runner), Nadiya Luthra (accommodation coordinator), Simon Matthews (lead security: Wales), Colin Oliver (armourer / military supervisor), Lynda Richards (kitchen porter: Bowdens Catering), Ben Roberts (director of film fund: BFI), Vinny Roberts (driving double: Isaac), Janice Schumm (script supervisor), Natalie Sloan (script supervisor: additional unit), Sue Bruce Smith (head of commercial development: and brand strategy Film4 (as Sue Bruce-Smith)), Liz Stevenson (base runner trainee), Matthew Strange (armourer / military supervisor), Sarah Townsend (floor runner), Helen Turner (production coordinator: additional unit), Rob Umney (unit medic), Hamish Ward (accounts assistant), Ben Wilkinson (business affairs manager: BFI), Jamie Wolpert (Development Executive: BFI), Cameron Arguelles (conversions qc (u)), Dean Clack (facilities (u)), Elton Farla (medical services (u)), Sam Girdler (base runner: dailies (u)), Ali Moshref (production executive: completion guarantor (u)) y Richard Wild (weather consultant (u))

          Agradecimientos

          Shaheen Baig (special thanks), Richard Brindle (special thanks), Catherine Clarke (special thanks), Geoff Davies (thanks), Griff Griffiths (thanks), Rod Hall (special thanks), Scott Jones (thanks), Suzi Kennedy (thanks), Charlotte Knight (special thanks), Adele Minchin (special thanks), Sara Murray (special thanks), Mike Owen (thanks), Peter Vabsley (thanks) y Thomas Vinterberg (special thanks)

          Empresas distribuidoras

          Momentum PicturesEntertainment OneBroadmedia StudiosGolden Village PicturesMVP EntertainmentFreestyle ReleasingPARLUX EntertainmentUGC DistributionVideoramaAlliance Filmstrigon-filmFilmaxFront Row Filmed EntertainmentImpuls Home EntertainmentNordisk FilmMagnolia Home EntertainmentRed ApolloShaw OrganisationSony Pictures Home Entertainment Zon Lusomundo Audiovisuais

          Empresas productoras

          BFI Film FundCowboy FilmsFilm4 FramestoreProspect EntertainmentProtagonist PicturesArion Communications Ltd.

          Otras empresas

          ARRI Lighting RentalMad Dog CastingArt4noiseAudiolink Radio CommunicationsBowdens CateringCafe Music StudiosCapello Media SolutionsCompany 3De Lane LeaDigital Post ServicesDive SolutionsDolby LaboratoriesFattsFilm FinancesFintage CAMFreud CommunicationsGill Raddings Stunt Dogs & AnimalsGoldcrest Post Production LondonMediacom 24-7Moneypenny Services GroupRiggatoniPinewood StudiosReed SmithRemote Camera SystemsRobertson TaylorSound 24Streamline LeisureSHBAlfred Hitchcock Theatre, TheTLO Film ServicesTVC Soho Post ProductionLee & Thompson

          Empresas de efectos especiales

          Union Visual EffectsPlowman Craven & Associates

          Enlaces externos

          En esta sección podrás acceder a los recursos externos que utilizamos como fuentes. Así podrás chequear toda la información que publicamos y también ampliar tu conocimiento sobre "How I Live Now".

          Comentarios

          Aquí, la magia del cine cobra vida a través de tus opiniones. ¿Qué te llevó ver esta película? ¿Eres fan de Kevin Macdonald, Saoirse Ronan o Tom Holland? Comparte tus pensamientos, emociones y críticas sobre How I Live Now. ¿Te hizo reír, llorar o reflexionar? Este es el lugar para expresarlo. ¡No te guardes nada! Queremos construir una comunidad apasionada donde la conversación sobre cine y series nunca se detenga. Únete a la charla y déjanos conocer tu mundo cinematográfico. ¡Los comentarios son la pantalla donde se proyecta nuestra diversidad de opiniones!

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